[Reader-list] reader-list Digest, Vol 50, Issue 131(re:Tarapada Roy)
atreyee majumder
atreyee.m at gmail.com
Thu Sep 20 14:00:25 IST 2007
Dear Debjani and Swadhin,
Can you forward any links on the web where I can find Tarapada's work in
Bangla, especially the Green Passport poem and others relating to partition
and dislocated lives in Calcutta. I know that a number of contemporary
Bangla poets have East Bengal roots, but haven't come across such poetry of
narratives of dislocation. Who are other poets of 60s and the 70s who have
written in a similar genre?
That Green Passport is particularly moving, am quite anxious to read it in
Bangla. Would be most grateful if you can help me find it.
Thanks
Atreyee
On 9/20/07, reader-list-request at sarai.net <reader-list-request at sarai.net>
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> 1. Hello (we wi)
> 2. Fwd: [Medianthro] Call for Papers: Exploring New Media Worlds
> (Britta Ohm)
> 3. Re: tarapadobabu kothay jachchen? (Swadhin Sen)
> 4. Re: tarapadobabu kothay jachchen? (debjani sengupta)
> 5. [Announcements] pourinfos Newsletter / 19-09 to 3-10-2007
> (xavier cahen)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Wed, 19 Sep 2007 09:24:18 -0700 (PDT)
> From: we wi <dhatr1i at yahoo.com>
> Subject: [Reader-list] Hello
> To: reader-list at sarai.net
> Message-ID: <168656.17820.qm at web45506.mail.sp1.yahoo.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Dear All,
>
> What happened? All of sudden big silence? Seems everybody become
work holic at home/office/own business at both sides of the globe?
>
> Regards,
> Dhatri.
>
>
> ---------------------------------
> Luggage? GPS? Comic books?
> Check out fitting gifts for grads at Yahoo! Search.
>
> ------------------------------
>
> Message: 2
> Date: Wed, 19 Sep 2007 20:35:52 +0200
> From: Britta Ohm <ohm at zedat.fu-berlin.de>
> Subject: [Reader-list] Fwd: [Medianthro] Call for Papers: Exploring
> New Media Worlds
> To: reader-list at sarai.net
> Message-ID: <199fa5b701e0cb65d15ba5aaffb52cb3 at zedat.fu-berlin.de>
> Content-Type: text/plain; charset="utf-8"
>
> For those interested.
> Best -- Britta
>
> Anfang der weitergeleiteten E-Mail:
>
> > Von: "Rothenbuhler, Eric" <rothenbuhler at tamu.edu>
> > Datum: 19. September 2007 17:43:05 MESZ
> > An: <medianthro at easaonline.org>
> > Betreff: [Medianthro] Call for Papers: Exploring New Media Worlds
> >
> > Greetings Friends,
> >
> >
> >
> > Here is the Call for Papers and Proposals for our conference, Exploring
> > New Media Worlds, to be held here at Texas A&M University (College
> > Station, Texas, US), February 29 to March 2, 2008. For your
> > convenience
> > I have both attached it and cut and pasted a copy below.
> >
> >
> >
> > I hope you will plan to participate. It should be a very interesting
> > conference and we will do our best to host you all for a lovely time.
> > Please send us a paper or proposal soon or at least before November 20.
> >
> >
> >
> > Please pass the Call on to any and all interested colleagues and
> > students. Please post it in a prominent place. Note that NCA has
> > provided funds for grants to aid graduate student travel; information
> > about how to apply is on our webpage.
> >
> >
> >
> > Please see the webpage at http://comm.tamu.edu/mediaworlds/
> >
> >
> >
> > Questions or comments to me at Rothenbuhler at tamu.edu or the conference
> > email at mediaworlds at libarts.tamu.edu.
> >
> >
> >
> > Thank you much and see you soon.
