[Reader-list] NYT: Matrix is itself the best evidence of the nightmare scenario it depicts

[Rana Dasgupta]

May 25, 2003
There's No Exit From the Matrix

http://www.nytimes.com/2003/05/25/arts/25RICH.html?pagewanted=print&position
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The Matrix Reloaded" is so dull, so literally ruled by Laurence Fishburne's
trance-inducing Morpheus, that I had to reload the "Matrix" DVD to remember
why I had been taken with all those streaming digits the first time around.
But never mind. You can't argue with a $135.8 million four-day opening,
which in itself validated the movie's premise.

It's the conceit of the "Matrix" films that most of mankind is plugged into
a virtual-reality program conjured up by all-powerful machines to tease our
brains while they loot our bodies for bioelectric power. AOL Time Warner,
the powerful machine behind the films, pulled off a comparable feat by
plugging the country into its merchandising program for "The Matrix
Reloaded" to loot our wallets.

"As of Monday, April 28, there's 95 percent awareness of this movie,"
boasted its producer, Joel Silver, to Entertainment Weekly weeks before its
premiere. In a country where two-thirds of the population cannot name any of
the nine Democratic candidates for president, according to a CBS/New York
Times poll, that's some achievement. It was certainly helped along by
Entertainment Weekly itself, an AOL Time Warner publication that ran two
cover stories on "The Matrix Reloaded" in a single month.

The genius of the P.R. strategy was its exploitation of the original film's
geeky cult status as a thinking kid's kung fu extravaganza. "The Matrix
Reloaded" would not be just another bloated Hollywood sequel but instead
would have the philosophical heft to fuel a new generation of metaphysical
Web sites. And so every puff piece about the film has emphasized that its
creators, the siblings Andy and Larry Wachowski, do not give interviews — as
if behaving like Thomas Pynchon would give their movie the gravitas of
"Gravity's Rainbow." To second the motion, along came Cornel West, the
Princeton professor who has a cameo in "The Matrix Reloaded" and is not at
all shy about meeting the press. He told Time (for its cover story) that
"the brothers are very into epic poetry and philosophy, into Schopenhauer
and William James" and that "Larry Wachowski knows more about Hermann Hesse
than most German scholars." This does not explain why the movie's
multicultural orgy scene looks like a Club Med luau run amok, but maybe the
inspiration for that was Kahlil Gibran.

So high-minded are the Wachowskis, the publicists assured us, that they even
clamped down on "Matrix" merchandising. "The filmmakers did not want to
alienate their fan base by selling out," one executive involved with the
movie told The Wall Street Journal. Thus they strictly limited the sequel's
ancillary products to an Enter the Matrix video game, action figures,
sunglasses (featured in another AOL Time Warner magazine, People) and an
animated DVD. They kept the movie's product tie-ins to a bare minimum as
well: Powerade drinks, Cadillac, Ducati motorcycles and Heineken. Lest
anyone think that such commerce constitutes a sellout, we were told that the
Wachowskis drew the line by nixing Matrix-theme burgers at McDonald's.
Siddhartha lives!

And so does AOL Time Warner. It is the most troubled of the media giants
these days — crippled by billions in debt, internecine warfare and a
Securities and Exchange Commission investigation for fraud. But even in its
weakened state, it has the Herculean resources to fix much of the nation's
attention on whatever story it chooses to sell. Its pushing of "The Matrix
Reloaded" is a fairly benign use of that enormous power: if you are sucked
into a film and don't like it, the worst that happens is that you lose a few
hours and the price of a movie ticket.

But the media giants that wield such clout don't always put it to such
frivolous use. We are not just plugged into their matrix to be sold movies
and other entertainment products. These companies can also plug the nation
into news narratives as ubiquitous and lightweight as "The Matrix Reloaded,"
but with more damaging side effects.

This is what has happened consistently during America's struggle with Osama
bin Laden. During the years when Al Qaeda's terrorists were gearing up for
9/11, the media giants were in overdrive selling escapist fare like the
Clinton scandals, Gary Condit's sex life and shark attacks. They were all
legitimate stories. But just as "The Matrix Reloaded," playing on a record
8,517 screens, crowded most other movies out of the marketplace last
weekend, so those entertaining melodramas drove any reports of threatening
developments beyond our shores to the periphery of the mass-media news
culture.

