{"id":9678,"date":"2011-09-22T10:09:00","date_gmt":"2011-09-22T10:09:00","guid":{"rendered":"https:\/\/works.raqsmediacollective.net\/?p=9678"},"modified":"2023-09-22T10:10:09","modified_gmt":"2023-09-22T10:10:09","slug":"reading-light","status":"publish","type":"post","link":"https:\/\/works.raqsmediacollective.net\/index.php\/2011\/09\/22\/reading-light\/9678","title":{"rendered":"Reading Light"},"content":{"rendered":"\n
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Reading Light<\/p>\n\n\n\n

Siege du Parti Communiste Francaise, Festival d\u2019Automne, Paris (2011)<\/p>\n<\/div>\n\n\n\n

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Reading Light\u00a0<\/em>\u2013 the work presented by Raqs in Oscar Niemeyer\u2019s iconic building for the French Communist Party at the Place Colonel Fabien \u2013 was a set of illuminated signs that use text, typography, light sources and electricity to conjure a renewal of human aspirations. The\u00a0‘Reading Light’ s<\/em>culptures use an array of lightbulbs of different sizes, shapes and specifications to spell out words, phrases and shapes. The work \u2018lights up\u2019 sometimes by creating a series of retinal afterimages in the viewer\u2019s field of perception, and at other times through the interplay of surface, shape, darkness and luminosity. This physical process corresponds to the triggering of responsive elements in the consciousness of an engaged observer.\u00a0Reading Ligh<\/em>t works with the curves and the shadows produced by the curvature of concrete to offer a luminous calligraphic annotation to Niemeyer’s intensely humanist geometry of space.\u00a0The illuminated shapes produced by the array of light bulbs suggest an arresting configuration of orthographic signs – question marks and exclamation signs – pointing to the continuing need for the electrification of frozen attitudes by intermittent surges of liberating doubt.<\/p>\n\n\n\n

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Marks <\/a><\/span><\/p>\n\n\n\n

Acrylic, MDF, red LEDs, electrical wires, gold mylar sheet<\/p>\n<\/div>\n\n\n\n

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Marks offer a luminous typographic annotation to the political imagination. The illuminated shapes produced by the array of red light bulbs suggest an arresting configuration of orthographic devices \u2013 a question mark and an exclamation sign \u2013 that couple to form an echo of the hammer & sickle sign. The work bathes the entrance to the foyer in red light, and finds itself reflected on many of the surfaces that surround it. By having questions marks and exclaimation marks perform the hammer & sickle sign, \u2018Marks\u2019 (a play on the name \u2018Marx\u2019) reiterates and celebrates the legacy of asking questions and articulating deeply felt human desires.<\/p>\n\n\n\n

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Revoltage<\/a><\/span><\/p>\n\n\n\n

Text, lightbulbs, fixtures, acrylic, wire, synchroniser<\/p>\n<\/div>\n\n\n\n

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Revoltage fills the space it occupies with warmth, light, and the charge of an idea that embraces both celebration and rage. It suggests the energy, or \u201cvoltage,\u201d of what it means to revolt, to commit oneself to humanity. The letters join to suggest an incandescent hybrid between electricity and uprising \u2013 alternately illuminating the words \u201cRevolt\u201d and \u201cVoltage\u201d through a fluctuating electrical current in order to coin a new thought, \u201cRevoltage\u201d. Revoltage registers first as an after-image (the kind we see when we shut our eyes after looking at a strong source of light), and then as a subliminal suggestion within our consciousness to brighten our days with the brilliance of a form of truant, rebel power that refuses to either name itself or be named into domesticity. <\/p>\n\n\n\n

A cascade of black and red wiring (anarchy\u2019s traditional colours) makes its way down from the multitude of light bulbs that make up the word, and flows along its length on the ground. The bunched wires merge and divide like a map of the tributaries of a mighty, turbulent river before disappearing into the shadowy darkness behind the work. By representing the transport of the electrical energy that fuels the work, the wires evoke the way in which ordinary people all over the world have flooded their cities in recent times (in Cairo, New York, Athens, Madrid, Moscow, Tel Aviv, and elsewhere), like rivers in spate, electrifying global consciousness with the actualisation of a new politics, carrying with them the charge of a new mode of being human.<\/p>\n\n\n\n

With Revoltage, Raqs have begun writing a new glossary for these times.<\/p>\n\n\n\n

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Strikes at Time<\/a><\/span><\/p>\n\n\n\n

2 synchronized video projections with sound, 18\u2019 32\u201d<\/p>\n<\/div>\n\n\n\n

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\u201cStrikes at Time\u201d is a lucid dream, readings from an occasional anonymous journal, and a long walk at the edge of the city of the night. In that no man\u2019s land annexed by the awakening mind from the fatigue of the labouring day, the work weaves together a disquisition on time in the form of a discreet annotation on the philosopher Jacques Ranci\u00e8re\u2019s \u2018The Nights of Labour\u2019, together with renditions of the found text of a worker\u2019s diary by the CyberMohalla Ensemble, a group of unorthodox proletarian urbanists that Raqs has been in dialogue with over a decade. The shadowy presence of a Yaksha and Yakshi \u2013 guardians of wealth in Indic mythologies \u2013 stands watching over the work, marking time with questions.<\/p>\n\n\n\n

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Reading Light Siege du Parti Communiste Francaise, Festival d\u2019Automne, Paris (2011) Reading Light\u00a0\u2013 the work presented by Raqs in Oscar Niemeyer\u2019s iconic building for the French Communist Party at the Place Colonel Fabien \u2013 was a set of illuminated signs that use text, typography, light sources and electricity to conjure a renewal of human aspirations. […]<\/p>\n","protected":false},"author":2,"featured_media":9685,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[24],"tags":[],"class_list":["post-9678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-para-practices","has-thumbnail"],"gutentor_comment":0,"yoast_head":"\nReading Light - Works Raqs Media Collective<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/works.raqsmediacollective.net\/index.php\/2011\/09\/22\/reading-light\/9678\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reading Light - Works Raqs Media Collective\" \/>\n<meta property=\"og:description\" content=\"Reading Light Siege du Parti Communiste Francaise, Festival d\u2019Automne, Paris (2011) Reading Light\u00a0\u2013 the work presented by Raqs in Oscar Niemeyer\u2019s iconic building for the French Communist Party at the Place Colonel Fabien \u2013 was a set of illuminated signs that use text, typography, light sources and electricity to conjure a renewal of human aspirations. 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