[Reader-list] Call for Papers: International Conference on Asian Culture Industries

[Aswathy Senan]

*Call for Papers*

*International Conference **on Asian Culture Industries:*

*A Comparative Study of India, Japan and South Korea*

21st December 2010 — 22nd December 2010, Bangalore**



The Culture: Industries and Diversity in Asia (CIDASIA) research programme
of CSCS invites proposals for papers at the International Conference on
Asian Culture Industries to be held in Bangalore on 21st and 22nd December
2010. The conference is supported by Japan Foundation, New Delhi.



We invite scholars working on cinema, television, pop music, animation,
gaming, in Asia in general and India, Japan and South Korea in particular to
send in their proposals. We also welcome proposals from researchers working
on the recent history of entertainment industries and government policy
towards these industries.



The primary intention of the conference is to explore the possibility of
comparative studies of entertainment industries in Asia. We focus on India,
Japan and South Korea as a convenient starting point. The conference would
like to examine the *two way movement* of cultural commodities in and out of
these countries. Papers on the reception of cultural forms from these
countries in other Asian locations too are welcome. We are *not* interested
in papers devoted to detailed analyses of specific cultural texts.



The culture industries of the countries under consideration have been
largely *inward looking* for much of the post-colonial and post-imperial
period. In the second half of the twentieth century they developed on the
strength/weakness of their *domestic markets*, unlike Hong Kong which has a
long and unbroken history of producing films for export. The conference will
focus on the post-1990 period when for different reasons including *
underground* circulation of cultural commodities in international markets,
systematic efforts began to be made in these countries to export
entertainment.



The export of entertainment by Asian countries is coeval with the increasing
*economic* importance of cultural production and consumption in today’s
world. In India, for example, government agencies have estimated that
cultural and creative industries contribute up to 34% of the GDP and employ
30% of the workforce. The circulation of cultural commodities in contexts
other than those of their production draws attention to the hitherto
under-researched area, namely the increased *interface between culture and
economics*. In a global context where cultural production and consumption
are engines of the economy, the manner in which cultural commodities flow,
the resistances they encounter, the ways in which they are localized,
transformed, and engender new cultural practices and have social and
economic consequence that are completely unanticipated by the production
centre are issues the conference will address.



We would like to examine questions related to *cultural markets* and
*cultural
economy*. These include but are not limited to:



a) *Cultural impenetrability*. Why do certain markets, especially Asian
markets, prove to be impenetrable to commodities produced elsewhere? What
role does the industrial and business context of the host market play in
determining/limiting the flow of imported cultural commodities?



b) *Localization*. The acceptance of cultural objects in new markets is a
direct consequence of *localization*, or the mediation of the object by
distribution and exhibition sectors of the host country. How are cultural
imports localized in the contexts examined? Of particular interest is the
role played by film and television industries in localizing imports through
context-specific publicity campaigns, dubbing, etc.



c) *Creation of new subcultures*. What new sub-cultures are formed in host
countries and what is their similarity/difference with their counterparts in
the production centre? These subcultures are at times premised on existing
cultural stereotypes of the production centre and at other times they
seriously challenge stereotypes (as in the case of Korean drama in Japan,
which has contributed to the changed perception of Korea in Japan).



d) *Invisible and underground markets and ‘Soft Power’*. The relative lack
of control over distribution and exhibition and the rampant circulation of
pirated media content in Asia create a situation in which cultural
consumption is actively facilitated by unauthorized and underground markets.
Typically, Japanese, Korean and Indian cultural commodities arrive in an
authorized, legal market long after illegal channels have introduced them
there. How do entertainment industries grapple with complex questions posed
by unauthorized circulation of their productions? *Do current discussions of
‘soft power’ adequately account for the actual extent of the circulation and
influence of imported forms?*



e) *Dispersal across media formats*. Although dispersal of media content
across a range of technologies and formats is not confined to Asia, we would
like to draw attention to the ways in which digital technology has mediated
the circulation of Asian cultural forms. The conference would like to
examine the new opportunities and challenges of post-celluloid technologies
for entertainment industries of the region.



Tentatively, the conference will be organized around the following broad
areas:



  1. Asian Culture Industries: Conceptual and theoretical issues;
  2. Celluloid and post-Celluloid media forms in Asia
  3. Imported entertainment: Case studies of India, Japan and Korea
  4. Export of Culture: focus on comparative studies of more than one
  context of reception.



*Instructions for Submission:*



Paper abstracts (250 words) should be submitted to S.V.Srinivas at *
cidasia at cscs.res.in <theasianpopular at cscs.res.in>*. Abstracts may be in Word
or RTF formats, following this order: author(s), affiliation, email address,
title of abstract, body of abstract. Abstracts should be submitted no later
than 30 August, 2010. If an abstract is accepted for the conference, a full
draft paper should be submitted by November 10, 2010. The maximum duration
of individual presentations within each panel will be 25 minutes. All papers
should be unpublished because they will be published on the conference
website and/or in an edited conference volume.

*Financial and other support:*



  1. Complete or partial air travel reimbursement will be provided for a
  limited number of participants traveling from within Asia. *Preference
  will be given to younger applicants*.
  2. All participants will be provided basic, non-smoking accommodation
  free of cost for a maximum of three nights. Meals will be provided during
  the conference days.
  3. Indian visa costs and taxi fares will not be covered by the
  organizers.



If you wish to apply for a travel reimbursement, indicate in a separate
paragraph below your abstract the approximate cost of your air ticket and
the extent of support you require. As of now we only have funding to
reimburse a *limited number of fares for participants travelling from
locations in Asia and affiliated to institutions in Asian countries*. We are
in the process of seeking additional funds but at this stage we cannot
commit ourselves to supporting travel costs of participants from non-Asian
locations.



Further announcements about registration, funding and venue related details
will be made available in due course. Please contact S.V. Srinivas at
srinivas at cscs.res.in or *cidasia at cscs.res.in
<theasianpopular at cscs.res.in>*for additional information.