
Read By, Written By
Read By, Written By is a poetry book compiled to accompany the Bonniers Konsthall 2017 exhibition, ‘The Image of War’
Read By, Written By is a poetry book compiled to accompany the Bonniers Konsthall 2017 exhibition, ‘The Image of War’
51 Personae expands on the possibilities of the 11th Shanghai Biennale: Why Not Ask Again: Arguments, Counterarguments, and Stories curated by Raqs Media Collective
A hard tack biscuit from the Paris Commune of 1871 was 3D scanned, 3D printed, a mould made and facsimile biscuits baked.
PresentomorrowExhibited at Mondialité (2017) | Curated by Hans Ulrich Obrist and Asad Raza, Villa Empain, Boghossian Foundation, Brussels Installation with Video, still Images and Animated Text The installation presented within the framework of Mondialité makes references to several of their previous installations and to the writings of Édouard Glissant. It evokes the fact that the concepts, the […]
In a dialogue between a deep‑sea diver and a shipwrecked rhinoceros, this text reframes the present as a drifting, submarine horizon—one that arrives unevenly across contexts and often eludes capture, unlike the more predictable arc of the future. Drawing on maritime and temporal metaphors, the essay assembles a cast of figures—from the wise to the […]
he Return of Tipoo’s Tiger is a communiqué from the far future channeled by the Raqs Media Collective into the Victoria & Albert Museum for “Collecting Europe” a programme conceived by the Goethe Institute, London and the V&A Museum.
With Dyeing Inayat Khan, Raqs extends their practice of intervening with video in archival and historical traces.
Raqs opens by asking “Who is Memory For?” and invokes Plotinus to suggest memory lives for those who have forgotten . A chance encounter at Paris’s Musée Guimet before a Banteay Srei frieze evokes a paradoxical mix of estrangement and familiarity, tracing a narrative that began in 200 B.C. and traveled thousands of miles and […]
The Theory Opera aims to explore the sensuality of thoughts. These are live scenarios within the exhibition space at intersections of works, or within works, and outside PSA in Shanghai
An Interview with Raqs on curating the 2016 Shanghai Biennale and how it fits into their curatorial practice. An interview with Raqs, by Maya Kóvskaya, first published in the September/October 2016 issue of Yishu: Journal of Contemporary Chinese Art.
Text by Raqs, Published under ‘Superhumanity’ for the 3rd Istanbul Design Biennial, 2016
A 24 hour clock where the usual digits are displaced with words in the Devanagri script relating to varying scales of time.
Meanwhile Elsewhere | 2014 Words, Clock-face Design on Vinyl Raqs Media Collective Berlin | Dhaka Art Summit, Bangladesh What begins with our eyes, travels to the brain, courses to our heart, and then returns to our eyes. Reading a feeling or a moment is something that happens between different aspects of consciousness. Reading off the walls […]
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