{"id":1869,"date":"2018-08-10T09:11:00","date_gmt":"2018-08-10T09:11:00","guid":{"rendered":"http:\/\/works.raqsmediacollective.net\/?p=1869"},"modified":"2024-12-17T10:47:21","modified_gmt":"2024-12-17T10:47:21","slug":"provisions-for-everybody-instal","status":"publish","type":"post","link":"https:\/\/works.raqsmediacollective.net\/index.php\/2018\/08\/10\/provisions-for-everybody-instal\/1869","title":{"rendered":"Provisions for everybody"},"content":{"rendered":"
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Provisions for Everybody
Shown at: AV Festival, Newcastle (2018) | ‘Still More World’ Mathaf: Arab Museum of Modern Art,\u00a0Doha (2019) <\/strong><\/em>
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Installation with 3 Videos, large drawing print, 3 dhurrie banners, drawings on vinyl, found furniture<\/em>
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\u201cCoal Mine. Windmill. Sugarcane Field. Words. Pictures. Memes. It\u2019s all about energy; everything is burning.\u201d<\/em><\/p>\n\n\n\n

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\u201cHow not to write slow poisoning love letters to life?\u201d, Raqs asks, as they collect provisions for everybody, straddle a planet rotating without permission, create an untimely calendar for the centuries from stone, coal, oil and windmills, and call up spectres of ordinariness to help forsake the comfort of readymade answers.<\/p>\n\n\n\n

With Provisions for Everybody<\/em>, Raqs presents a new set of works especially produced for the 2018 edition of the AV Festival. What is on offer is a weave of thoughts found on the the road; as well as images, calculations, texts, textures and textiles which accompany and aid the the task of re-imagining the relation between potential and plenitude.<\/p>\n\n\n\n

The video that lends its name to the exhibition, \u2018Provisions for Everybody\u2019, follows an itinerary on and off the trail of George Orwell. Traveling between Northern England, Eastern India, Myanmar, and Catalonia, Raqs find that one place shadows another, but one time never fits all. Raqs burrow under the earth, find a memorial to doubt ext to sugarcane fields, survey an open cast coal mine, study line dancing in a pit village, and fid everything ablaze from neolithic age to now. This provokes reflection on the relationship between  time and energy, between burning and becoming fuel, via parables and lessons from pigs, donkeys and a taxidermied elephant.<\/p>\n\n\n\n

Raqs\u2019 journey takes them to Orwell\u2019s birthplace in Motihari, Bihar in Eastern India, where they consider his assertion \u2013 \u201cto abolish class \u2013 (and caste)- distinctions means abolishing a part of yourself\u201d in tandem with the Buddha\u2019s celebration of doubt, which happened more than two millennia ago, in the same neighbourhood. Meanwhile, daily revolutions are observed in silence against wide-open horizons in \u2018A Planet Turns on its Axis Without Permission\u2019, an accompanying video that offers a landscape as an allegorical proposition. Drawings of a series of ordinary objects that resonate with things noted and remarked upon in the reading of \u201cThe Road to Wigan Pier\u2019 animate a third annotative video, titled, simply \u2019Things to Look at and Reconsider\u2019. The window-drawing with its enmeshment of the human, animal and machinic is our new world-field. And so, woven textile and luminous text that that take the form of three suspended dhurries recalling the heraldry of historical labour movement banners are titled, \u2018Let the Future Praise Us<\/em>\u2019.<\/p>\n\n\n\n

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‘Still More World<\/em>‘ Mathaf: Arab Museum of Modern Art, Doha (2019)<\/p>\n\n\n\n

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Provisions for Everybody <\/strong><\/p>\n\n\n\n

Single screen, Video, 50 minutes, Furniture<\/em><\/p>\n\n\n\n

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See Also: Provisions for Everybody (film)<\/a><\/div>\n<\/div>\n\n\n\n
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