Betaal / बे-ताल / Arrhythmic instigates an encounter with simulations of arrhythimic presences in an infrastructure-inflected landscape. The landscape of loops, knots, ties, ellipses, holes made of steel wires and metal bar creates a crisscross configuration suspended in space.
Time Travel is not a typical board game, although it looks quite ordinary: it consists of a board, instructions, and alphabet squares.
In The Theatre of Memory: The Work of Contemporary Art in the Photographic Archive Text by Raqs
soDA magazine 19, Zurich (2002); Casebook (2014, AGYU Canada), Raqs presented the concept of “Event-shaped Hole” which translated into the essay The Event-shaped Hole and the Photographic Image in The Nordic Journal of Aesthetics, 2021 Casebook (2014, AGYU Canada) A photograph is an image of an event-shaped-hole, and as witnesses to such perforations we could […]
An invitation to epistemic disobedience with Raqs Media Collective
Art Collections of the Academy of Fine Arts Vienna (2021-2022)
The Laughter of Tears Solo ExhibitionKunstverein Braunschweig, Germany When we are in the sonic range of the flightpaths of a flock of birds returning to a roosting site, we become intimate with their together-ness. When people are awestruck by wonder, or tickled into laughter, or moved to tears, they momentarily transmit to each other before, […]
As the earth turns to spin slightly faster than before in 2021, and as the heavens break ranks, involuntary memories return to the beckoning of the lime-tar-fish-jasmine-gasoline-brine smell of a new time. This smell of a new time needs new words – and an old hand – to write it all down.
Raqs works with salt, or that refers to salt, as material or concept. The inquiry started from “Salt”, a photo-essay published in The Drama Review, Volume 65 Issue 4, 2021. Salt, The Drama Review, Volume 65 Issue 4, 2021 (download) A Planet Turns on its Axis Without Permission Single screen, Video, 18:04 minutes “Provisions for Everybody” at […]
The ghost is here again to be neither witness, nor agent, not even provocateur, to be perhaps just a haunting laugh through time.
Every wilful misstep, every greedy grab, is an intimate intimidation to our own longer future.
Tears are not only for weeping, they lubricate the possibility of vision. Sometimes we see things better when we cry, cry out aloud, or laugh, till the tears come unbidden.
Do Harmonious Friends cause dissonance?Shown at: ‘The Laughter of Tears’, Kunstverein Braunschweig, Germany (2021) Blackboard paint, newspaper, chalk, text, silkscreen, glass eyes6 frames of 55 x 70 cm each An owl and a donkey interpolate themselves, indicating the simultaneity of leaving and returning. Tyll of Braunschweig teaches us the trick of being on both sides […]
As time refracts, its shatter illuminates differing strands. A comic’s contempt, her whisper of laughter, threatens the consensus.
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