
Practice is the daily ‘work’ (as verb) of art. It represents the sum of all the moves – practical, conceptual, affective, cognitive, philosophical, analytical and aesthetic – that occupies/de-occupies the state of our triangulation at any given point of time. Being contingent, this practice is a shape-shifting thing, prone to surprise itself as much it surprises others. Like a mycelial inhabitation, indeterminate and unbounded, it expands.


Provisions for everybody

The necessity of Infinity

Alive, with Cerussite and Peppered Moth

The Return of Tipoo’s Tiger

Time Gatherings

Seven Billion and One

Bureaux of Raqs and Faqs

Art in the age of collective intelligence & If the world is a fair place then..

The Museum of Lost Constellations

The Last International & Three Meetings That May Have Happened, Underwater or Mid-Air

Activo y Pasivo | Assets and Debts

A History of Photography

The House Of Everything And Nothing

The Fruits of Labour

Rewriting on the wall
In Rewriting On the Wall, hand-prints are reconfigured to produce an alphabet of gestures—each a gloss of the letters in standard American Sign Language as used by deaf and mute people. The letters add up to a text (which accompanies the work): a stammering, hesitant, syntactically unsure consideration (written by a hand that appears on the wall like the hand that wrote on the wall in the episode of Belshazzar’s feast in the Old Testament) of the relationship between ‘I’ and ‘We’ and the horizon that encompasses singular and plural modes of being.

More Salt In Your Tears

However Incongruous

The Wherehouse
