WORKS
Memes and Fables: …tick tock Newspaper, blackboard ink, chalk and screen print. 2021 70cm x 54.5cm Memes and Fables: …tock tick Newspaper, blackboard ink, chalk and screen print. 2021 68cm x 55.5cm Memes and Fables: …wicked Newspaper, blackboard ink, chalk and screen print. 2021 70cm x 57.5cm Memes and Fables: …let it be Newspaper, blackboard […]
31 DaysShown at: ‘The Laughter of Tears’, Kunstverein Braunschweig, Germany (2021) | ‘The Pandemic Circle’, Stamps Gallery, Penny W. Stamps School of Art & Design, Expo Chicago – online (2020) | ‘CC: World’, Haus der Kulturen der Welt- online, Berlin (2020) Video with calligraphy, pixels, soundDuration, 17’45” A conversation in images, missives to selves and world, mood […]
Making bets while knowing nothing Text by Raqs, published in The Collections Book, Thyssen Bornemisza Art Contemporary
The first publication accompanying Afterglow, Yokohama Triennale 2020, curated by Raqs Media Collective.
Listening: Active Presence of Aura of the Ordinary Suraj, Shamsher and Neelofar were part of the Cybermohalla Ensemble (2001-13), and co-authrored innumerable books, broadsheets, and art works with the Ensemble. Notable among them are Trickster City: Writings from the Belly of the Metropolis (Penguin-India, 2010, English translation of Bahurupiya Shehr, Rajkamal Prakashan, 2007), and Cybermohalla […]
21 Personae is an extension of the 51 Personae project curated by Raqs Media Collective for the 11th Shanghai Biennale (2016–17)
“One question that stayed with us and has proven to continue getting exponentially more complex is that of time. The 90s had posed the scrambling of time in ideas of development, progress, or modernity.During that time, as very young people, we examined and re-examined what progress could even mean. We have, from then, been unpacking […]
NervesShown at: ‘Not Yet at Ease’, FirstSite, Colchester, United Kingdom (2018) | ‘Spinal’, Frith Street Gallery, London, United Kingdom (2019) Mural, Text and Drawings transferred in Vinyl 140 meter long curving wall The bold blue colour that forms the ground of Nerves is inspired by the Hospital Blues uniform worn by convalescing soldiers in British military […]
The clock in the poster is an embodiment of assurance, the opposite of alarm
A suite of six uniquely colourful lenticular prints offer a dance of terse imperatives at the intersection of will and necessity
A singular array of surfaces in materials that range from leather to metal celebrate the essential instability of all substances
n revisiting and re-staging Cartier Bresson’s photograph in Shanghai, Raqs meet the conditions of the self-fulfilling prophecy invoked by the event captured in the original image.
Twilight Language signals a lighthouse semaphore for all that is lost and found between errant longitudes, infected histories and contagious futures. This is the time when everything changes; memorials defect, communards bake biscuits, moths mutate, divers rise, clocks speak in tongues. Animals, machines, and humans recover grounds of equality and conversation. Words turn incandescent, enigma shadows everything, twilight finds its language.
With Dyeing Inayat Khan, Raqs extends their practice of intervening with video in archival and historical traces.
Text accompanying the performance titled Memorophilia held at Tate Modern (2016).
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