{"id":6333,"date":"2011-01-11T13:20:00","date_gmt":"2011-01-11T13:20:00","guid":{"rendered":"https:\/\/works.raqsmediacollective.net\/?p=6333"},"modified":"2023-01-11T13:32:11","modified_gmt":"2023-01-11T13:32:11","slug":"premonition","status":"publish","type":"post","link":"https:\/\/works.raqsmediacollective.net\/index.php\/2011\/01\/11\/premonition\/6333","title":{"rendered":"Premonition"},"content":{"rendered":"\n
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Premonition, Experimenter Gallery, Kolkata (2011)<\/p>\n\n\n\n

Sometimes, not even the insistent repetition of phenomena finds you prepared for the uncanny tug of premonition. Premonition: the anticipatory call of things forever about to happen. Even if nothing happens. Even if the emergency lights flicker away a wasting sense of urgency.<\/p>\n<\/div>\n\n\n\n

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We the Fuel | 2011<\/em><\/strong><\/p>\n\n\n\n

9 framed photographs, tape residue (210 x 180 cm)<\/p>\n\n\n\n

Premonition<\/em>, Experimenter Gallery, Kolkata (2011).<\/p>\n<\/div>\n\n\n\n

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A chimney once sent out a smoke semaphore foretelling a cancelled future. A furnace once burnt fuel. We are the fuel. Sleeping under tons of earth like the ghost of a forest, waiting for prospectors with toothy grins.<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
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Automeasure <\/figcaption><\/figure>\n<\/div>\n\n\n
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D\u00c9J\u00c0 VU AND DISTANCE & HAVE YOU FACTORED IN? | 2011<\/strong><\/p>\n\n\n\n

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Installation with 9 acrylic frames, LED lights\u00a0<\/em><\/p>\n\n\n\n

Have You Factored In? – Video loop<\/em><\/p>\n<\/div>\n\n\n\n

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The picture is a mirage in the desert of the now. A thing made of vapour and thirst that hangs over the horizon. A loop caught repeating itself endlessly, like a premonition that is also a memory that is also a warning that is also a moment of reflection. Like a mirror that is also smoke. Empty frames that show you nothing but d\u00e9j\u00e0 vu. Have you factored for D\u00e9j\u00e0 vu and Distance at Baranagar?<\/p>\n\n\n\n

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The Impostor in the Waiting Room <\/strong><\/p>\n\n\n\n

2004\/  Installation with video, photography, performance, text, audio and print<\/p>\n\n\n\n

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“The passage from \u201cwaiting rooms\u201d to the \u201cstage\u201d often requires a person to go through intense scrutiny. This happens at airports and borders. It also happens in streets, homes, and workplaces. The art of the impostor becomes a guide to survival for people negotiating this rough passage. Waiting rooms everywhere are full of impostors waiting to be auditioned, waiting to be verified, waiting to know and to see whether or not their \u201cact\u201d passes muster.” – p.76 Dreams and Disguises, as Usual Seepage (2010 Sternberg Press, Raqs Media Collective)
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A consideration on what happens when modernity encounters its shadow. As a group of practitioners who navigate routes in and out of modernity, its past, present and future, on a daily basis in Delhi – the city where we live, and in the course of our travels elsewhere, we have come to realize that the world is densely encrusted with \u2018waiting rooms\u2019 – spaces for transients to catch their breath as they prepare for the arduous ascent to the high promontory of modernity. The image of the \u201cwaiting room\u201d gestures towards the sense of incompleteness and elsewhereness that fills those spaces of the world about which the overriding judgment is that they are insufficiently modern \u2013 that they are merely patchy, inadequate copies of \u2018somewhere else\u2019. Such waiting rooms exist in the very heart of that \u2018somewhere else\u2019 \u2013 in New York and Los Angeles, in London and Singapore \u2013 but it is outside these islands that they have their truest extent. Most of the world, in fact, inhabits such antechambers of modernity. We know such antechambers well; we are at home in them, everywhere. Waiting Rooms everywhere are full of Impostors waiting to be auditioned, waiting to be verified, waiting to know and to see whether or not their \u2018act\u2019 passes muster, and whether they can cross the threshold and arrive on to the plane where \u2018history is truly made\u2019.<\/p>\n<\/div><\/div>\n\n\n\n

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Premonition, Experimenter Gallery, Kolkata (2011) Sometimes, not even the insistent repetition of phenomena finds you prepared for the uncanny tug of premonition. Premonition: the anticipatory call of things forever about to happen. Even if nothing happens. Even if the emergency lights flicker away a wasting sense of urgency. The Impostor in the Waiting Room  2004\/  Installation […]<\/p>\n","protected":false},"author":2,"featured_media":6334,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[5,1],"tags":[],"class_list":["post-6333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","category-works","has-thumbnail"],"gutentor_comment":0,"yoast_head":"\nPremonition - Works Raqs Media Collective<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/works.raqsmediacollective.net\/index.php\/2011\/01\/11\/premonition\/6333\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Premonition - Works Raqs Media Collective\" \/>\n<meta property=\"og:description\" content=\"Premonition, Experimenter Gallery, Kolkata (2011) Sometimes, not even the insistent repetition of phenomena finds you prepared for the uncanny tug of premonition. 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