> >
> >
> >
> > Cheers,
> >
> >
> >
> > Eric
> >
> >
> >
> > Eric W. Rothenbuhler
> >
> > Professor of Communication
> >
> > Texas A&M University
> >
> >
> >
> >
> >
> >
> >
> > Exploring New Media Worlds:
> >
> >
> >
> > Changing Technologies, Industries, Cultures, and Audiences
> >
> > in Global and Historical Context
> >
> >
> >
> > An international conference hosted by
> >
> > Texas A&M University, February 29 to March 2, 2008
> >
> >
> >
> > Integrating fields of study in a time of change; setting a new agenda
> > for media studies.
> >
> >
> >
> > Papers and proposals are invited on any aspect of the conference
> > themes,
> > offering reports of new research, position-taking conceptual essays,
> > discussions of media and telecommunication policy, and both
> > international and historical comparisons on changing technologies,
> > industries, cultures, and audiences.
> >
> >
> >
> > The program will include keynote speakers, roundtable discussions,
> > thematic panels, prominent scholars as respondents, and time for
> > interaction. A wide selection of papers from the conference will be
> > published. Travel grants are available for student members of the
> > National Communication Association (see our webpage for more
> > information).
> >
> >
> >
> > Send papers or proposals (abstracts or annotated outlines) with a 50
> > word professional biography by email attachment to
> > mediaworlds at libarts.tamu.edu. Panel proposals are also acceptable.
> > Deadline: November 20, 2007.
> >
> >
> >
> > For more information see http://comm.tamu.edu/mediaworlds
> >
> > email mediaworlds at libarts.tamu.edu or Rothenbuhler at tamu.edu.
> >
> >
> >
> > Keynote speakers:
> >
> > Larry Grossberg; Steve Jones; Vinny Mosco; and Ellen Seiter.
> >
> >
> >
> > Confirmed participants:
> >
> > Carole Blair, Sandra Braman, Celeste Condit, Bruce Gronbeck, Andrea
> > Press, Ronald Rice, Paddy Scannell, Joseph Turow, Angharad Valdivia.
> >
> >
> >
> > And the Texas A&M faculty:
> >
> > Patrick Burkart, Heidi Campbell, Antonio La Pastina, Srivi
> > Ramasubramanian, Eric Rothenbuhler, Michael Stephenson, Randy Sumpter,
> > and Ian Weber plus strong faculty groups in Rhetoric and Public
> > Affairs,
> > Health Communication, and Organizational Communication.
> >
> >
> >
> > The Exploring New Media Worlds conference is hosted and co-sponsored by
> > the Department of Communication, the College of Liberal Arts, the
> > Glasscock Center for Humanities Research, and the Program in
> > Presidential Rhetoric, Texas A&M University, with support from the
> > National Communication Association.
> >
> >
> >
> -------------- next part --------------
> ******************************************
> >
> > EASA Media Anthropology Network
> > http://www.media-anthropology.net
> >
> > For further information please contact:
> > Dr John Postill
> > Sheffield Hallam University, UK
> > jpostill at usa.net
> >
> > To manage your subscription to this mailing list, visit:
> >
> > http://lists.easaonline.org/listinfo.cgi/medianthro-easaonline.org
> >
>
>
> ___________________
>
> Britta Ohm
> Solmsstr. 36
> 10961 Berlin
> Germany
> +49/30/69507155
>
> ------------------------------
>
> Message: 3
> Date: Wed, 19 Sep 2007 11:43:42 -0700 (PDT)
> From: Swadhin Sen <swadhin_sen at yahoo.com>
> Subject: Re: [Reader-list] tarapadobabu kothay jachchen?
> To: debjani sengupta <debjanisgupta at yahoo.com>, reader-list at sarai.net
> Message-ID: <773223.32841.qm at web52210.mail.re2.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
> Thank you, Debjani. The piece was illuminating as well as critical.
