[Reader-list] Bharat Rang Mahotsav Festival Schedule for January 8- 12, 2011 : The Play Synopsis & Tickets details

[rohitrellan at aol.in]

1. Charandas Chor
7 January 2011, Kamani, 5:30 pm

Details

Playwright: Habib Tanvir
Direction: Anup Hazarika
Group: Ba (The Creative Breeze), Guwahati
Language: Assamese
Duration: 1 hr 35 mins

The Play

The play is about a thief who promises his guru that he will never to
tell a lie. Charan attempts to show his sincerity by offering never to
do four things - eat off golden plates, ride an elephant at the head of
a procession, marry a queen and accept the throne of a country. The
guru then tells him that since he had so generously undertaken to give
up four things on his own account, he should also undertake to give up
one little thing - lying - at his guru’s request. The thief consents
and that is how the promise comes to pass.

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2. An Autobiography of a devil
7 January 2011, Abhimanch, 9:30 pm

Details

Playwright: Kakarkapudi Narasimha Yoga Patanjali
Director: Shiva
Group: National School of Drama Student Diploma Production
Language: Hindi
Duration: 1 hour

The Play

Once up on a time a devil who lives in a forest decides to write his
autobiography. As he does so, the forest is visited by Gandharva who
comes to eat the mahua flower with his peacock, and the autobiography
is read by him. The argument between the devil and Gandharva generates
four stories, after which Gandharva suggests that the devil stop
writing the autobiography.

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3.Park
8 January 2011, SRC, 4:30 pm

Details

Playwright: Manav Kaul
Director: Kumud Mishra
Group: Aranya Theatre Group, Maharashtra
Language: Hindi
Duration: 1 hr 20 mins

The Play

Any park.
In...just about anywhere.
With three regular benches. And three men...just any men...squabble
about the choicest of seats. Because each one’s claim is the greatest,
and the most fundamental. And.....just about anywhere, there is never
enough room for everyone.

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4.Santa Maria de Iquique: Revenge of Ramón Ramón
8 January 2011, LTG, 5:30 pm

Details

Director: Manuel Loyola
Group: El Oraculo Theatre Company, Chile
Language: Non-verbal
Duration: 55 mins

The Play

In 1907 there was a massive killing of miners and their families in the
North of Chile in which four thousand people were murdered. The play is
based on the mission of a survivor worker, Antonio Ramon Ramon, who
decides to avenge the death of his brother by executing General Silva
Renard, who was responsible for the genocide.
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5.Great Expectations
8 January 2011, Bahumukh, 6:00 pm

Details

(Inspired by the original by Charles Dickens)
Dir: Swati Mittal
Group: NSD Diploma Production, Delhi
Lang: Hindi
Dur: 1 hr 10 min

The Play

Pip, an orphan, lives with his old sister and her husband. He meets an
escaped convict named Abel Magwitch and helps him against his will.
Magwitch is recaptured and Pip is taken care of by Miss Havisham. He
falls in love with the cold-hearted Estella, Miss Havisham's ward. With
the help of an anonymous benefactor, Pip is properly educated and he
becomes a snob. But eventually, through a series of unfolding mysteries
Pip's 'great expectations' are ruined. Finally, life makes him work as
a clerk in a trading firm with his friend, and that is where he
eventually finds his peace.
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 6.Le Barbier de Seville
8 January 2011, Kamani, 7:00 pm

Details

Author: Pierre-Augustin Caron De Beaumarchais
Director - Éric Vigner
Group: CDDB de Lorient, France and National Theatre of Tirana, Albania
Lang: Albanian with English subtitles
Dur: 1 hr 17 min

The Play

The Barber of Seville is a love comedy confronting desire and feelings,
reason and impulses.The plot involves a Spanish count, Almaviva, who
has fallen in love at first sight with Rosine. To ensure that she
really loves him and not just his money, the Count disguises himself as
a poor college student named Lindor, and attempts to woo her. His plans
are foiled by Rosine's guardian, Doctor Bartholo, who keeps her locked
up in his house and intends to marry her himself. The Count's luck
changes after a chance reunion with an ex-servant of his, Figaro, who
is currently working as a barber and therefore has access to the
Doctor's home. Figaro devises a variety of ways for the Count to access
Bartholo’s home and talk to Rosine. After many developments, the story
culminates in the marriage of the Count and Rosine.
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7.Salaam India
8 January 2011, Abhimanch, 9:30 pm

