[Reader-list] A DISCUSSION ON Fascism and Aesthetics
Marxist Institute
iims_delhi at hotmail.com
Thu May 8 21:59:19 IST 2003
INDIAN INSTITUTE OF MARXIST STUDIES
(DELHI CHAPTER)
E-Mail: iims_delhi at hotmail.com
A DISCUSSION ON
Fascism and Aesthetics
FACILITATOR: POTHIK GHOSH
"When fascism aestheticises politics, communism responds by politicising
art."
Walter Benjamin, 'Work of Art in the Age of Mechanical Reproduction'
The highest form of aestheticised politics, to cite Benjamin once again, is
war. And don't we know that well enough! The belligerence on our borders
with Pakistan--the Indian army well turned-out in its menacing regalia with
its array of ordered sophisticated weaponry (artillery, tanks, et al). That
is the beauty of militarised order. Something the khaki shorts of the RSS
brilliantly embody--in the domain of 'civil society' and now, with the
BJP-led NDA in the saddle, in the realm of state power. There is but a thin
line that separates Praveen Togadia's trishul diksha, the orderly,
disciplined and 'aesthetic' drill at the shakhas and the Saraswati Shishu
Mandirs and the orchestrated and organised dance macabre of the Bajrangi and
Sanghi death squads on the streets of Gujarat, post Godhra. It is this
fascist spirit--of its obsession with aesthetic beauty, going to the extent
of aestheticising its violent credo--that was so tellingly captured by Leni
Riefenstahl's 'artistic' films, which relied heavily on its footage of the
militarised, (and I am sure all will agree) murderous Nazi order on German
streets.
The ascendancy of the Hindu Right continues unabated and its fascist
credentials, particularly with regard to its politics-aesthetics kinship, is
rather well emphasised by the fact that we have a poet Prime Minister who is
also the liberal facade of the rightwing BJP. It's here that we, as
practising Marxists, need to intervene and discover what aesthetic
sensibilities are all about.
Fascism, as a form of bourgeois regime, thrives on the synchrony it achieves
with the petty-bourgeois fascistic tendencies that are present in a society
where various forms and stages of capitalism co-exist. Consequently,
violence remains no longer merely a function of the repressive state
apparatus (Althusser), but extends itself into the domain of ideology and
'civil society'. This movement is actually dialectical and the other half of
this dialectic is the ideologisation of the polity that is essentially
constituted by the various repressive state apparatuses. This perhaps
explains how a fascist regime manufactures consent for its politics. And
it's precisely at this juncture that we need to understand the bourgeois
ideological moorings of art and aesthetic sensibilities so that we
comprehend the process of ideological consensus-generation at work vis-à-vis
our own home-grown variety of fascism.
We will try to examine and bring to light the ideological character of what
is commonly perceived and accessed as art. In the process, we will also
attempt to lay bare the ideological reifications inherent in the
preponderant aesthetic sensibility of our times by treating it in
historical-materialist terms. That said, we will then try to come up with a
formulation what art and aesthetics can mean in Marxist praxis in a fascist
conjuncture.
GANDHI PEACE FOUNDATION (Basement),
Deendayal Upadhyaya Marg (Near ITO), New Delhi
3.00-6.00 PM, 11TH MAY 2003 (Sunday)
_________________________________________________________________
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