>
> Swadhin Sen
> Archaeologist
> &
> Assistant Professor
> Department of Archaeology
> Jahangirnagar University
> Savar, Dhaka
> Bangladesh
> Ph. 88 01720196176 (mobile)
>
> ----- Original Message ----
> From: debjani sengupta <debjanisgupta at yahoo.com>
> To: reader-list at sarai.net
> Sent: Wednesday, September 19, 2007 10:42:59 AM
> Subject: [Reader-list] tarapadobabu kothay jachchen?
>
> A few days ago the poet Tarapada Roy (b 1936) died in
> Kolkata. Curiously for the past week even before I
> heard the news, I have been reading his autobiography
> 'Tarapadababu Kothay Jachchen? (Where are you going,
> Tarapadababu?) describing his first twenty odd years
> as a young boy in Tangail, (now in Bangladesh) and
> then his sojourn in Calcutta from 1951. Tarapada Roy
> was a poet, a very good one although he was very
> modest about the epithet. He often said that when he
> saw an envelop marked in his name with the words, 'the
> poet' he felt a deep thrill. He was also a wonderful
> short story writer, many of them satires or plain
> 'hasyarasatyak' in the vein of Shibram Chakraborty or
> Syed Mujtaba Ali.But to me Tarapada Roy was also
> something else. He was the author of some of the most
> poignant poetry and stories on the Partition of India
> that he had witnessed when he was just ten. In a story
> called 'Joe' he talks of a horse that he and his
> brother had looked after and that he had to abandon
> when they left East Bengal for ever. And in a short
> poem written in 1967 the poet describes his first view
> of the city where he comes to live:
>
>
> Do you remember, Kolkata
> That green passport, my dark green shirt;
> Arriving, drenched, at Sealdah Main
> That day on the train from the border
> I saw a shoeshine boy for the first time in my life.
>
> It was a thrill, my dream city,
> My first tram-car, my earliest first-class,
> First class Kolkata,
> Where pet clouds hover over every roof.
> Within every window
> A mystery of darkness and light.
> My green shirt, my ragged shoes,
> Fear in every step.
> Madmen with beggars, beggars with drunks,
> Processions, rainbow hued, horizon stretching.
> The crowded teashops, the futile mob on the road.
> On windy afternoons dry leaves scatter,
> In the sunlight, tram tracks glisten
> Pale as ivory,
> Reaching nowhere.
> Sometimes I feel,
> I am no longer within your limits,
> Nowhere can I find that city of mine
> Where, between two lamp-posts, in a long penalty kick
> Someone sends the football moon to space
> While shadowy figures in the gallery yell, Goal,
> goal.
>
> These twenty years,
> I have found nothing in common with you, Kolkata.
> My torn dreams, my ragged pieces of poetry
> In dirty paper bags the tramps
> Have collected them all.
> Those dream-words
> Have been sold like rubbish.
> Not a single mystery window opened anywhere
> Nowhere could I reach the clouds on the roofs.
> Only the color of my shirt,
> My shoe size changed,
> Needlessly.
>
> (That Green Passport: Tarapada Roy)
>
> It was also curious that two days ago I heard Etienne
> Balibar speak on citizenship that he locates within
> the fundamental right of circulation. Balibar stressed
> how the notions of a 'citizen' was being transformed
> within the ontological paradoxes of globalization. In
> post national times, borders have become blurred,
> meaningless and ubiquitous populations have emerged
> who are truly citizens of the roads. They are citizens
> who are partially free from territoriality, a new
> class of transnational performers who are nomadic. I
> couldnt help but think of Roy's poem when I was
> listening to the exposition. Borders have a real
> presence in so many of our lives, more so when in our
> minds they dont exist at all. The underclass of
> refugees who came to West Bengal in the aftermath of
> the Partition had few political rights. Theirs was a
> right to live but that right was circumscribed by the
> politics of space.Tarapada Roy belonged to such a
> nomadic citizenship marked by belonging and not
> belonging. The question 'Kothay Jachchen
> Tarapadababu?' thus has a special resonance in my mind
> today; it is question that I catch myself asking
> often. Where are we off too?
