
Revolutionary Forces (The Three Tasters)
Three volunteers tell three stories. The surface underneath them is in a state of permanent revolution.
Three volunteers tell three stories. The surface underneath them is in a state of permanent revolution.
The Communist Latento is an image/text series that features photographs of found minimalist hand-drawn signage on transparent surfaces (mainly arrows and direction markers) annotated by a set of terse statements by Raqs.
Speculating on the concept of time, Time is Money intertwines financial and political matters related to capitalism with ontological issues related to ephemerality and permanence
Surface Tension Studies is a suite of photographs which considers making choices between unfathomable depth and a distant horizon, encountering the strong pull of submerged currents, the attractions of beaching on unnamed islands, and the modest comfort of anchorage
In early April 2009 the last of the distinctive Titan cranes from the Tyneside Swan Hunter shipyard in northern England were loaded up onto a heavy load vessel and sailed out of the River Tyne.Raqs treats found footage of the last voyage of the ship-building cranes down the Tyne river (shot by an engineer and amateur shipyard enthusiast) to create a world of passages, transitions and departures.
Skirmish is a brief, unhappy, love story with pictures and text, another of Raqs’ forays into the photo-roman form
Seven frames stand in for the seven days of the week. Each frame contains an assemblage of suspended objects.
Can You Say That Again? (5 Uneasy Pieces) features an intimate portable outdoor audio theater, framed by the “Exit” glyph of the walking man and the narration of five episodes of anchorage and dislocation. Part public furniture, part listening station.
Super-Duper Helter-Skelter Lego World is a map of the world in building blocks
The Things That Happen When Falling in Love brings together suggestions of words, and people on the move to create an image of a world where the fortunes of both love and labour are framed and dismantled by global forces.
The Capital of Accumulation is a video installation that writes an oblique narrative of the relationship between metropolises and the world in counterpoint to Rosa Luxemburg’s exceptional critique of global political economy, ‘The Accumulation of Capital’.
Brazen (2009) was displayed at The Audience and the Eavesdropper, Phillips de Pury, London and New York.
In the grounds of an abandoned steel furnace, in a city that once made the greatest amount of steel in the world
Nothing more to load.