Details

Playwright: Nicholas Khar Kongor (Inspired by Pavan Verma's bestseller
Being Indian)
Director: Lushin Dubey
Group: Theatre World, New Delhi
Lang: Hindi/English
Dur: 1 hr 30 min

The Play

The play has four actors who portray sixteen characters altogether.
Different situational excerpts from their life bring about
contradictions, joy, humor, hope and aspirations that drive them.
Inspired by Pavan Verma's bestseller Being Indian, four intertwined
vignettes in the play explore the issues of regionalism, dowry, and the
growth of technology in a traditional society. The stories cover all
classes of society in contemporary India.
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8.Bitter Belief of Cotrone the Magician
8 January 2011, NSD Open space, 6:30 pm

Details

Playwright & Dir: Andrea Cusumano
Group: CeSDAS, UK, in collaboration with Central Saint Martins College
of Art and Design and Italian Cultural Institute in New Delhi
Lang: English & Italian
Dur: 55 min

The Play

A nomadic site-specific performance, the play draws inspiration from
Luigi Pirendellos's The Giants of the Mountains, and is a stunning
visual theatre piece fusing puppetry, projections, performance and live
soundscapes. The creative process extends beyond the original site,
continuing to evolve throughout the duration of the project; reaching,
influencing and being influenced by multiple spaces, narratives and
audiences.
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9. Mahakabyer Pare
9 January 2011 , SRC, 4:30 pm

Details

Playwright & Director: Kallol Bhattacharya
Group: Ebong Amra, West Bengal
Language: Bengali & Santhali
Duration: 1 hour

The Play

Mahakabyer Pare is based on the story of Eklabya from the Mahabarata,
though the main theme has been changed. Here, the Kshatriyas are still
rulers of the world and engage in wars in which the innocent Shudras
become victims. They are tortured, killed, and deprived for ages. In
order to break free from their tormentors, the Shudras announce war
against the Kshatriyas. They send Eklabya to Dronacharya to learn the
art of warfare, but since Eklabya is a shudra, Dronacharya refuses to
teach him. Yet, Eklabya manages to learn these skills, driven solely by
his desire. When Dronacharya’s Kshatriya disciples inform him of this,
their teacher meets Eklabya and asks for his right hand thumb as
gurudakshina. Although Eklabya is ready to pay this price, the Shudras
stop him by claiming his thumb as a weapon of the entire community. He
refuses, and Dronacharya along with his Kshatriya disciples are
imprisoned by the Shudras.
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10. En un Sol Amarillo (In a Yellow Sun: Memories of an Earthquake )
9 January 2011, LTG, 5:30 pm

Details

Written & Directed by: Cesar Brie
Group: Teatro de los Andes, Bolivia
Lang: Spanish, with English subtitles
Dur: 1 hr 10 min

The Play

Equal parts docu-play, physical theatre and comic burlesque, En Un Sol
Amarillo sheds light on tragedy and corruption with wit and pathos.
Fusing actual testimonies with electrifying theatrical imagery, it
recreates the feverish atmosphere of Bolivia in 1998, when a massive
earthquake rocked the country’s foundations. An emotionally-charged
retelling of a community faced with devastation, it is timeless in its
urgency, and sheds light on the calamity wrought by the earthquake and
the corruption that followed. A gripping story told with wit, pathos,
simplicity and creativity that resonates the world over.
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11. About Ram
9 January 2011, Sammukh, 6:00 pm

Details

Director: Anurupa Roy
Animation Visualization: Vishal Dar
Group: Katkatha Puppet Arts Trust, Delhi
Language: Non-verbal
Duration: 1 hour

The Play

As the name suggests, the performance is about Ram, the prince who is
sent on a long journey far away from his home when he is exiled by his
father along with his wife Sita and brother Lakshman. About Ram was
created with a performance grant from the India Foundation for the Arts
and in collaboration with animator Vishal Dar. It is an experimental
theatrical piece using excerpts from Bhavbhuti’s Ramayana and told
through animation, projected images, dance, masks and puppets.
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12. Ms. Meena
9 January 2011, Kamani, 7:00 pm