>
>
>
>
>
>
>
>
>
>
>
____________________________________________________________________________________
> Tonight's top picks. What will you watch tonight? Preview the hottest
shows on Yahoo! TV.
> http://tv.yahoo.com/
>
> _________________________________________
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> Critiques & Collaborations
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>
>
>
>
>
>
>
____________________________________________________________________________________
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> ------------------------------
>
> Message: 4
> Date: Wed, 19 Sep 2007 20:48:46 -0700 (PDT)
> From: debjani sengupta <debjanisgupta at yahoo.com>
> Subject: Re: [Reader-list] tarapadobabu kothay jachchen?
> To: we wi <dhatr1i at yahoo.com>
> Cc: reader-list at sarai.net
> Message-ID: <34076.24595.qm at web54406.mail.yahoo.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> dear dhatri, kothay jachchen has been translated in
> the piece as 'where are you going'. it may also be
> marathi as you say. i have no knowledge of marathi so
> cannot comment. the piece is not about east bengal's
> history it's about the death of a poet. some deaths
> diminish all of us. this death does so too. that's why
> i thought i 'll share my feelings with all of you in
> the reader list. warm regards, debjani
> --- we wi <dhatr1i at yahoo.com> wrote:
>
> > as per my knowledge 'Kothay Jachchen" is pure
> > MARATHI word. but tarapadobabu east bengal
> > history???
> >
> >
> > debjani sengupta <debjanisgupta at yahoo.com> wrote:
> > A few days ago the poet Tarapada Roy (b 1936) died
> > in
> > Kolkata. Curiously for the past week even before I
> > heard the news, I have been reading his
> > autobiography
> > 'Tarapadababu Kothay Jachchen? (Where are you going,
> > Tarapadababu?) describing his first twenty odd years
> > as a young boy in Tangail, (now in Bangladesh) and
> > then his sojourn in Calcutta from 1951. Tarapada Roy
> > was a poet, a very good one although he was very
> > modest about the epithet. He often said that when he
> > saw an envelop marked in his name with the words,
> > 'the
> > poet' he felt a deep thrill. He was also a wonderful
> > short story writer, many of them satires or plain
> > 'hasyarasatyak' in the vein of Shibram Chakraborty
> > or
> > Syed Mujtaba Ali.But to me Tarapada Roy was also
> > something else. He was the author of some of the
> > most
> > poignant poetry and stories on the Partition of
> > India
> > that he had witnessed when he was just ten. In a
> > story
> > called 'Joe' he talks of a horse that he and his
> > brother had looked after and that he had to abandon
> > when they left East Bengal for ever. And in a short
> > poem written in 1967 the poet describes his first
> > view
> > of the city where he comes to live:
> >
> >
> > Do you remember, Kolkata
> > That green passport, my dark green shirt;
> > Arriving, drenched, at Sealdah Main
> > That day on the train from the border
> > I saw a shoeshine boy for the first time in my life.
> >
> > It was a thrill, my dream city,
> > My first tram-car, my earliest first-class,
> > First class Kolkata,
> > Where pet clouds hover over every roof.
> > Within every window
> > A mystery of darkness and light.
> > My green shirt, my ragged shoes,
> > Fear in every step.
> > Madmen with beggars, beggars with drunks,
> > Processions, rainbow hued, horizon stretching.
> > The crowded teashops, the futile mob on the road.
> > On windy afternoons dry leaves scatter,
> > In the sunlight, tram tracks glisten
> > Pale as ivory,
> > Reaching nowhere.
> > Sometimes I feel,
> > I am no longer within your limits,
> > Nowhere can I find that city of mine
> > Where, between two lamp-posts, in a long penalty
> > kick
> > Someone sends the football moon to space
> > While shadowy figures in the gallery yell,Â' Goal,
> > goal.Â'
> >
> > These twenty years,
> > I have found nothing in common with you, Kolkata.
> > My torn dreams, my ragged pieces of poetry
> > In dirty paper bags the tramps
> > Have collected them all.
> > Those dream-words
> > Have been sold like rubbish.
