
Practice is the daily ‘work’ (as verb) of art. It represents the sum of all the moves – practical, conceptual, affective, cognitive, philosophical, analytical and aesthetic – that occupies/de-occupies the state of our triangulation at any given point of time. Being contingent, this practice is a shape-shifting thing, prone to surprise itself as much it surprises others. Like a mycelial inhabitation, indeterminate and unbounded, it expands.
.MOV.ESSAYS | .MP4.PLUS | DEVICES | GATHERINGS | INTERFERENCES | INTERRUPTIONS | LEXICA | LOOPS | UNLEDGERED


1980 in Parallax

Unruly Iris of Dissent (U.I.D 2), Swamp & Marsh

An Infra-vocabulary for Capital

Betaal / बे-ताल / Arrhythmic

Time Travel: Board Game for Two Players

soDA Magazine Story

The Laughter of Tears

When Proust Catches the Glare

The Pandemic Circle: Trilogy of handwritten videos

The Course of love

Deep Breath

Dohas for Doha

To People, Demos & Prostheses for the History of Insurgent Crowds

Time Devices (2011- 18)

Provisions for everybody (film)

Provisions for everybody

A Planet Turns on its Axis Without Permission

The Assurance Clock & Toxicare

Workers and Robots Enter A Factory Canteen

To Ask, When Empty

Toxicity in Equal Measure

The necessity of Infinity

The Blood of Stars

Alive, with Cerussite and Peppered Moth

The Emperor’s Old Clothes & Hollowgram

The Translator’s Silence

Undoing walls

Communard Biscuits

The Return of Tipoo’s Tiger
Dyeing Inayat Khan

Night & Day, Day & Night

Time Gatherings

Seven Billion and One

Asankh/ Countless

Lost in Search of Time

Homo Speculos

Coronation Park 

Bureaux of Raqs and Faqs

Fever, Fever

Art in the age of collective intelligence & If the world is a fair place then..

The Namak Haram’s Philosophy, Revised & One meter of truth (knowledge)

Future Plans

The Museum of Lost Constellations

Carbon Twilight & Sleepwalker’s Caravan

The Last International & Three Meetings That May Have Happened, Underwater or Mid-Air

Activo y Pasivo | Assets and Debts

A History of Photography

Corrections to the First Draft of History
A Fortunate Spell of Pleasant Amnesia

Autodidact’s Transport

Log Book Entry Before Storm

Time Interruptions (2009, 2014)

Will you, Beloved Stranger

The Dislocation of Degree Zero

Blood Of Stars: A walk in ten scenes

The House Of Everything And Nothing

The Fruits of Labour

Forthcoming titles

Reverse Engineering the Euphoria Machine

Revoltage

Time Capsule from 2011 (TO BE OPENED IN 2061)

How to get from here to there

Rewriting on the wall
In Rewriting On the Wall, hand-prints are reconfigured to produce an alphabet of gestures—each a gloss of the letters in standard American Sign Language as used by deaf and mute people. The letters add up to a text (which accompanies the work): a stammering, hesitant, syntactically unsure consideration (written by a hand that appears on the wall like the hand that wrote on the wall in the episode of Belshazzar’s feast in the Old Testament) of the relationship between ‘I’ and ‘We’ and the horizon that encompasses singular and plural modes of being.

More Salt In Your Tears

We the Fuel

The Untold Intimacy of Digits

An Afternoon Unregistered on the Richter Scale

36 Planes of Emotion & One Meter of Truth (Emotion)

Strikes At time

Misadventures of A Phantom Limb

The Capital of Accumulation

The surface of each day is a different planet

CEASURAL VARIATIONS I & II

Sightings & Four Figures

Just Passed Harmony

However Incongruous

The Mathematics of Anacoustic Reason

With Respect to Residue

The K.D.Vyas Correspondence
Contribution For “2006 Peace Tower”

There Has Been A Change Of Plan

A Dying Man Sings Of That Which Felled Him
On the question of standards while considering the freedom of speech, after Duchamp
