[Reader-list] The Political Culture of Fascism (Jairus Banaji)
Harsh Kapoor
aiindex at mnet.fr
Sun Nov 3 06:13:27 IST 2002
South Asia Citizens Web | 3 November 2002
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The Political Culture of Fascism
Jairus Banaji
http://www.mnet.fr/aiindex/2002/BanajiSept02.html
[Talk delivered at a Gujarat Seminar organised by the Vikas Adhyan
Kendra in Bombay, September 2002]
I called this talk the political culture of Fascism because I wanted
to draw attention away from the conventional emphasis in left
theories of fascism to aspects that are much less emphasised or not
even seen, precisely because they are so widespread. I want to do
this by starting with the most doctrinaire and, unfortunately, still
the most widespread of the left¹s theories of fascism, which is the
line the Comintern officially endorsed and repeated, endlessly,
throughout the late twenties and 1930s, while the tragedy of fascism
was being played out in Europe. This was the Comintern¹s conception
of fascism as what it called the "open terrorist dictatorship of the
most reactionary, most chauvinist and most imperialist elements of
finance capital". This was the Comintern¹s official understanding. It
further states that fascism "tries to secure a mass basis (I lay
emphasis on the word tries¹) for monopolist capital among the petty
bourgeoisie, appealing to the peasantry, artisans, office employees
and civil servants who have been thrown out of their normal course of
life, particularly to the declassed elements in the big cities, also
trying to penetrate into the working class" (cited Roger Griffin,
Fascism, p. 262). In short, in the Comintern¹s line, fascism is the
dictatorship of the most reactionary elements of finance capital.
Now, the Nazi party described itself, formally at least, as a
"workers¹ party". The Nazis saw themselves, at some superficial
level, in terms of rhetoric anyway, as appealing for the support of
workers. This suggests that there is something slightly specious
about trying to explain the rise of Nazism in the twenties simply in
terms of the dictatorship of capital.
Much of the Left still subscribes to the view that fascism is
primarily a product of the manipulations of capital or big business.
There are several things wrong with this view. It ignores the
political culture of fascism and fails to explain how and why fascist
movements attract a mass following. It embodies a crude
instrumentalism that conflates the financing of fascist movements by
sections of business with the dynamics of fascism itself. It also
views fascism in overtly pathological terms, as abnormality, thus
breaking the more interesting and challenging links between fascism
and normality¹. Finally, it contains a catastrophist vision: it sees
fascism as a kind of cataclysm, like some volcanic eruption or
earthquake, a seismic shift in the political landscape. So far as the
situation in India is concerned, this has surely demonstrated that
that is not how fascism grows. In India the growth of fascism has
been a gradual, step by step process where the fascist elements
penetrate all sectors of society and emerge having built up that
groundwork. So, if we in India have anything to contribute to a
theory of fascism, part of the contribution lies in disproving the
catastrophist element. This still leaves the other two perspectives,
which I called instrumentalist¹ and pathological¹ respectively.
Both are dangerously wrong and part of the reason why the left has
failed to establish a culture of successful political resistance to
fascism.
Now in contrast to the official¹ view, there is another group of
theories of fascism which also emanated from the left, although a
more disorganized left, a left outside the Comintern, driven out of
Germany by Nazism, and not collectively represented by any school. I
have in mind two rather brilliant analyses that were developed in the
1930s against the background of German fascism; one by Wilhelm Reich
who was a practising psychoanalyst. In his clinical work in Berlin in
the early thirties, Reich would have come across literally hundreds
of active supporters of Nazism. He was a committed socialist who fled
Germany when it became impossible to live there, and died,
ironically, in a US jail in 1957.
Then there is Arthur Rosenberg, who is not very well known. He was a
Communist deputy in the Reichstag in the mid twenties and would later
become an important influence on Chomsky. He was a historian who
wrote a brilliant essay on fascism in 1934, which we translated for
the first time, in the seventies, in Bombay. That particular essay is
called Fascism as a Mass Movement. Reich¹s book was called The Mass
Psychology of Fascism and first published in 1933. Already the titles
of these two works suggest to us a very different view of fascism.