> > Not a single mystery window opened anywhere
> > Nowhere could I reach the clouds on the roofs.
> > Only the color of my shirt,
> > My shoe size changed,
> > Needlessly.
> >
> > (That Green Passport: Tarapada Roy)
> >
> > It was also curious that two days ago I heard
> > Etienne
> > Balibar speak on citizenship that he locates within
> > the fundamental right of circulation. Balibar
> > stressed
> > how the notions of a 'citizen' was being transformed
> > within the ontological paradoxes of globalization.
> > In
> > post national times, borders have become blurred,
> > meaningless and ubiquitous populations have emerged
> > who are truly citizens of the roads. They are
> > citizens
> > who are partially free from territoriality, a new
> > class of transnational performers who are nomadic. I
> > couldnt help but think of Roy's poem when I was
> > listening to the exposition. Borders have a real
> > presence in so many of our lives, more so when in
> > our
> > minds they dont exist at all. The underclass of
> > refugees who came to West Bengal in the aftermath of
> > the Partition had few political rights. Theirs was a
> > right to live but that right was circumscribed by
> > the
> > politics of space.Tarapada Roy belonged to such a
> > nomadic citizenship marked by belonging and not
> > belonging. The question 'Kothay Jachchen
> > Tarapadababu?' thus has a special resonance in my
> > mind
> > today; it is question that I catch myself asking
> > often. Where are we off too?
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
____________________________________________________________________________________
> > Tonight's top picks. What will you watch tonight?
> > Preview the hottest shows on Yahoo! TV.
> > http://tv.yahoo.com/
> >
> > _________________________________________
> > reader-list: an open discussion list on media and
> > the city.
> > Critiques & Collaborations
> > To subscribe: send an email to
> > reader-list-request at sarai.net with subscribe in the
> > subject header.
> > To unsubscribe:
> > https://mail.sarai.net/mailman/listinfo/reader-list
> > List archive:
> > <https://mail.sarai.net/pipermail/reader-list/>
> >
> >
> > ---------------------------------
> > Looking for a deal? Find great prices on flights and
> > hotels with Yahoo! FareChase.
>
>
>
>
>
____________________________________________________________________________________
> Need a vacation? Get great deals
> to amazing places on Yahoo! Travel.
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>
>
> ------------------------------
>
> Message: 5
> Date: Wed, 19 Sep 2007 16:53:24 +0200
> From: xavier cahen <cahen.x at levels9.com>
> Subject: [Reader-list] [Announcements] pourinfos Newsletter / 19-09 to
> 3-10-2007
> To: "Liste Sarai.Net" <announcements at sarai.net>
> Message-ID: <46F137E4.2020208 at levels9.com>
> Content-Type: text/plain; charset="utf-8"
>
> pourinfos.org
> l'actualitÃ(c) du monde de l'art / daily Art news
> -----------------------------------------------------------------------
>
> >From Wenesday September 19, 2007 to Wenesday october 3 2007 (included)
> -------------------------------------------------------------------
> (mostly in french)
>
>
> Dear readers of pourinfos,
>
> Pourinfos.org come back (in a minimum service - the service of
> information on the exhibitions is suspended, the letter pourinfos will
> be less frequent) until the end of this year 2007.
> We are looking for a viable solution in order to develop and to continue
> this experiment media concerning visual arts for artists, mediators,
> professionals of art, students and students of schools of art.
> To be more precise, we are in the search of financing in order to
> develop us and some qualified goodwills in the fields of the mediation
> concerning arts and management (English wished) in order to answer our
> development durably.
> If we remain without solutions at the end of this year, Pourinfos.org
> would regret to suspend its activities.
>
> Yours,
> Xavier Cahen
> For the team of pourinfos
>
>
> @ 001 (19/09/2007)
> Call : fellowship Jean-Claude Reynal 2007, art school of Bordeaux, France.
