[Reader-list] 4th posting
Indira Biswas
indirabiswas at hotmail.com
Tue Jun 29 12:29:37 IST 2004
Hello,
This is Indira Biswas working on the topic Mediation through Radio The
Calcutta Radio Station and the changing life of the city (1927 57). I am
sending my 4th posting of the work done so far.
In this posting I would share with you some important findings on the
musical programmes of the Calcutta Radio station.
Life of a radio station depends upon continuity of its programme everyday,
at fixed hours of time. Of all the programmes of the Calcutta radio station
(henceforth the CRS), broadcasting of music constitutes seven eighth of all
the programmes. Therefore, broadcasting of music only by few renowned
professional artists both male and female, could not meet the purpose of
the new radio station. Hence, to keep the programme going, the search for
amateur artists became an agenda of broadcasting staff of the CRS from its
very beginning. Here, it seems, bringing in amateurs did not begin as
nationalist agenda to cleanse music from the hands of prostitutes and
mirasis. By the time the Government of British India began to take interest
in Indian broadcasting in the mid 1930s and nationalist leaders took in
earnest the cleansing project defining who and what would they sing in the
scope of All India Radio, the majority of performers of the CRS irrespective
of gender were middleclass Bengalees. In his first published report of the
broadcasting in India, the first Controller of broadcasting Lionel Fielden
has also remarked that the situation in Calcutta was different from other
parts of India and there existed a liberal atmosphere due to influence of
Tagore and Brahma Samaj
The Vetar Jagat projected one Pushparani Chattopadhyay, daughter of a senior
police officer Pulin Behari Chattopadhyay as the first amateur artist of the
CRS. Instances of young children taking part in radio musical programme and
obtaining appreciation are many. The abundance of child singers testify the
ardent need felt by the authority to get as many amateur singers as they
could. To keep the programme going programme assistants and even the
Station Directors were always on the alert for news of artists who could be
brought on the microphone
The CRS also opened a music lesson programme of Bengali songs on October 14,
1930. Pankaj Kumar Mallick took charge of the programme from November or
early December 1930 and continued till 1975. The greatest advantage of this
Music Lesson Programme was that music was taught with notation. Pankaj
Kumar Mallick made it a routine to dictate notations and give the listeners
instructions on how to follow them. In the initial years, the Vetar Jagat
also published the songs with notation in advance. Those listeners who could
follow the notations, could master the songs without mistake. The programme
became extensively popular among its listeners
To be a radio artist, aptitude to sing admirably, became an increasingly
coveted marker of status and gentility in Bengali middle class society. Many
families craved their unmarried daughters to learn music to some extent
expecting them to be acclaimed and chosen as prospective bride.
The urban cultural scenario witnessed a slow but steady change. While more
and more girls came to take part in radio and gramophone, the craze
intensifying with the passing of years, it remained mostly confined to
unmarried girls.
Bye till the next mail.
Indira Biswas
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