Details

Playwright: Rashmi Ruth Devadasann (Inspired by Friedrich Durrenmatt’
The Visit)
Director: Rajiv Krishnan
Group: Perch, Chennai
Language: English (with a smattering of other Indian languages)
Duration: 1 hr 40 mins (with 10 min. intermission)

The Play

Ms.Meena, formerly known as Asha, is an iconic film star. She returns
to her native village Pichampuram, which has descended into a state of
dire poverty. after two decades to make her final film. With news of
her arrival there is a new burst of energy and hope in the village and
she is hailed as their saviour, while Ravi, her former lover, is pushed
to appeal to her on the village's behalf. Ms. Meena arrives and seems
quite willing to help the village. She promises to make the villagers
prosperous beyond their wildest dreams. But in return, she demands a
terrible price.

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13. Hamlet Machine
9 January 2011, Abhimanch, 9:30 pm

Details

Group: National School of Drama Student Diploma Production
Playwright: Adapted from Heiner Muller's Hamlet Machine
Director: Anjali Shinde
Language: Hindi
Duration: 1 hour

The Play

Hamlet Machine is supposed to be a historical play depicting the fall
of Communism in Germany. It comprises characters from Shakespeare's
Hamlet and also borrows a few situations from the original play, while
departing from it in other ways. The play is about the broken dreams of
revolution, motherhood, art, survival and humanity; about individuals
who move with the times and those who get left behind.
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14. Pueta Peralta
9 January 2011, TIE Space, 6:30 pm

Details

Dir: Francisca Bernardi and Maria Pas Vicens
Group: Chile de Papel, Chile
Lang: Spanish with English subtitles
Dur: 45 min

The Play

The voice of the popular sectors of Chilean society at the end of the
19th, beginning of the 20th century was the Lira popular, single-sheet
published poems in décimas that where illustrated with simple woodcuts,
commenting from a distinctive perspective on national occurrences and
local events affecting the poet. One of these poets was Juan Bautista
Peralta.
This is his story, the story of a poor, illiterate and blind man who
became a poet, a singer and a trade union leader; and it is the history
of Chile in that era, seen from the perspective of the people, from the
singing to the humane and the divine.
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15. Aattramai
10 January 2011, SRC, 4:30 pm

Details

Playwrights: N.Muthuswamy, Sundara Ramaswamy, Ku.Pa.Rajagopalan &
Siranjeevi
Dir: N. Muthuswamy
Group: Koothu-p-Pattarai Trust, Chennai
Lang: Tamil
Dur: 1 hr 30min

The Play

The entire production is a compilation of 4 short - Aattramai deals
with the contrasting lives of to young two newly married women;
Prasadam is about a poor policeman who wants to celebrate his
daughter’s birthday but lacks the money to do so; Karuvelamaram
revolves around a tree that has grown in a disputed public land; and
Jothidappuli is about a poor person trying desperately and
unsuccessfully to get a job. The stories depict the irony and vices
prevalent in our society, and strike just the right balance with their
subtle and effective acting, authentic Tamil dialogues, countryside
music, and tongue-in-cheek commentary.
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16. Andhere Akele
10 January 2011, LTG, 5:30 pm

Details

Playwright: Debashis Sengupta (Inspired by Ariel Dorfman’s Death and
the Maiden)
Dir: Biplab Bandyopadhyay
Group: NIVA Arts, Kolkata
Lang: Bengali
Dur: 2 hrs 5 min (with 10 min intermission)

The Play

The play takes place in a closed room now occupied by three persons--
Dr. Sadashib Samanta, a psychiatrist; Jayanta Sarkar, a young lecturer
with his own set of aspirations; and Parna, a woman believing in the
philosophy of life drenched in the songs of Rabindranath Tagore, yet
aware of the stark reality of the pain suffered by her body and soul.
As these three people try to establish their own versions of truth, the
play looks at the dynamics of negotiations, interactions and conflicts
that develop between them.
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17. Reshmi Rumaal
10 January 2011, Bahumukh, 6:00 pm

