Approaching the sense of exhaustion and hopelessness of the end of a factory’s life cycle, the artists established a link between a call published in a newspaper of Faridabad, an industrial suburb of Delhi, urging the workers to change their living conditions by planting orchards in abandoned factories, and the orange groves of the “Valley of Abraham” by Manoel de Oliveira. The approximately 100 orange trees first placed in an abandoned factory (and where people felt cool breezes from the industrial fans as they walked amongst the orange trees) were later planted in the public space of Guimarães disponbilizando so its fruit would be available freely for future generations.