[Reader-list] Erasing Signatures From History
Jeebesh
jeebesh at sarai.net
Fri Mar 4 14:12:49 IST 2011
There is something poignant and absurd in this report. it may unravel
in discussion. warmly jeebesh
MARCH 2, 2011
Erasing Signatures From History
By JEFFREY ZASLOW
http://online.wsj.com/article/SB10001424052748703409904576174300274052230.html?mod=WSJINDIA_hpp_sections_lifestyle
In his 35 years as a high school English teacher in suburban
Philadelphia, Thom Williams often encouraged his students to splash
their most creative thoughts on the walls of his classroom.
Hundreds of students embraced his invitation, covering those painted
cinderblocks with original art, quotes from favorite books, and deep
thoughts born from teenaged angst.
"I looked to those walls for inspiration," says 18-year-old Lauren
Silvestri, a student of Mr. Williams's at Marple Newtown High School
in Newtown Square, Pa. Before graduating last year, she signed her
name and a quote she loves. "It felt good to know I'd come back
someday and my words on the wall would be there."
Her words won't remain for long, however. Mr. Williams died of cancer
in December at age 63, and now the school is being renovated. That
classroom's walls are set to be demolished or painted over. "Thom was
a free spirit who encouraged his students to be free spirits," says
Raymond McFall, the school's principal. Still, "I can't have everybody
painting on the walls of the school."
It is a human impulse to want to sign our names or scribble comments
on the walls of places that have meaning for us—from the Berlin Wall
to the walls of Graceland to the paneling in favorite bars. By
tradition, actors sign their names backstage in theaters where they've
performed. Soldiers scratch their marks in barracks before heading
overseas. Athletes scribble their names and jersey numbers in
clubhouses.
These messages left behind can feel sacred. Especially in our digital
age, when signing someone's Facebook "wall" feels so transitory,
there's something alluring about markings with more permanence. But
what happens when the buildings that house old autographs must be
razed, or new owners want the walls painted over, or school principals
worry about the fine line between creativity and graffiti?
It's a delicate question, and many people these days are answering it
passionately—by rallying to save the signatures.
About 2,000 people signed the walls of the Italian House Restaurant in
Janesville, Wis., over the past quarter-century. But in 2008, the
restaurant announced it was relocating to a building with more glass
than solid walls. After word spread that the signatures would be
thrown away, radio hosts in Janesville took to the airwaves to
strategize with listeners about ways to retain them. Suggestions
included laminating the 35 fake-brick panels of signatures onto
tabletops at the new restaurant.
"I saw that people felt an emotional bond with those walls," says
Edmund Halabi, the restaurant's owner, who found space to display 600
signatures at his new location.
In the building that housed the Air Force ROTC at the University of
Texas at Austin, visiting former prisoners of war from World War II
and the Vietnam War were asked to sign a special wall on the third
floor. Last year, after the building was scheduled to be demolished,
ROTC cadets vowed to save the signatures. That required slicing a 900-
pound chunk of the exterior wall, and using a crane to maneuver the
slab three stories to the ground. It will be imbedded in the drywall
of the new ROTC building.
"Preserving the autographs is part of our promise to all former POWs
and those missing in action," says Col. Christopher Bowman, the unit's
commanding officer. "We won't forget them."
Civil War soldiers often signed their names at mustering sites before
heading off to fight. Countless signatures have been painted over. But
on a plaster wall at the courthouse in Gates County, N.C., you can
still see signatures dated June 12, 1861. One signer was 18-year-old
John Gatling, who survived the war and returned to the courthouse in
1915, at age 72, to speak at a ceremony marking the 50th anniversary
of the war's conclusion.
"Those signatures are a momentary record, captured in time," says Josh
Howard, research historian with the North Carolina Office of Archives
and History. "If you touch their names, you're literally touching
history."
Some preservationists have come to see graffiti as a reminder of the
human spirit. At New York's Metropolitan Museum of Art, the 82-foot-
long Egyptian Temple of Dendur dates to 15 B.C. From 10 B.C. to the
mid-1800s, about 100 people—Arab passersby, British explorers, Italian
tourists—carved their names on the temple.
"We can't take it off. It's part of the temple's history," says
Dorothea Arnold, chairwoman of the Met's Department of Egyptian Art.
People who sign their names—whether at ancient temples or in wet
cement on their back patios—are looking for a measure of immortality.
But they can't assume their signatures will outlast them.
Joey Lawrence, 76, is now facing this reality.
Starting in 1965, Mr. Lawrence asked every person who entered his home
in Hampton, Va., to sign the white-plaster wall in his sitting room. A
retired shipyard supervisor, he has collected more than 1,000
signatures—from friends, TV repairmen, plumbers, even Jehovah's
Witnesses who knocked on his door. "Some were friends who are now
dead, and others were just here for a moment, like the postman or
newspaper boy. But all of them were part of my life," he says.
When pro athletes came to town for appearances, Mr. Lawrence would
show up and ask them to drive to his house and sign. Some agreed to do
it, including baseball stars Brooks Robinson in 1982 and Bob Feller in
1986.
Neighborhood kids would stop by asking to add their names. Some have
returned decades later to revisit their signatures.
As Mr. Lawrence ages, he's aware that someday he'll die and the house
will be sold. He may instruct his heirs to lower the asking price if
buyers agree to keep the signatures.
Mr. Williams, the English teacher who died, knew his students'
heartfelt wall musings would not last forever. He had arrived at the
school in 1974 as a bearded, long-haired 27-year-old, helping kids
find meaning in Shakespeare and the Beatles. He taught them haiku—the
perfect short poetry for wall graffiti.
Inspired, 600 of his students filled his walls with Hamlet
soliloquies, Beatles lyrics and their own haiku.
On his last day as a teacher, much older, with a white beard, Mr.
Williams finally signed the wall himself. "Go to your destiny," he
wrote. "Goodbye."
Since his death, former students have made a pilgrimage to the
classroom to visit their markings and pay their respects. They say
that room was their sanctuary.
In 2007, her senior year, Laura Kopervos had scrawled an Albert Camus
quote under a window in the classroom: "In the depths of winter, I
finally learned that within me there lay an invincible summer."
She'd often look out that window on ugly winter days, contemplating
those words. Understandably, she's sorry that her quote may soon be
gone. "But it's OK," she says. "If it's painted over, I'm going to
write it somewhere else."
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