Details

Based on Shakespeare's Othello
Dir: Prashant Parmar
Group: NSD Diploma Production, Delhi
Lang: Hindi
Dur: 1 hr 5 min

The Play

A non-professional theatre company is rehearsing Shakespeare's Othello.
The actors playing the roles of Iago and Desdemona, Narendra and Nega
respectively, are a couple in real life. However, Neha has a suspicion
that Narendra is involved in an extra-marital affair with Priya, who is
playing the role of Emilia in the play. Because of this suspicion, Neha
is assailed by doubts that disrupt the rehearsals of the play. The
climax is reached during the handkerchief sequence, and Neha is finally
left feeling as heartbroken as Desdemona, who was also betrayed and
killed in a parallel tragic pattern.
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18. Ugetsu Monogatari
10 January 2011, Kamani, 7:00 pm

Details

Play: Ugetsu Monogatari
Written & Directed by: Madoka Okada
Group: Kaden Theatrical Art Company, Katsushika, Japan
Lang: Japanese
Dur: 1 hour

The Play

The play that unfolds in 10th century Japan, opens on a seashore, where
a beautiful lady named Manago comes to the house of Toyoo, a son of a
rich fisherman, to take shelter from the rain. Toyoo lends her his
umbrella and promises to meet her again. One day he goes to her house
on the pretext of getting back his umbrella, and gets intimate with
her. due to a series of incidents he discovers that she is not human
but a serpent who transforms herself into a woman. Driven by her deep
passion for Toyoo, Manago, the serpent, stalks him. As the play
develops, one is left with the question of whether or not her non-human
love will be accepted by him?
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19. My Country, Life for Remembrance & The Quest
10 January 2011, Abhimanch, 9:30 pm

Details

Playwrights: Eva Balzer, Saleh Saad, and Nora Amin
Dir: Nora Amin
Group: Lamusica Independent Theatre Group, Egypt
Lang: English,Arabic & Non-verbal respectively
Dur: 1 hr 25 min (with 10 min intermission)

The Play

Between the search for a personal and true homeland, the struggle to
survive or even to die in dignity and be remembered, and the quest to
grasp the soul and find one's own transcendence, this triple bill My
Country, Life for Remembrance and The Quest navigates between three
different theatre styles, all heavily incorporating physical
expression.

My Country is a highly poetic and metaphoric dance theatre piece. Set
between Germany, Egypt and India, it tells a journey of a young woman
who gathers pieces of herself in different cultures to recreate her own
identity.

Life for Remembrance is an unusual account of the incidents of Saleh
Saad, a theatre maker who died on 5 September 2005 along with almost
seventy theatre artist in a horrifying fire in a theatre venue in Upper
Egypt.

The Quest is a piece based on vocal expression and physicality,
combining live music and physical and dramatic inspiration from sufism,
on how to find our own spirituality within and to affirm our being
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20.Siddhartha Gautama Dekhi Buddha Samma…Ek Yatra
11 January 2011, SRC, 4:30 pm

Details

Playwright: Vijay Mishra
Direction: Bipin Kumar
Group: Srijana Natya Manch, Sikkim
Language: Nepali
Duration: 1 hr 45 mins

The Play

The play is based on an incident that occurred between Icchamati and
Nillohith, two newcomers who wanted to join the Sangh started by
Gautama Buddha and run by his disciple, Ananda. As Icchamati and
Nillohith are about to enter the Sangh, a certain situation arises that
takes Icchamati to the verge of violating its disciple. Ananda arrives
on the scene and unable to answer her questions, he orders her to
leave. Icchamati then expresses her desire to meet the Buddha, but is
not allowed to do so. She, therefore, leaves, but only after accusing
her accusers of misrepresenting the Buddha and with a promise to return
someday. The play looks at what happens after this incident and
stresses the multi-dimensional nature of truth.