Earlier I had emphasised the term "tries to secure mass support" in
the Comintern definition. This was said in 1933, after Hitler had
come to power in Germany. Imagine the Comintern trying to tell the
rest of the world that the fascists are "trying" to secure a mass
base! There is a way of characterising this. It is called living in
denial, bad faith, because if fascism has a mass base of any sort
then we have to try and understand the issue in different terms. How
is this mass base constructed? What allows for the construction of a
mass base by radical right-wing parties? These are the questions
that we need to confront, particularly if we want to confront our
problems in India. To answer these questions it is not enough to have
merely conjectural views on fascism, to say, fascism necessarily
presupposes a worldwide economic crisis¹; or fascism is a product of
economic crisis¹. This does not answer the question why people turn
to fascism, because equally they could have turned to the left. Or
why don¹t they become liberals instead? In short, why do they support
fascism?
The second group of theories of fascism is unified by a common focus
on the mass basis of fascism. Fascism differs from other reactionary
parties inasmuch as it is borne and championed by masses of people¹,
wrote Reich in the book I referred to. The difference between Reich
and Rosenberg is that Reich is interested in the psychic structures
that explain why individuals and particular classes of individuals
(e.g., the lower middle class) gravitate to fascism, and explores the
susceptiblity to fascism in terms of a cultural logic, whereas Arthur
Rosenberg tries to explain the construction of a mass base in
historical terms. These are complementary perspectives, they
certainly do not contradict each other. Reich is interested in the
cultural background/politics and character structures¹ that sustain
fascism, the repressions that fascism presupposes and draws upon,
whereas Rosenberg looks at the broad sweep of European history
against whose background right-wing ideologies flourished and
conservative élites found it possible to mobilise mass support. These
perspectives clearly support each other.
Rosenberg classified fascism in the most general terms as a species
of "anti-liberal mass movement". The emphasis here is on a secular
political liberalism that asserted the rights of the individual
against state authority and religious superstition, and on the defeat
of that liberalism in the latter part of the 19th century.
When I began to work on fascism in the 1970s, it became increasingly
apparent that German fascism was not the creation of the Nazi Party.
Rather, the Nazi party was, arguably, the creation of German fascism.
The whole groundwork of German society prepared the way for the rise
of the Nazi party.
German society in large parts had been fascisized¹, if one can call
it that; the preparatory groundwork was ready for some charismatic
leader or party to come along and retotalise¹/incarnate those
legacies to create the kind of political catastrophe that was created
in the 1930s. The groundwork had been intensively prepared, though in
an un-coordinated, non-centralised and dispersed fashion by, for
instance, the völkisch Action groups¹ that were active in the
twenties, organising pogroms and spreading hatred against the Jews;
by the numerous organisations of demobilized veterans who experienced
Germany¹s defeat in the war as a terrible national humiliation, a
blow to the pride of all Germans. There were within the top ranks of
the German army which had suffered defeat many who were implacably
opposed to democracy, to the November revolution and its overthrow of
the monarchy. There were numerous radical right-wing organizations
prior to the Nazi party that prepared the ground for the success of
the Nazis.
However, the strength of Rosenberg¹s essay was an analysis which
showed that fascism largely reiterated ideas that were widespread in
European society well before the first war. He saw the conservative
élites of 19th cent. Europe adjusting to the era of parliamentary
democracy and mass politics with an aggressive nationalism divested
of its liberal overtones, canvassing active support for strong states
wedded to expansion abroad and containment of the labour movement at
home, and unashamedly willing to use anti-Semitism as a way of
preventing middle-class voters from moving to the left¹ (Weiss,
Conservatism in Europe 1770-1945, p. 89). The more traditionalist
elements in Europe¹s ruling élites succeeded in defeating the
liberalism of 1848 with a populist conservatism that could garner
parliamentary majorities with xenophobic appeals and patriotic
agendas.
