WORKS
In ‘Something Rare to Lose’, a translucent screen, hand-blown glass lungs, a bed, and a bell jar bring some questions into proximity. The body appears as a field of sensations, memories, impulses, and encounters that unfold across time.
As Tranquil as Can Be lingers between the intervals of noise and speech. It is a place to rest, share, linger, and gather under a canopy, thinking through tranquility and what stirs or stays still as and when life begins and ends.
How to Breathe in a Lost Vat is an immersive art work located in a former saké brewery (Kasaya House) transformed into a public and performance space in the port town of Hiketa, by the inland Seto Sea (in Kagawa prefecture, on Shikoku island, south-eastern Japan).
Cloud MessengersShown at: Seed130, London (2025) Wallpaper; audio; black boarding; digital prints on epson matte, electro plated foil; vinyl stickers; video projections The monsoon, once known in India as the ‘constant friend’, is no longer a reliable companion. There can be either too little, or too much rain; and the degree of rainfall has now […]
Published as a part of ‘Intensification,’ a collaboration between e-flux and the Lisbon Architecture Triennial within the context of its seventh edition, “How heavy is a city?,” curated by John Palmesino and Ann-Sofi Rönnskog (Territorial Agency), 2025.
Thirst/TrishnaShown at: ‘Thirst: In Search of Freshwater’ , Wellcome Collection, London (2025) Multi Screen Video Installation,Wallpaper and Augmented Reality what comes first, the thirst for water, the presence of its absence, or the memory of its taste? Moving through step-wells in desert landscapes, fragments of stories about longing, and the vast, invisible reservoirs of water […]
Blood Moon, 2025 & A Day in the Life of Kiribati, 2014Shown at: ‘From the Cosmos to the Commons’, Stadtkuratorin Hamburg (2025) Blood Moon is an invitation to stay with a passage of time in the way we imagine and inhabit it. It draws the viewer into an unfolding encounter felt through the body and the […]
In the work, Blood Moon, different orientations of the clock describe the ways in which the moon affects us as humans, in our hearts and on our skin, altering our sense of lived time
Published in – ‘Thirst: In Search of Freshwater’, edited by Ellen Johl, published by The Wellcome Collection, 2025, in accompaniment to ‘Thirst : In Search of Freshwater’ curated by Janice Li, at the Wellcome Collection, London. Pages 89 – 93
Centered on a forty‑minute film and accompanied by a suite of prints, Cavalcade zooms in on a gathering where humans and non-humans jostle for space, becoming a procession, a parade, a revue, a dream converging in fluid motion.
Tables of Destiny, Overturned/पलटता हुआ नक्शाShown at: ‘Zangezi’, Zurich Arts Weekend, Immersive Arts Space, Zurich Video installationDuration, 8′ 18″ At 5:27 am, five minutes less than an hour before sunrise, on the 12th of September, 1918, in the South Eastern Russian town of Astrakhan, not far from the Caspian Sea (a lake so big that […]
Hosted at the Neubauer Collegium, Chicago on May 8, 2025, the Artist Talk & Discussion brings together Monica Narula and Shuddhabrata Sengupta in conversation with Dipesh Chakravarty and Prathama Banerjee, moderated by Dieter Roelstraete.
Wayfaring Ways To Be Solo ExhibitionHanart TZ Gallery, Hong Kong (2025) Wayfaring Ways To Be is an invitation to a journey where language, movement, and thought converge. The works probe what it means to be in motion and to think deeply in an era when machines increasingly mimic what once were faculties exclusive to us. […]
Published in ‘Matter Mattering Matters – A Scienticity Reader‘, Edited by Edited by Kabelo Malatsie and Lantian Xie, 2025
Twisted Time (2024) is formed from two glass bicycle wheels mounted on a mirrored plinth where they rotate slowly
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