The media giants took the same tack in banding together to push the
administration-dictated narrative of Saddam Hussein — and with the same
results. The networks' various productions of "Countdown: Iraq," though as
ponderous as "The Matrix Reloaded," were so effective that by the time we
went to war, 51 percent of the country, according to a Knight-Ridder poll,
believed that Iraqis were among the 9/11 hijackers. It took the bloody
re-emergence of Qaeda terrorists in Riyadh two weeks ago to recover the
repressed memory that none of the 9/11 terrorists were Iraqis and that most
of them were Saudis. And whatever happened to Saddam's arsenal, all those
advanced nuclear weapons programs and biological poisons that George W. Bush
kept citing as the justification for going to war? Well, sarin today, gone
tomorrow. That laundry list of terrors, none of them yet found, vanished
from the national consciousness as soon as the cable outlets of AOL Time
Warner, Fox and NBC put their muscle behind The Laci Peterson Murder.

The power of the five companies that foster this sequential amnesia is
increasing, not declining. In a vote set for June 2, the Federal
Communications Commission is expected to relax some of the few ownership
restrictions meant to rein them in. Companies like Viacom (which already
owns CBS and Paramount) and Rupert Murdoch's News Corporation (which owns
Fox and is on its way to controlling the satellite giant DirecTV) are likely
to go on shopping sprees for more TV outlets. But who knows or cares? Though
liberal and conservative organizations alike, from Common Cause to the
National Rifle Association, are protesting this further consolidation of
media power, most of the country is oblivious to it. That's partly because
the companies that program America's matrix have shut out all but bare-bones
coverage of the imminent F.C.C. action, much as the ruling machines in "The
Matrix" do not feed their captive humans any truths that might set them
free.

If there's a hero in our own Matrix saga, it may be Barry Diller, who is
considerably more articulate than Keanu Reeves's Neo, if somewhat less
schooled in the martial arts. Mr. Diller, who now runs USA Interactive, has
been chairman of Paramount, Vivendi and Fox. With the exception of the
semiretired Ted Turner, he is the only show business mogul who doesn't buy
the argument that the advent of 500 TV channels and the infinite sites of
the Internet ensure alternative entertainment and news sources. He says that
the 500 TV channels will still end up being owned by the same five
companies, and that as broadband comes in, the companies that control the
fast cable modems will dominate the Web, too. "We will be in a position
where our society will be harmed," he said when we spoke last week.

In his view, this concentration of power explains much that has gone awry in
our culture, from the decline of TV news to "why movies are bad." They're
bad, he says, because they are now "20 rings of power removed" from the top
decision makers of these vast companies. "No one cares about them," he says.
"They are just commodities to deliver returns." Nor does he buy the argument
that these media goliaths stay sharp by being forced to vie in the
marketplace.

"The companies don't really compete with each other," he says. "They
accommodate each other. Fox movies have to be sold to HBO. Warner cable has
to take Fox because Fox has sports teams. They talk only to each other. They
don't have to do anything else for anyone else alive." He believes that it
would be impossible today for an independent producer like Norman Lear to
break in with a TV show as unexpected as "All in the Family" or for a
maverick to start a new network, as he did with Fox and Mr. Turner did with
CNN. They'd have to cede their ideas to the big companies if they wanted
them to fly. Once they did, their concepts would most likely be stripped of
the idiosyncrasies that made them exciting in the first place. (You can see
how that process works by recalling what CNN was like before Time Warner
devoured it.)

But neither Mr. Diller nor anyone else is likely to stop this consolidation
of cultural power unless the public knows or cares enough to protest. That
hardly seems to be in the cards. We reward mediocre movies with record
grosses. We reward tabloid news epics with high ratings. We reward
dissembling politicians with high poll ratings. We expect our journalistic
media to fictionalize the truth. As others have noted, the most dispiriting
aspect of the Jayson Blair scandal may be that even the subjects of his
stories usually didn't bother to complain about the lies The New York Times
published about them; they just assumed it was standard practice. One way or
the other, we all inhabit the Matrix now.