What replaced the discredited liberalism of the 19th cent. were new
ideologies of the Right, and it is against the background of these
ideologies (racism, militarism, imperialism, and the cult of
authority) that we need to situate the emergence of fascism in
Europe. I¹d like to suggest that fascism has to be deconstructed
"culturally" at three levels. The first among these, the level that
Rosenberg¹s work points to, is nationalism. The rational core of
every fascist ideology is nationalism. Fascist movements deify the
nation, so that fascism can even be seen as projecting itself as a
sort of secular religion¹, and does this all the more effectively
insofar as the vocabulary (artefacts, myths, rituals, symbols) of
that deification is borrowed from religion itself. So when people
ask themselves how we fight fascism, one way of fighting it is by
confronting nationalism and beginning to build an opposition to it.
The second level of deconstructing fascism and offering elements of a
framework is cultures of authoritarianism and repression, be it
social repression, family repression, or sexual repression. For
instance, the emergence of a feminist movement in the postwar era of
the 1960s and 70s represented a significant advance, because for the
first time sexual politics arrives on the center stage. The emergence
of sexual politics in the shape of feminism does contribute to the
fight against fascism as an ideology. I strongly believe that had
feminism not been on the scene, neo-nazism would be much stronger in
Europe than it is today.
The third and final level has to do with the fascist use of what
Sartre (following Riesman) calls other-direction¹, and with violence
as common praxis, that is, organised action or the common action¹ of
organised groups. Rosenberg himself saw the peculiarity of fascism
not in its ideology, which he thought was widespread by the turn of
the century, but in its use of the stormtrooper tactic¹. A form of
genocide or ethnic cleansing is implicit in the programme of every
fascist movement, as it is in that of the RSS, whose longest-serving
sarsangchlak even glorified German race pride¹ and the
extermination of the Jews. But the holocaust is only possible as the
culmination of a permanent mobilisation of¹/for¹ violence. Fascist
violence works through serial reactions which are retotalised at the
level of a common undertaking, that is to say, reshaped and forged
like inorganic matter¹ (Sartre, Critique of Dialectical Reason,
649-50). Thus fascism works best in a milieu of alterity (in our
case, communalism), where the oppression of blacks or Jews or Muslims
produces itself as a determination of the language of their
oppressors in the form of racism, where the inert execration of
oppressed minorities betrays countless symbolic murders (Sartre,
Réflexions sur la question juive, 58), and organised groups (criminal
organisations) fabricate religious mythologies to spur campaigns of
genocide. Mobilisation of¹ violence: in the savage campaigns of hate
propaganda directed against Muslims in India, genocide becomes
virtual¹; "totalising" propaganda creates an enemy whose
extermination it posits as possible, alludes to, suggests, justifies,
or advocates openly. Hate propaganda clears the ground for physical
attacks and mass killings by producing a "climate" of violence where
communal riots¹ (i.e. pogroms) can flare up¹ (be organised) at any
time. The "climate" is worked matter, the object of a concerted
praxis.
Scapegoating, racism, and virtual genocide thus form the third level:
all of these require detailed, intricate, elaborate organisation, and
point to fascism as the concerted action of organised groups working
on serialities. Fascist spontaneity is manipulated spontaneity,
organised spontaneity. No explosion of violence happens
spontaneously. It presumes massive organizational inputs, as Gujarat
clearly shows. At one extreme the organised group is the sovereign
group itself, the state using the resources of its machinery to aid
and abet the work of other organised groups. At the other extreme are
the non-organised series ("masses") who are the permanent objects of
other-direction¹. Between them lie the organised groups that make up
the fascist movement itself and function as pressure groups on both
the sovereign and the series, exerting powerful networks of control
over both, and directing the violence. The reports filed by Teesta
Setalvad in the worst phase of the violence suggest that the genocide
was perpetrated by mobs¹ of 5000 to 15,000 that collected swiftly¹
to execute the carnage with precision¹. It is not easy to collect
such large mobs even in a city like Mumbai, let alone Ahmedabad¹ (A
trained saffron militia at work?¹, 7/3/02). In other words, these
ghastly mobs comprised both directing groups and directed
serialities, bound together in dispersive acts of murder and
destruction orchestrated by activists of the VHP and Bajrang Dal, who
formed an organised element extracting organic actions from inert
non-organised series. A democracy that cannot disarm these
stormtoopers is a democracy well on the way to its own destruction by
fascism.
