Protected: How to Breathe in a Lost Vat (2025)
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Biting Tongue, Biding Time
Published as a part of ‘Intensification,’ a collaboration between e-flux and the Lisbon Architecture Triennial within the context of its seventh edition, “How heavy is a city?,” curated by John Palmesino and Ann-Sofi Rönnskog (Territorial Agency), 2025.
Thirst/Trishna
Thirst/TrishnaShown at: ‘Thirst: In Search of Freshwater’ , Wellcome Collection, London (2025) Multi Screen Video Installation,Wallpaper and Augmented Reality what comes first, the thirst for water, the presence of its absence, or the memory of its taste? Moving through step-wells in desert landscapes, fragments of stories about longing, and the vast, invisible reservoirs of water […]
Blood Moon & A Day in the Life of Kiribati
Blood Moon, 2025 & A Day in the Life of Kiribati, 2014Shown at: ‘From the Cosmos to the Commons’, Stadtkuratorin Hamburg (2025) Blood Moon is an invitation to stay with a passage of time in the way we imagine and inhabit it. It draws the viewer into an unfolding encounter felt through the body and the […]
Blood Moon, 2025
In the work, Blood Moon, different orientations of the clock describe the ways in which the moon affects us as humans, in our hearts and on our skin, altering our sense of lived time
The Parable of the Step Well
Published in – ‘Thirst: In Search of Freshwater’, edited by Ellen Johl, published by The Wellcome Collection, 2025, in accompaniment to ‘Thirst : In Search of Freshwater’ curated by Janice Li, at the Wellcome Collection, London. Pages 89 – 93
Cavalcade
Centered on a forty‑minute film and accompanied by a suite of prints, Cavalcade zooms in on a gathering where humans and non-humans jostle for space, becoming a procession, a parade, a revue, a dream converging in fluid motion.
Tables of Destiny, Overturned
Tables of Destiny, Overturned/पलटता हुआ नक्शाShown at: ‘Zangezi’, Zurich Arts Weekend, Immersive Arts Space, Zurich Video installationDuration, 8′ 18″ At 5:27 am, five minutes less than an hour before sunrise, on the 12th of September, 1918, in the South Eastern Russian town of Astrakhan, not far from the Caspian Sea (a lake so big that […]
Cavalcade: Artist Talk & Discussion
Hosted at the Neubauer Collegium, Chicago on May 8, 2025, the Artist Talk & Discussion brings together Monica Narula and Shuddhabrata Sengupta in conversation with Dipesh Chakravarty and Prathama Banerjee, moderated by Dieter Roelstraete.
Wayfaring Ways To Be
Wayfaring Ways To Be Solo ExhibitionHanart TZ Gallery, Hong Kong (2025) Two things distinguish the human species: an ability to walk upright, and a capacity to think, straight and crooked. Walking expands horizons. Eyes travel further. Thinking loosens the tongue, in joy, in awe, in shame, in audacity. We begin talking, and we have not […]
From = to ≈ and ≅a Consideration on Justice after Quantum Mechanics
Published in ‘Matter Mattering Matters – A Scienticity Reader‘, Edited by Edited by Kabelo Malatsie and Lantian Xie, 2025
Moon Clock
The Moon Clock is a device to tell the time. At midnight, and at noon, lies the moon. With the passing of the hours, it clocks the waxing and the waning of crimson moon-minutes
Twisted Time
Twisted Time (2024) is formed from two glass bicycle wheels mounted on a mirrored plinth where they rotate slowly
Borderlands
Borderlands (2024) is a series of seven laser engravings on black sandpaper. Rendered black on black, the hard-to-decipher drawings riff off medieval depictions of animals where the intended creature and its depiction only nominally match.
(ANTI-)CAPITALISM: The Imminent Promise and Fear of a Getaway Car
Text by Raqs, published in ‘A Companion to Contemporary Art in a Global Framework’ (2024), edited by Jane Chin Davidson and Amelia Jones.
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