‘Practice’ is the daily ‘work’ (verb) of art. It represents the sum of all moves—practical, conceptual, affective, cognitive, philosophical, analytical, and aesthetic—that occupy or de-occupy the state of our triangulation at any given moment. Contingent by nature, this practice shifts shape, surprising itself as much as it surprises others. Like a mycelial inhabitation—indeterminate and unbounded—it keeps expanding.
.MOV.ESSAYS | .MP4.PLUS | DEVICES | GATHERINGS | INTERFERENCES | INTERRUPTIONS | LEXICA | LOOPS | UNLEDGERED
TrenchesShown at: FirstSite, Colchester, United Kingdom (2018) | ‘Spinal’, Frith Street Gallery, London, United Kingdom (2019) Looped videoDuration, 4′ In Trenches, soldiers from archival images are collaged into film footage from a newsreel fragment titled With the indian Troops at the Front, Part 1, Official Pictures of the British Army in France, and further juxtaposed […]
SweepingShown at: FirstSite, Colchester, United Kingdom (2018) | ‘Spinal’, Frith Street Gallery, London, United Kingdom (2019) Looped videoDuration, 7’12” A performing body enacts the labour of cleaning, much like the working bodies of the non-soldiers in the War. The landscape where the act of sweeping is being performed reaches hand-coloured abstraction.
DreamingShown at: FirstSite, Colchester, United Kingdom (2018) | ‘Spinal’, Frith Street Gallery, London, United Kingdom (2019) Looped video,Duration, 2’19” IIn Dreaming, a sergeant looks on at a spinning shrouded figure, seen against what looks like a moonscape, as he overlooks a performer who is sleeping.
NervesShown at: ‘Not Yet at Ease’, FirstSite, Colchester, United Kingdom (2018) | ‘Spinal’, Frith Street Gallery, London, United Kingdom (2019) Mural, Text and Drawings transferred in Vinyl 140 meter long curving wall The bold blue colour that forms the ground of Nerves is inspired by the Hospital Blues uniform worn by convalescing soldiers in British military […]
SpinalShown at: ‘Not Yet at Ease’, FirstSite, Colchester, United Kingdom (2018) | ‘Spinal’, Frith Street Gallery, London, United Kingdom (2019) Video Duration, 10′ 24″ Spinal is a study of the vertebral column that brings together an anatomical model and a dancer’s body in a conversation of gestures, stances, steps, positions, and caresses. The positions traced […]
Provisions for Everybody Shown at: AV Festival, Newcastle (2018)| Project 88, Mumbai (2018)| Arab Museum of Modern Art, Doha (2019) Single screen, Video, FurnitureDuration, 50′ Provisions for Everybody inscribes an eccentric itinerary on and off the trail of George Orwell that accompanies a reading of ‘The Road to Wigan Pier’. Traveling between Northern England, Eastern India, […]
With Provisions for Everybody, Raqs offers a weave of thoughts found on the the road; as well as images, calculations, texts, textures and textiles which accompany and aid the the task of re-imagining the relation between potential and plenitude.
In Three Shadows, the dancing figures in white have been isolated and animated to render them into ghostly spinning specters.
Turning, and turning around, on the Rann does not alter the white horizon. Salt– brilliant under the sun–dazzles the eyes, opens the lachrymal canals. We taste our own salinity as time seasons us.
Solo ExhibitionTate Exchange (December 14-20, 2016) A thicket is a concentration of living matter. In forests, gardens, and fields, thickets rise where different plant species find it possible to thrive together in a wild celebration of life itself. Conversations too can have thickets; points of intersection of lines of force. Through an interactive, participatory installation, […]
The clock in the poster is an embodiment of assurance, the opposite of alarm
An imagined conversation between real, embodied and artificial forms of intelligence, set in a moment of respite on a working day.
A suite of six uniquely colourful lenticular prints offer a dance of terse imperatives at the intersection of will and necessity
A singular array of surfaces in materials that range from leather to metal celebrate the essential instability of all substances
n revisiting and re-staging Cartier Bresson’s photograph in Shanghai, Raqs meet the conditions of the self-fulfilling prophecy invoked by the event captured in the original image.
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