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21. Ojha Fanoosh
11 January 2011, LTG, 5:30 pm

Details

(Based on Christopher Marlowe's Dr. Faustus)
Dir: Gunakar Dev Goswami
Group: Purbaranga, Assam
Lang: Assamese
Dur: 1 hr 20 min

The Play

Inspired and based on Christopher Marlowe's "Dr. Faustus", this play is
its Assamese adaptation presented in a traditional theatre form. Ojha
Fanoosh himself is not just a man, he is a myth. He is the tireless
seeker, searching for knowledge, forbidden and otherwise. He is the
driving force of curiosity and the ambitious yearning for control over
knowledge and the universe, that lurks within all humanity. Since he is
not definable as a historical being whose life can be substantiated in
documentary evidence, in this play his mystic nature has been
highlighted.
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22.Muaré
11 January 2011, Sammukh, 6:00 pm

Details

Concept &Direction: Marina Quesada and Natalia Lopez Lopez
Group: Marina Quesada and Natalia Lopez, Argentina
Lang: Spanish with English subtitles
Dur: 55 min

The Play

'Movement and stillness' are the first in a vast game of oppositions
that find their ground in the body of the characters in Muaré.
Wandering around at the edge of a party, two slim, frail figures help
each other between fantasies, worries, and hope. They remain in
suspension, without leaving or entering. They seem trapped in a system
that includes being marginalized as part of it. Muaré is like a
transparent prism that rotates, sometimes slowly, sometimes fast,
showing many faces of the same thing, revealing pieces of the intimacy
of those who stand at the border.
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23. Begam Ka Takiya
11 January 2011, Kamani, 7:00 pm

Details

Author: Pandit Anand Kumar
Director: Ranjit Kapur
Group: NSD Repertory Company, New Delhi.
Lang: Hindi
Dur: 2 hrs 30 min (with 10 min intermission)

The Play

Begum Ka Takia is the tale of two brothers who share the same blood,
the same bread and the same roof. But wealth and women create a chasm
between them. Greed, desire, karma and non-karma are locked in a
tussle. The intricate and absorbing patterns of the vicissitudes of
life are unraveled by Faqir Darya Shah and their reality revealed to us
through the eyes of his disciple, Qatra Shah.
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24. Pedro Paramo
11 January 2011, Abhimanch, 9:30 pm

Details

(Adaptation of Juan Rulpho's short novel Pedro Paramo)
Dir: Firoz
Group: NSD Diploma Production, Delhi
Lang: Hindi
Dur: 1 hr 20 min

The Play

Since the world around us has been formed because of continuous change
and the rise and fall of civilizations, it is possible that our present
world order may also follow the same path and get wiped out to give
place to a new order. The play contains several interesting characters
and is full of incidents structured around an entire world teeming with
life and creatures that are in contact with our present world. The
non-linearity of the text can be seen as symbolic of the ever-changing
shifts and points of view in our lives, its pace, complexities, etc.
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25. Miruga Vidhusagam
11 January 2011, NSD Open space, 6:30 pm

Details

Playwright & Director: S. Murugaboopathy
Group: Manalmagudi, Tamil Nadu
Language: Tamil
Duration: 1 hr 45 mins

The Play

Donning animal masks and motifs and carrying totem poles, miruga
vidusagas (animal jesters), journey into war-torn lands, highlighting
the plight of refugees affected by war calamities and drawing attention
towards the problems faced by migratory population due to
industrialization. They stop briefly to speak about the issues and
concerns of indigenous people and women, questioning the control of
people by the government and misuse of power by media, and finally
appealing to the people for the creation of a world based on love,
justice, respect and dignity for natural resources and people.
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26. Drowa Jhagmu: Ek Devi ki Kahani
12 January 2011, SRC, 4:30 pm

Details

Written & Directed by: Suk Bahadur
Group: Central Institute of Himalayan Cultural Studies, Arunachal
Pradesh
Lang: Arunachali Hindi
Dur:1 hr 30 min

The Play

The play is based on a story from a 1400-year old region of Arunachal
Pradesh. The reign of king Kalawangphu is one characterized by
violence. One day he comes across a beautiful fairy called Dowra
Jhangmu, falls in love with her and marries her after promising to
change his ways. He converts to Buddhism and starts a family. But then,
the king’s evil first wife, Hachang, returns and tries to kill the
children. The plot then moves on to what happens next and how the story
comes to a happy ending.
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27. Before the Germination
12 January 2011, LTG, 5:30 pm

