WHAT TIME IS IT
Published in conjunction to the Technologies of Life in the Contemporary (14th – 16th December, 2017), Sarai-CSDS, Delhi and Goethe-Institut/Max Mueller Bhavan, New Delhi
Published in conjunction to the Technologies of Life in the Contemporary (14th – 16th December, 2017), Sarai-CSDS, Delhi and Goethe-Institut/Max Mueller Bhavan, New Delhi
The diver, maybe she is a specter, maybe he is a submarine apparition. Diving, we are closer to the surface of the earth than an astronaut, but the paradoxical nature of a submarine horizon makes for an experience that envelopes and recedes at the same time. We could recognize this paradox as key to an awareness of our experience of the contemporary.
The Necessity of Eternity recounts what must be one of the most exciting yet neglected exchanges (Al-As’Ilah Wa’L-Ajwibah/Questions and Answers) in the intellectual history of the world.
The Blood of Stars invites us to think about the relation between the presence of iron, a fugitive from the stars, sleeping deep inside the earth and the veins of warm-blooded mammals.
This architectural installation speaks to the evolution of materials and living forms across alternative time epochs.
The Emperor’s Old Clothes (2017)Shortlisted for The Fourth Plinth on Trafalgar Square 3D printed PLA Plastic and cast polyester resin What, would the departure of power from a Trafalgar Square pedestal look like? The Emperor’s Old Clothes is an answer to this question in sculptural form. What we intend to place on the fourth plinth in Trafalgar Square is […]
Twilight Language signals a lighthouse semaphore for all that is lost and found between errant longitudes, infected histories and contagious futures. This is the time when everything changes; memorials defect, communards bake biscuits, moths mutate, divers rise, clocks speak in tongues. Animals, machines, and humans recover grounds of equality and conversation. Words turn incandescent, enigma shadows everything, twilight finds its language.
Fragments of texts by three South Asian poets, Faiz Ahmed Faiz, Rabindranath Tagore, and Agha Shahid Ali, are presented in Urdu, Bengali and English, in lenticular 3D prints
Utsushimi Site-specific installation at Suzu City, Oku-Noto Triennale, Japan (2017 – ongoing) Materialized Architectural Drawing in Illuminated Wireframe Utsushimi (Tr:double image/token/emanation) traces the outline of a now-defunct railway station in the Noto Peninsula of central Japan, capturing its essence through a ‘drawing sculpture’ that renders the station’s form as an exoskeleton. This skeletal emanation stands slightly […]
Can a “dysfunctional” wall structure be imagined so as to question the original intentions of a Government?
Read By, Written By is a poetry book compiled to accompany the Bonniers Konsthall 2017 exhibition, ‘The Image of War’
51 Personae expands on the possibilities of the 11th Shanghai Biennale: Why Not Ask Again: Arguments, Counterarguments, and Stories curated by Raqs Media Collective
A hard tack biscuit from the Paris Commune of 1871 was 3D scanned, 3D printed, a mould made and facsimile biscuits baked.
PresentomorrowExhibited at Mondialité (2017) Curated by Hans Ulrich Obrist and Asad Raza, Villa Empain, Boghossian Foundation, Brussels Installation with Video, still Images and Animated Text Presentomorrow brings together echoes from Raqs’ earlier installations and engages with the writings of Édouard Glissant. The work reflects on the layered nature of language and thought; how the concepts we […]
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