The Robin Hood of Wisdom
What does knowledge taste like? The unsalted white of an egg. It asks for the garnish of betrayal. An instruction based work for public libraries which pauses to consider the saline taste of wisdom.
‘Practice’ is the daily ‘work’ (verb) of art. It represents the sum of all moves—practical, conceptual, affective, cognitive, philosophical, analytical, and aesthetic—that occupy or de-occupy the state of our triangulation at any given moment. Contingent by nature, this practice shifts shape, surprising itself as much as it surprises others. Like a mycelial inhabitation—indeterminate and unbounded—it keeps expanding.
.MOV.ESSAYS | .MP4.PLUS | DEVICES | GATHERINGS | INTERFERENCES | INTERRUPTIONS | LEXICA | LOOPS | UNLEDGERED
What does knowledge taste like? The unsalted white of an egg. It asks for the garnish of betrayal. An instruction based work for public libraries which pauses to consider the saline taste of wisdom.
Three metallic strips – brass, copper and steel– make a possible ‘doorway’ to another place, another time, and configure a possibility of being simultaneously inside and outside
Three unwritten books, each marking a whimsical relationship to specific influential texts (by Rosa Luxemburg, Vladimir Illyich Lenin and Antonio Gramsci) in the canon of Marxism, find their place amongst a set of echoing titles in a carefully laid out miniature library
Euphoria Machine is the name we give to the apparatus of desire and cognition that seeks to create a consensus within society for boundless energy and wealth, and effaces all doubts and dissent about the ways in which this energy and wealth must be acquired.
Revoltage Shown at: Project 88, Mumbai (2010) | Festival d’Automne, Espace Oscar Niemeyer, Paris (2011) | Art Unlimited Basel (2012) | Tel Aviv Museum (2012) | Zentrum für Internationale Lichtkunst, Unna (2014) | National Gallery of Modern Art, New Delhi (2014) Text, lightbulbs, fixtures, acrylic, wire, synchroniser Revoltage fills the space it occupies with warmth, […]
Time Capsule, from 2011, is a time travel device which makes it possible for Raqs to claim its contemporaneity with the future
Seven photographic prints trace the journey of an illuminated vehicle across a liminal landscape
In Rewriting On the Wall, hand-prints are reconfigured to produce an alphabet of gestures—each a gloss of the letters in standard American Sign Language as used by the deaf community.
More Salt In Your Tears first presented as a text sculpture composed of three dimensional stainless steel letter-forms anchored on to a shallow section of seabed of the Baltic Sea near Turku, Finland.
We the Fuel | 2011 9 framed photographs, tape residue (210 x 180 cm) A collage made with treated film posters and dental X-rays Premonition, Experimenter Gallery, Kolkata (2011); Helsinki Photography Biennale, Finland (2014)
Proverbs is a series of textual sculptures that express a set of ambiguities about transactions and relationships
Whenever the Heart Skips a Beat is an animation presenting a clock-face with changing word couplings – instead of numbers – in order to reference the passing of hours.
36 Planes of EmotionsShown at: Art Gallery of York University, Toronto (2011) | The Photographers’ Gallery, London (2012) | The Whitworth, Manchester (2017) |K21, Düsseldorf (2018) Laser engraved acrylic glass, furniture, lighting (180 x 150 x 60 cm)Graphic design: Amitabh Kumar + Satyabrata Ra 36 Planes of Emotions extends the palette of emotions to include states of […]
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