
A Letter to amália jyran, who will be fifty-four in 2061 CE
A letter to Amália Jyran, who will be fifty-four in 2061 CE Text by Raqs, written to accompany Raqs’ contribution to the Momentum Nordic Biennale of 2011
A letter to Amália Jyran, who will be fifty-four in 2061 CE Text by Raqs, written to accompany Raqs’ contribution to the Momentum Nordic Biennale of 2011
Revoltage Shown at: Project 88, Mumbai (2010) | Festival d’Automne, Espace Oscar Niemeyer, Paris (2011) | Art Unlimited Basel (2012) | Tel Aviv Museum (2012) | Zentrum für Internationale Lichtkunst, Unna (2014) | National Gallery of Modern Art, New Delhi (2014) Text, lightbulbs, fixtures, acrylic, wire, synchroniser Revoltage fills the space it occupies with warmth, […]
Time Capsule, from 2011, is a time travel device which makes it possible for Raqs to claim its contemporaneity with the future
Seven photographic prints trace the journey of an illuminated vehicle across a liminal landscape
In Rewriting On the Wall, hand-prints are reconfigured to produce an alphabet of gestures—each a gloss of the letters in standard American Sign Language as used by the deaf community.
More Salt In Your Tears first presented as a text sculpture composed of three dimensional stainless steel letter-forms anchored on to a shallow section of seabed of the Baltic Sea near Turku, Finland.
Seen at SecunderabaghShown at: Koninklijke Vlaamse Schouwburg, Brussels (2011)| Festival d’Automne, Le Centquatre, Paris (2011) | Wiener Festwochen, Vienna Festival (2012) | Chronus Centre, Shanghai (2013) | National Gallery of Modern Art, New Delhi (2014) Performative installation with actors, video projection, sets With Zuleikha Chaudhari The starting point for Seen at Secundrabagh is a photograph taken in 1857 […]
We the Fuel | 2011 9 framed photographs, tape residue (210 x 180 cm) A collage made with treated film posters and dental X-rays Premonition, Experimenter Gallery, Kolkata (2011); Helsinki Photography Biennale, Finland (2014)
Proverbs is a series of textual sculptures that express a set of ambiguities about transactions and relationships
Whenever the Heart Skips a Beat is an animation presenting a clock-face with changing word couplings – instead of numbers – in order to reference the passing of hours.
Reading Light Siege du Parti Communiste Francaise, Festival d’Automne, Paris (2011) Reading Light – the work presented by Raqs in Oscar Niemeyer’s iconic building for the French Communist Party at the Place Colonel Fabien – was a set of illuminated signs that use text, typography, light sources and electricity to conjure a renewal of human aspirations. […]
An Afternoon Unregistered on the Richter Scale is a looped video projection of an archived photographic image in which a room full of surveyors is transformed through a series of subtle alterations
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