Practice is the daily ‘work’ (as verb) of art. It represents the sum of all the moves – practical, conceptual, affective, cognitive, philosophical, analytical and aesthetic – that occupies/de-occupies the state of our triangulation at any given point of time. Being contingent, this practice is a shape-shifting thing, prone to surprise itself as much it surprises others. Like a mycelial inhabitation, indeterminate and unbounded, it expands.

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An Infra-vocabulary for Capital

An Infra-vocabulary for Capital (2023) Vinyl on wall, dimensions variable Further Annotation to ‘Notations on Time’ by Raqs Media Collective at Ishara Foundation, Dubai Upright board with an inscribed ‘Infra-Vocabulary’ of a selection from Raqs […]
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The Assurance Clock & Toxicare 

Featured in digital posters It’s Urgent! Part II & III, Luma Westbau, Zurich 2018 The Assurance Clock The clock in the poster is an embodiment of assurance, the opposite of alarm. This is an attitude […]
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Workers and Robots Enter A Factory Canteen

Manga style text-image assemblage. Ten screen printed panels on newsprint. Unlimited Edition 2018 Graphics by Freddy Corasco An imagined conversation between real, embodied and artificial forms of intelligence, set in a moment of respite on […]
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To Ask, When Empty

To Ask, When Empty |2018 5 Lenticular Panels, 1ft. X 2ft each Project 88 | Mumbai A suite of six uniquely colourful lenticular prints offer a dance of terse imperatives at the intersection of will […]
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Corrections to the First Draft of History

Corrections to the First Draft of History Newsprint, chalkboard paint and chalk Dimensions variable Exhibited in an eponymous solo exhibition, at Frith Street Gallery, London (2014) followed by Untimely Calendar, NGMA, New Delhi (2014) In 1850, a […]
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A Fortunate Spell of Pleasant Amnesia

A Fortunate Spell of Pleasant Amnesia Digital print on Hahnemuhle paper 305 x 61 inches Exhibited in Clark House initiated ‘Artists Against AFSPA’ at NGMA, Mumbai (2011), ‘Waiting for the Wind’, Experimenter, Kolkata (2014) and […]
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How to get from here to there

How to get from here to there Photographs mounted on acrylic glass, neon | Series of 6, each 64 x 94 x 10 cm Surjection, Art Gallery of York University, Toronto (2011) Seven photographic prints trace the […]
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Proverbs

Proverbs Cured MDF, LED lights, wooden frame, lighting sequencer Surjection, Art Gallery of York University, Toronto (2011). Lado A Lado (India – Side by Side), Rio de Janeiro and São Paulo (2012). “Proverbs” is a […]
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The Librarian’s Lucid Dream

The Librarian’s Lucid Dream Wallpaper Experimenter Gallery, Kolkata (2010) Books have lost their titles, and the titles have gone astray, create dalliances with each others’ words. The Librarian’s Lucid Dream is a wallpaper carnival of impossible books […]
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Time is Money

Time is Money Prints, Series of 5, each 12 x 28 cm Impossible Exchange, Frieze Fair (2010); Time Currency, Liverpool Biennial (2010) Speculating on the concept of “time”, Time is Money intertwines financial and political […]
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Surface Tension Studies

Surface Tension Studies Giclée prints on Hahnemühle FineArt Baryta paper, Series of 13, each 25 x 40 cm Baltic Centre for Contemporary Art, Gateshead, Newcastle (2010) Surface Tension Studies is a suite of photographs which considers […]
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phantoroman: Skirmish

phantoroman: SKIRMISH Laser-cut acrylic over inkjet on Hahnemühle FineArt Baryta paper, Series of 8, each 40 x 60 cm  Experimenter Gallery, Kolkata (2010) Skirmish is a brief, unhappy, love story with pictures and text, another of […]
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Super-Duper Helter-Skelter Lego World

Super-Duper Helter-Skelter Lego World Digital print on Hahnemühle FineArt pape, 89 x 41 cm Super-Duper Helter-Skelter Lego World is a map of the world in building blocks. Each block, repeated across the map, stands in […]
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DisOrient

DisOrient Print on bond paper, 30 x 21 cm Part of Markus Meissen’s The Violence of Participation, 2007 Lyon Biennale, Lyon (2007); Markus Meissen, The Violence of Participation (Berlin: Sternberg Press, 2007) A fragment of […]
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Utopia is a hearing aid

2003/ Posters installed in situ in Venice, Italy. 90x 60 cm (Utopia Station, Venice Biennale 2003) External link: Is the World Sleeping, Sleepless, or Awake or Dreaming? by Raqs Media Collective e-flux journal issue #56 […]
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n°28 

28.28 N / 77.15 E : 2001/02 (Co-Ordinates, Delhi) Raqs, with Pradip Saha, translate documentary video and audio log sheets, notes, excerpts from legal document, and stickers and signs to create a matrix of meaning […]