>
http://pourinfos.org/art-35050-tit--Bourse-Jean-Claude-Reynal-2007-Ecole-des
> --------------------------------------------------------------------
>
> @ 002 (19/09/2007)
> Call : Call for artists. Deadline: 3 October 2007, 9 am, San Sebastian,
> Spain.
> http://pourinfos.org/art-35051-tit--Call-for-artists-Deadline-3-October
> --------------------------------------------------------------------
>
> @ 003 (19/09/2007)
> Call : Artist Call for Installation Work, "The First International Day
> of the Dead Exhibit â€" 2007", San Francisco, Usa.
> http://pourinfos.org/art-35052-tit--Artist-Call-for-Installation-Work-The
> --------------------------------------------------------------------
>
> @ 004 (19/09/2007)
> Call : BigScreen Festival, Hong Kong, China.
> http://pourinfos.org/art-35053-tit--BigScreen-Festival-Hong-Kong-
> --------------------------------------------------------------------
>
> @ 005 (19/09/2007)
> Call : short film, Espace Canopy, Paris, France.
>
http://pourinfos.org/art-35054-tit--films-video-courts-Espace-Canopy-Paris-
> --------------------------------------------------------------------
>
> @ 006 (19/09/2007)
> Call : WORK IN MOTION - migration, mobility and labour, galerie Red
> House, Sofia, Bulgaria.
> http://pourinfos.org/art-35055-tit--WORK-IN-MOTION-migration-mobility-and
> --------------------------------------------------------------------
>
> @ 007 (19/09/2007)
> Call : prize BOURSE DU TALENT #33 : ESPACE, Paris, France.
> http://pourinfos.org/art-35056-tit--BOURSE-DU-TALENT-33-ESPACE-Paris-
> --------------------------------------------------------------------
>
> @ 008 (19/09/2007)
> Call : Numeric art exhibition Art & You, Paris, France.
> http://pourinfos.org/art-35057-tit-s-Arts-numeriques-Art-You-Paris-
> --------------------------------------------------------------------
>
> @ 009 (19/09/2007)
> Call : Est-Nord-Est artist residencies, production and diffusion in
> contemporary art, Saint-Jean-Port-Joli, QuÃ(c)bec, Canada.
> http://pourinfos.org/art-35058-tit--Est-Nord-Est-residence-d-artistes-
> --------------------------------------------------------------------
>
> @ 010 (19/09/2007)
> Call : prize, « Panasonic’art », Paris, France.
> http://pourinfos.org/art-35059-tit--Concours-de-creation-Panasonic-art-
> --------------------------------------------------------------------
>
> @ 011 (19/09/2007)
> Call : 6th Great International Price of Photography of Vevey, Foundation
> Vevey Town of Images, Switzerland.
> http://pourinfos.org/art-35060-tit--6eme-Grand-Prix-International-de
> --------------------------------------------------------------------
>
> @ 012 (19/09/2007)
> Call : Fragments, Association of the Artistic activities without Border,
> QuiÃ(c)vrechain, France.
> http://pourinfos.org/art-35061-tit-Appel-a-candiadature-Fragments-
> --------------------------------------------------------------------
>
> @ 013 (19/09/2007)
> Call : offer for the realization of a work of art for the square of its
> future media library, les Mureaux, France.
>
http://pourinfos.org/art-35062-tit--d-offre-pour-la-realisation-d-une-oeuvre
> --------------------------------------------------------------------
>
> @ 014 (19/09/2007)
> Call : 4 th International festival of audio-visual arts VIDEOLOGIA 2007,
> Volgograd, Russia.
>
http://pourinfos.org/art-35063-tit--4-International-festival-of-audio-visual
> --------------------------------------------------------------------
>
> @ 015 (19/09/2007)
> Call : BEAUTY ROOM 2008, " Between us... " Miss China, Paris, France.
>
http://pourinfos.org/art-35064-tit-Appel-a-la-Candidature-BEAUTY-ROOM-2008-
> --------------------------------------------------------------------
>
> @ 016 (19/09/2007)
> Call : HORS PISTES 2008 / 29 et 30 march 2008 aat the centre Pompidou,
> Paris, France.