Details

Play: Before the Germination (Inspired by Oriana Fallaci's Letter to a
Child Never Born)
Playwright & Director: Manish Mitra
Group: Kasba Arghya, West Bengal
Language: Bengali & English
Duration: 1 hr 10 mins

The Play

A simple story, being simply told, Before the Germination, is about a
mother's talk with her unborn child describing the world into which the
child would be born in. after hearing what the mother tells it, the
unborn child refuses to take birth in such a world. Inspired by Oriana
Fallaci's "Letter to a Child Never Born," the play addresses the
various crises and power structures in contemporary societies and also
the aspects of deviant human behaviour.
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28. Some Stage Directions for Henrik Insen's John Gabriel Borkman
12 January 2011, Bahumukh, 6:00 pm

Details

Based on Henrik Ibsen's John Gabriel Borkman and Texts by the Raqs
Media Collective (Monica Narula, Jeebesh Bagchi and Shuddhabrahta
Sengupta)
Director: Zuleikha Chaudhari
Group: Zuleikha Chaudhari Productions, Delhi
Language: English and Hinidi
Duration: 1 hr 10 mins

The Play

he play revolves around John Gabriel Borkman, former bank manager
imprisoned for financial fraud and released eight years ago; Ella,
John's former lover; Gunhild, Ella's twin sister married to John; and
Erhart, John and Gunhild's son. While John was in prison, Ella took
great care of Erhart. When the play unfolds, she shares the fact that
she suffers from a terminal illness and requests permission for him to
live with her and take her name. Borkman agrees but Gunhild refuses;
Erhart turns up to say that he cannot live for either of them, or for
his father. John leaves the house, goes out into the winter night with
Ella, and eventually dies.
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29. Bisarjan
12 January 2011, Kamani, 7:00 pm

Details

Playwright: Rabindranath Tagore
Director: Suman Mukhopadhyay
Group: Tritiyo Sutra Performance Company, Kolkata
Lang: Bengali
Dur: 2 hr15 min (with 10 min intermission)

The Play

Gobindamanikya, Tripura’s monarch, on realizing the futility of blood
sacrifices, issues a ban on these unnecessary slaughters at the altar
of the Goddess, which causes a general discontent in the state that is
encouraged by high priest Raghupati. In the fray is caught Jayasingha,
a Rajput by birth, who has unquestionable faith in the deity and his
mentor. Caught between blind faith and a mixed sense of morality, it
seems that the only way he can break the stalemate is by his own
sacrifice that would make possible the offering so cherished by
Raghupati and would save the noble king as well.
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Tickets

DENOMINATION:

Kamani and Shri Ram Centre   -  Rs.100/-, Rs.50/-, Rs.30/-
Abhimanch and LTG    -  Rs.100/- and Rs.50/-
Sammukh, Bahumukh - Rs.50/-
TIE Space, Abhikalp and Open    Air -   By Invitation.
AVAILABILITY:

Advance booking will start on 5th Jan 2011 at NSD Campus from 10.00am
to 3.00 pm
Booking will be divided in three phases.
First phase booking starts on 5th for plays from 8th Jan-12th Jan 2011.
Second phase booking starts on 10th for plays from 13th Jan-17th Jan
2011.
Third phase booking starts on 16th for plays from 18th Jan-22nd Jan
2011.
Maximum four tickets per person per play for each phase at a time will
be permitted.
Current booking will start at the respective theatres one hour before
the show.
Invitations for TIE Space, Abhikalp and Open Air available at the
Reception of National School of Drama from 10 am on the day of the
perfortmance.
A small percentage of tickets of all denominations will be available at
www.bookmyshow.com and also over the phone with Bookmyshow -
  +91-11-39895050      . The online booking will close at midnight
before the day of the show.
Children below 8 years not allowed.
OTHER RULES:

Food and drinks not allowed in the auditoriums
Handbags will be subjected to security check.
No vehicle will be allowed in side the Bahawalpur House campus during
the festival period.
Parking of vehicle on Bhagwandas Lane or Bhagwandas Road, would be at
owners risk.
Still photography and videography are strictly prohibited.
Program subject to change.