Thus the framework that I want to suggest to you consists of these
three levels. Nationalism as the rational core of fascist ideology,
with the "Nation" conceived as some living entity afflicted by
democracy, infected by minorities, in desperate need of renewal or
"rebirth" (what Sartre calls hyperorganicism¹, that is, the
simulation of organic individuality at the level of a constituted
dialectic); the level of male violence and male authority, of
repressive family cultures that indoctrinate women and youth in a
passive and servile attitude towards the führer figure¹ (Reich), and
root out of children everything that contributes to their humanity,
to a sense of who they are as individuals (the capacity to think
critically, to resist domination, to have friendships of their
choice). In India, of course, we not only have gender repression, we
have caste repression at work, the oppression of minorities, the
appalling indifference towards children, etc. Thus as a culture we
are replete with examples of subterranean repressive cultures in our
society. I call them subterranean¹ because they are invisible in
their commonness, subtend the whole of our existence, and only become
visible in times of resistance. Finally, organised brutality or
violence as (common) praxis the fabrication of religious and racial
mythologies and campaigns of genocide as concerted praxes of
organised groups acting on/conditioning serialities,
other-direction¹.
When all this is put together in terms of an agenda for opposing
fascism, we need to ask, have we seriously been pursuing an agenda on
any of these levels? Do we have an agenda for fighting fascism in
India? And wouldn¹t such an agenda have to go to the heart of
mainstream culture to break the stranglehold of an oppressive
seriality where millions of people must feel helpless and confused by
their inert complicity in the politics of a movement that perpetrates
violence in the name of all¹ Hindus¹.
One way of addressing some of this is by breaking the culture of
silence. By talking about these issues, by debating them publicly and
at home. Whenever we get the chance, we must ensure that all these
issues are not swept under the carpet. For instance, one of my
friends wanted to discuss Gujarat with members of his union. They
were journalists, yet some of them felt quite uncomfortable and
asked, "why should Gujarat be raked up once again?" "What¹s happened
is done and forgotten, so let¹s forget about it". This attitude of
"let¹s forget about it" is precisely what the Sangh Parivar thrives
on. The great Palestinian poet Mahmoud Darwish was actually living in
Beirut in August 1982 when it was intensively bombed by the Israeli
airforce and navy. The bombardment was spread over two months, and
almost every day about two to three hundred Lebanese and Palestinian
civilians were killed. To come to terms with that experience, he
wrote a diary which he called Dhkirah li-l-nisyn, Memory for
forgetfulness¹. It¹s worth reflecting on what this title might mean.
Going back to a more specific characterisation of each of these
levels, let me start with nationalism. As you know, nationalism
constitutes a terrain which is common to both the Right and the Left
in this country. This is partly the reason why the Left is forced to
conclude that really the Right wing is not serious about Swadeshi¹.
Actually the left sees itself as the defender of national¹
independence, which it interprets primarily in economic terms. The
left¹s nationalism is isolationist, it views world economy as a
collection of relatively autonomous national economies and is
unwilling to accept that capitalism undermines national
self-sufficiency for ever, so that any attempt to go back to it
(rather than forward to further integration and rational collective
management of the world¹s resources) is doomed to failure. The
nationalism of the fascist right is also deeply isolationist and its
rhetoric against international capital¹ even more xenophobic. But
there is another aspect to its nationalism which is not apparent in
other political currents. Fascist movements subscribe to a particular
kind of nationalism based on a promise of renewal or palingenesis¹,
a term that comes from this book by Griffin, which is a collection of
readings by fascist writers (Griffin, Fascism, Oxford 1995).
