[Reader-list] [Announcements] LEA June - July '05: New Media Arts, Technology and Education @ MAAP Singapore
nisar keshvani
nisar at keshvani.com
Fri Aug 5 21:58:45 IST 2005
*sincere apologies for cross-posting*
Leonardo Electronic Almanac: June - July 2005
ISSN#1071-4391
art | science | technology - a definitive voice since 1993
http://lea.mit.edu
LEAs June July double issue, guest edited by Dr Hock Soon Seah
and Kim Machan, sees yet another special edition, this time about
New Media Arts, Technology and Education. This reviewed
international conference was organized as part of the Multimedia
Art Asia Pacific Festival 2004 held in Singapore.
In our first essay, Dew Harrison questions the teaching of digital
media theory to new practitioners where it is understood as
deriving from lens and screen-based media. It examines other
routes through 20th century art history to current practice in
digital art and determines the validity of Marcel Duchamp as
influential on contemporary practice generally, and on Conceptual
Art specifically.
In *Virtual Campus It is fun and educational*, Alexei Sourin,
with Konstantin Levinski and Qi Liu share with us the "great
multimedia place for electronic education and fun, research and
games, meeting new friends, and immersion in campus life" that is,
a virtual model of Nanyang Technological University, and how it
"teaches students how 3D shapes and their colors can be easily
defined with parametric and implicit functions.
Erik Malcolm Champions piece then deals with astral travel in
virtual realms, where he evaluates conceptual understanding in
digital reconstructions of past cultures. His paper discusses the
case study of an ancient Mayan site, Palenque, to suggest ways of
creating a platform conducive to cultural learning using virtual
environment technology.
Next, a joint effort by Andrew H. K. Lam and Andy Tam T. K.
explores how the conditions of media art have changed radically
over the past few years. Their paper aims to project a vision in
the relationship between the institution and the market, within
the framework of the role of media art and infrastructure across
the Asian continent.
In *Digital Speculations*, Bharat Dave describes selected projects
that served as vehicles for critical investigation of interactive
digital media and their potential for exploring different ways in
which experiences can be imagined, constructed, and communicated.
Finally, Elizabeth Sikiaridi and Frans Vogelaar share their work,
*Idensity®*, which develops scenarios for an interplay of the
urban space and the media domain.
One From the Vault, the monthly dose of things past, looks at
Curtis E. A. Karnows Molten Media and the Infiltration of the
Law, a piece which first appeared in June 1995.
For Leonardo Reviews, Michael Punts selections include those of
new panel member David Beer, with his reflections on Tia DeNora's
book, *After Adorno: Rethinking Music Sociology*. Also featured is
*The Transparent Body: A Cultural Analysis of Medical Imaging*,
reviewed by Jan Baetens, another of the newer members who has
already made a significant contribution to this project. Eugene
Thacker's review of Liminal Lives: Imagining the Human at the
Frontiers of Bioscience completes this section.
In ISAST news, read about *Leonardos* move to a new home,
brainstorm with them for their upcoming 40th anniversary, and find
out about the latest Leonardo at SIGGRAPH Town Hall Meeting in
August. Also, keep updated with our series on *The Pacific Rim New
Media Summit: A Pre-Symposium to ISEA2006*, where another working
group chair shares the groups scope and objectives.
Bytes features two vastly different calls for papers/artwork that
will surely be of interest to many. Also, find out more about
current exhibitions by Jacques Mandlebrojt at the 17 Earagail Arts
Festival in Donegal, Ireland.
Lastly, Jill Sykes mourns the passing of Australian Joan Brassil,
85, who was an artist of unique character and singular talents.
************************************************************************
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For over a decade, the Leonardo Electronic Almanac (LEA) has
thrived as an international peer-reviewed electronic journal and
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critical discussion on topics of current excitement. Many
contributors are younger scholars and artists, and there is a
slant towards shorter, less academic texts.
Contents include Leonardo Reviews, edited by Michael Punt,
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