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To People & Demos 

To People 11 Textile and 2 Prints on paper, 100 x 500 cm each Still More World | Mathaf | Doha Demos (Crimson, Azure)Multiple fused corian surfaces 1m x 1m
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The necessity of Infinity

The necessity of Infinity | 2017 Reading performance, Carpet, gold embroidery, Performers, musical tone generators; Carpet Dimensions 4 x 4.8m | Exhibited at Sharjah Biennale 2017, Sharjah “The Necessity of Eternity” recounts what must be […]
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Alive, with Cerussite and Peppered Moth

Alive, with Cerussite and Peppered Moth 3D printed PLA plastic, cast polyester resin, plywood and video projections  Architectural Collaborators: Palak Jhunjhunwala and Stratis Georgiu Exhibition History: Whitworth, Manchester (2017) Mathaf, Doha (2018) Palais de Tokyo, […]
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Time Gatherings

Meanwhile Elsewhere | 2014  Words, Clock-face Design on Vinyl Raqs Media Collective Berlin | Dhaka Art Summit, Bangladesh Luminous will | 2015 Exhibition at SMFA, Boston
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Seven Billion and One

Seven Billion and One | 2015  Variations of the infinity sign in gold pigment, on pages of newspapers coated with black ink (English, Hindi, Urdu), 108 sheets of 22 x 14.5 inches SMFA (School of the […]
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Bureaux of Raqs and Faqs

Bureaux of Raqs and Faqs | 2015 Found furniture, index cards, words, plaques, electronic word displays, text and a scenario Exhibited at MUAC (Museo Universitario Arte Contemporaneo)| Mexico City
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The Fruits of Labour

Fruits of Labour (2012) 100 orange fruit trees, industrial sizes fans, framed copies of the Faridabad Majdoor Samachar | Public Art Project at REAKT: Olhares e Processos, Guimaraes Approaching the sense of exhaustion and hopelessness […]
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Rewriting on the wall

In Rewriting On the Wall, hand-prints are reconfigured to produce an alphabet of gestures—each a gloss of the letters in standard American Sign Language as used by deaf and mute people. The letters add up to a text (which accompanies the work): a stammering, hesitant, syntactically unsure consideration (written by a hand that appears on the wall like the hand that wrote on the wall in the episode of Belshazzar’s feast in the Old Testament) of the relationship between ‘I’ and ‘We’ and the horizon that encompasses singular and plural modes of being.

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More Salt In Your Tears

More Salt In Your Tears | 2011 Site-specific installation in the Baltic Sea with stainless steel, steel cable, wood, concrete anchors | Contemporary Art Archipelago, Turku, Finland (2011)
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However Incongruous

However Incongruous | 2011 Fibreglass (160 x 92 x 320 cm) | Print Albrecht Dürer came across rumors of the Indian rhinoceros named Gainda sometime in 1515 that he would immortalize in his woodcut, Rhinoceros. Gainda the […]
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The Wherehouse

2004 / Installation with video, found objects, altered books, text panels, audio, spoken performance, photographs, and web page | Revolution/Restoration II, Palais des Beaux-Arts, Brussels (2004); Taipei Biennial, Taipei (2004–05)

TAS (Temporary Autonomous Sarai)

Raqs Media Collective with Atelier BowWow (Tokyo)  Portable, multi-use structure made with packing crates for computers, projectors, paper, sound and people.   Commissioned by the Walker Art Center and funded by the Foundation, Temporary Autonomous Sarai is an […]