Palingenesis¹ means regeneration. The idea is that there is some
living practical community, the Nation¹, which is in a terminal
state of decline, suffering a kind of incurable disease, and fascism
projects itself as the panacea that will cure the Nation¹ so that
it¹ is healed and regenerated. This is a common thread that unites
all the classical fascist and neo-nazi writings. Thus in We or Our
Nationhood Defined Golwalkar speaks of revitalising¹ the Hindu
Nation¹ and of National Regeneration¹. The programme he defines for
the RSS is one of transforming India into an ethnocratic state based
on the utopia of a fantasised Hindu community that recovers its
pristine identity. He also has a racial idea of the nation, since the
entire nation is identified with a particular race¹, similar to
other Nazi race theories.
So far as the cultures of authority and oppression are concerned, I
think identification with authority is the crucial thing that we need
to tackle. It is a matter of the school, the workplace, the family,
communities, etc., all of which are factories of reactionary
ideology¹, producing serial individuals (conformists) in staggering
numbers, because in each of these sites of learning or socialisation
everyone learns to be the expression of all the Others¹, to feel¹
like the Others, think¹ like the Others, etc., so that what emerges
is a total suppression of the human, an annihilation of organic
individuality, and eventually the kind of externally unified,
regimented mass that images of fascist Europe depict as emblematic of
fascist power. But Reich¹s point is that the roots of authority lie
deep within the institutionalised repression of sexuality and
manipulation of desires which through the family, pedagogy, etc.,
create an artificial interest¹ which actively supports the
authoritarian order¹.
But we still require a totalising conception of how authority
operates in Indian society, and how that interlaces with political
strategies, with the increasing strength of the Right wing in this
country. Sexual politics is equally important because it is in the
interests of conservative, right-wing establishment forces to mould
individuals, to control and manipulate their desires, and make the
young in particular feel guilty and repressed about their sexuality.
This suppression of sexuality is a powerful factor in the
reinforcement of authoritarianism and the rise of fascist movements,
and there is no way we can respond to such movements without
encouraging reciprocity (that is, a free relationship between
individuals) and an active stake in freedom.
These three levels are so closely interlaced with each other that it
is difficult to separate them because violence and aggression run as
the common thread though all of them. If you look at nationalism in
its contemporary forms, for example in the Balkans, it is no longer
separable from the most horrific violence. The Serb nationalism of
Milosevic, as we all know, took the form of ethnic cleansing. At the
second level, of cultures of authority and repression, there is
always violence. The assertions of authority are petrified violence
and we have to be able to challenge them in their institutionalised
forms. At the third level - violence as praxis - the issue is, can
the other-direction¹ of organised (fascist) groups be combatted by
anything short of the political action of other organised groups? In
which case, which groups are these, and where are they?
A final point relates to the fascist use of the spectacle. Fascism is
a politics of spectacles. The spectacle is a display of the power of
the organised group over the series. As such, it belongs to the
repertoire of forms of manipulation through which all authoritarian
movements seek to reinforce their hold over the masses¹, the serial
impotence of the latter, and their conditioning through the hypnotic
spell of symbols and images that resonate with serial meanings (the
spectacle as a Mass of alterity). Mussolini¹s theatrical style was
strongly influenced by the theories of Gustave Le Bon who believed in
the intrinsic irrationalism of the crowd¹ and whose prescriptions to
politicians on how to control the crowd relied heavily on the
French research on hypnotism of the late 1800s¹. Le Bon argued that
the creation of myths would become the leader¹s means to excite and
subordinate the masses¹, and encouraged politicians to play on the
power of representation and to adopt theatrical modes.
(Falasca-Zamponi, Fascist Spectacle: The Aesthetics of Power in
Mussolini¹s Italy, 20). Religious processions and the artefacts and
iconographies of religion occupy a major place in the repertoire of
Hindutva precisely because spectacles play such an important role in
the political culture of fascism.
To conclude, therefore, I would point out that at each of these
levels we have to define our theatres of resistance. Spaces for
intervention have to exist at all these levels, but that requires the
articulation of a powerful, anti-authoritarian politics that
encourages individuals to think critically, fosters relationships
based on reciprocity, and promotes a social and political culture
which values freedom sufficiently to resist and undermine the
hypnotic spells of nationalism, hierarchy, and serial domination.
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