> http://pourinfos.org/art-35065-tit--HORS-PISTES-2008-29-et-30-mars-2008-au
> --------------------------------------------------------------------
>
> @ 017 (19/09/2007)
> Call : artists, Association Plastica, galerie Itinerrance, Bagneux,
France.
> http://pourinfos.org/art-35066-tit--artistes-plasticiens-Association
> --------------------------------------------------------------------
>
> @ 018 (19/09/2007)
> Call : art critics, writers, Association Plastica, galerie Itinerrance,
> Bagneux, France.
>
http://pourinfos.org/art-35067-tit--historiens-d-art-critiques-ou-ecrivains-
> --------------------------------------------------------------------
>
> @ 019 (19/09/2007)
> Call : Artist in Residence Programme , Berlin, germany.
> http://pourinfos.org/art-35068-tit--Artist-in-Residence-Berlin-
> --------------------------------------------------------------------
>
> @ 020 (19/09/2007)
> Call : Share Award 2008, The sharing, Turin, Italy.
> http://pourinfos.org/art-35069-tit--Share-Award-2008-The-sharing-Turin-
> --------------------------------------------------------------------
>
> @ 021 (19/09/2007)
> JOb : Photograph, Association Vol de Nuits, Marseille, France.
>
http://pourinfos.org/art-35070-tit--1-Artiste-intervenant-e-specialise-e-en
> --------------------------------------------------------------------
>
> @ 022 (19/09/2007)
> Formation : Laptop Music workshop, asbl iMAL vzw, Brussels, Belgium.
>
http://pourinfos.org/art-35071-tit-Formation-Laptop-Music-workshop-asbl-iMAL
> --------------------------------------------------------------------
>
> @ 023 (19/09/2007)
> Formation : Initiation with the cinematographic practice, l'ETNA, Paris,
> France.
> http://pourinfos.org/art-35072-tit-Formation-Initiation-a-la-pratique
> --------------------------------------------------------------------
>
> @ 024 (19/09/2007)
> Job : rstudent in Master 1 ou Master 2, training from September to
> December 2007, Triangle France, Marseille, France.
> http://pourinfos.org/art-35073-tit--recherche-d-un-etudiant-en-Master-1-ou
> --------------------------------------------------------------------
>
> @ 025 (19/09/2007)
> Publication : The second delivery of review U-CULTURE (S) is from now on
> freely
> downloadable, annual cultural Review of the University of Bourgogne,
France.
> http://pourinfos.org/art-35074-tit--La-seconde-livraison-de-la-revue
> --------------------------------------------------------------------
>
> @ 026 (19/09/2007)
> Publication : n°8 Plastir review, Palaiseau, France.
> http://pourinfos.org/art-35075-tit--n-8-de-la-revue-Plastir-Palaiseau-
> --------------------------------------------------------------------
>
> @ 027 (19/09/2007)
> Publication : Peur|Fear, chronic of zouave on line, ess arts + opinions,
> Montreal, Canada.
>
http://pourinfos.org/art-35076-tit--Peur-Fear-chronique-Affaire-de-zouave-en
> --------------------------------------------------------------------
>
> @ 028 (19/09/2007)
> Publication : No 1, ‘The human factor’ Art Signal Magazine,
contemporary
> art magazine, Barcelona, Spain.
> http://pourinfos.org/art-35077-tit--No-1-The-human-factor-Art-Signal
> --------------------------------------------------------------------
>
> @ 029 (19/09/2007)
> Publication : Utopia Station, in « LE MONDE DIPLOMATIQUE » du mois
> d'août 2007, “the Plan of friendship
> between art and philosophy†, Paris, France.
> http://pourinfos.org/art-35078-tit--Utopia-Station-dans-LE-MONDE
>
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>
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>
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>
> End of reader-list Digest, Vol 50, Issue 131
> ********************************************
>
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