Practice is the daily ‘work’ (as verb) of art. It represents the sum of all the moves – practical, conceptual, affective, cognitive, philosophical, analytical and aesthetic – that occupies/de-occupies the state of our triangulation at any given point of time. Being contingent, this practice is a shape-shifting thing, prone to surprise itself as much it surprises others. Like a mycelial inhabitation, indeterminate and unbounded, it expands.
.MOV.ESSAYS | .MP4.PLUS | DEVICES | GATHERINGS | INTERFERENCES | INTERRUPTIONS | LEXICA | LOOPS | UNLEDGERED
Fever, Fever
Fever, Fever interrupts a tale of assassination, escape and sacrifice from the classical epic Mahabharata
Corrections to the First Draft of History
Corrections to the First Draft of History ‘rewrites’ on newsprint of the world so as to speak of making new sets of meanings for what is considered history in our present times.
A Different Gravity
A Different Gravity presents a flying carpet, a timetable, a wrong chair, and a mirror stage
The Perpetual Recall of the Penultimate Afternoon
The Perpetual Recall of the Penultimate Afternoon constructs an itinerary in the footsteps of Rosa Luxemberg’s last days in Berlin
Contribution For “2006 Peace Tower”
A piece in response to the invitation from Mark di Suvero and Rirkrit Tiravanija to contribute to the ‘Peace Tower’ for the Whitney Biennial 2006