Presented by Shveta Sarda This book is an appreciation of the listening, walking, reading, interviewing, collecting, questioning, mapping, recording, drawing, image-making and writing done by the hundreds of Independent Fellows associated with Sarai over the last decade. The works by the Fellows have been publicly archived through postings in the Sarai Reader-list and in the […]
Euphoria Machine is the name we give to the apparatus of desire and cognition that seeks to create a consensus within society for boundless energy and wealth, and effaces all doubts and dissent about the ways in which this energy and wealth must be acquired.
Drawings of a Conversation distills the signal traffic between the three Raqs computers as they worked together in their Delhi studio on a single afternoon into a series of prints
Text by Raqs, Published in ‘Work, Work, Work: A Reader on Art and Labour’, Edited by Cecilia Widenheim, Lisa Rosendahl, Michele Masucci, Annika Enqvist and Jonathan Habib Enqvist. IASPIS, Stockholm & Sternberg Press, Berlin & New York, 2012
Text by Cuauhtémoc Medina, eflux journal #38
Text by Raqs, Published in ‘Imagine Being Here Now’ , (Catalogue/Reader) The Sixth Momentum Biennale, Mousse Publishing, 2011
Revoltage Shown at: Project 88, Mumbai (2010) | Festival d’Automne, Espace Oscar Niemeyer, Paris (2011) | Art Unlimited Basel (2012) | Tel Aviv Museum (2012) | Zentrum für Internationale Lichtkunst, Unna (2014) | National Gallery of Modern Art, New Delhi (2014) Text, lightbulbs, fixtures, acrylic, wire, synchroniser Revoltage fills the space it occupies with warmth, […]
Time Capsule, from 2011, is a time travel device which makes it possible for Raqs to claim its contemporaneity with the future
Seven photographic prints trace the journey of an illuminated vehicle across a liminal landscape
In Rewriting On the Wall, hand-prints are reconfigured to produce an alphabet of gestures—each a gloss of the letters in standard American Sign Language as used by the deaf community.
More Salt In Your Tears first presented as a text sculpture composed of three dimensional stainless steel letter-forms anchored on to a shallow section of seabed of the Baltic Sea near Turku, Finland.
Seen at SecunderabaghShown at: Koninklijke Vlaamse Schouwburg, Brussels (2011)| Festival d’Automne, Le Centquatre, Paris (2011) | Wiener Festwochen, Vienna Festival (2012) | Chronus Centre, Shanghai (2013) | National Gallery of Modern Art, New Delhi (2014) Performative installation with actors, video projection, sets With Zuleikha Chaudhari Seen at Secunderabagh unfolds as a meditation on history, image, and […]
We the Fuel | 2011 9 framed photographs, tape residue (210 x 180 cm) A collage made with treated film posters and dental X-rays Premonition, Experimenter Gallery, Kolkata (2011); Helsinki Photography Biennale, Finland (2014)
Proverbs is a series of textual sculptures that express a set of ambiguities about transactions and relationships
Whenever the Heart Skips a Beat is an animation presenting a clock-face with changing word couplings – instead of numbers – in order to reference the passing of hours.
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