Memorophilia
Raqs opens by asking “Who is Memory For?” and invokes Plotinus to suggest memory lives for those who have forgotten . A chance encounter at Paris’s Musée Guimet before a Banteay Srei frieze evokes a paradoxical mix of estrangement and familiarity, tracing a narrative that began in 200 B.C. and traveled thousands of miles and […]
Theory Opera
The Theory Opera aims to explore the sensuality of thoughts. These are live scenarios within the exhibition space at intersections of works, or within works, and outside PSA in Shanghai
Propositioning The World: Raqs Media Collective and the Shanghai Biennale
An Interview with Raqs on curating the 2016 Shanghai Biennale and how it fits into their curatorial practice. An interview with Raqs, by Maya Kóvskaya, first published in the September/October 2016 issue of Yishu: Journal of Contemporary Chinese Art.
As if by design
Text by Raqs, Published under ‘Superhumanity’ for the 3rd Istanbul Design Biennial, 2016
Night & Day, Day & Night
A 24 hour clock where the usual digits are displaced with words in the Devanagri script relating to varying scales of time.
Time Gatherings
Meanwhile Elsewhere | 2014 Words, Clock-face Design on Vinyl Raqs Media Collective Berlin | Dhaka Art Summit, Bangladesh What begins with our eyes, travels to the brain, courses to our heart, and then returns to our eyes. Reading a feeling or a moment is something that happens between different aspects of consciousness. Reading off the walls […]
Seven Billion and One
The seven billion people of the planet are animated today as they have never been before — with possibilities, propositional forms, and with an entirely new morphology and vocabulary of solidarity.
Asankh/ Countless
The material infinitude that makes up the real world, Raqs argues, is a swirling, entangled mass of vital, corporeal wills to live and exist actualized as forms of matter and sentience
Lost in Search of Time
While retrieving the time gained in searching for all that is lost and found one can admit to a condition that one suspects that one shares with most people in the world today, of being lost, in search of time.
Homo Speculos
Homo Speculos, is a work that reflects on this condition. It places five ‘true mirror’ assemblages on five pedestals at different heights and angles, such that a person appearing in front of it, sees himself, or herself, broken, but re-assembled, and laterally un-reversed.
Coronation Park 
Coronation Park echoes and amplifies the accidental epiphany that Raqs experienced a long time ago about the nature of power at the eponymous derelict quasi-ceremonial space where relics of the British Raj are kept for the consideration of an absent public at the outskirts of Delhi.
Bureaux of Raqs and Faqs
The Bureaux of Raqs and Faqs takes the form of an onsite performance installation. It takes off from the fact that one of the ways in which the word ‘Raqs’, in the name of the collective, has been sometimes mistakenly parsed is as the acronym RAQS, ‘Rarely Asked Questions’, as opposed to ‘FAQS’ or ‘Frequently Asked Questions
Fever, Fever
Fever, Fever interrupts a tale of assassination, escape and sacrifice from the classical epic Mahabharata
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