WORKS

Borderlands

Borderlands (2024) is a series of seven laser engravings on black sandpaper. Rendered black on black, the hard-to-decipher drawings riff off medieval depictions of animals where the intended creature and its depiction only nominally match.

Na-Bam

Na-Bam unfolds as meditation on water, depth, and the impossibility of measure. Presented as a six-screen video installation with video wallpaper, the work moves through shifting landscapes of land, river, sea, and forest—charting the imprints of thirst, flood, and memory.

The Bicyclist Who Fell into a Time-Cone

The Bicyclist Who Fell into a Time-Cone, published by Jencks Foundation (2023), takes the form of an artist book, and foregrounds text over image. Mirroring the film’s visual textures, the five voices in the pamphlet register varying distances from what is seen on the screen and its potential elucidations: voiceover, description of images, words on screen, added layers of annotations and meta-annotations.

All, Humans

All, Humans builds itself from uniquely human faculty of language to construct conceptual categories that transverse the human condition. It arcs out like a canopy – suspended between a multiplicity of minds, hearts and hands, sheltering and anticipating the universal human aspiration and claim for freedom, equality and dignity.

Tides of Our Tears

Tides of Our TearsShown at: Richmond Arts & Ideas Festival, Richmond, United Kingdom (2025) |Sea Change: New climate stories for the Royal Docks by Invisible Dust‘, Public intervention at Royal Docks & Thames Barrier Park, London (2023) 7 augmented reality poems, QR Codes The Tides of Our Tears unfolds as seven augmented reality poems placed along […]

soDA Magazine Story

soDA magazine 19, Zurich (2002); Casebook (2014, AGYU Canada), Raqs presented the concept of “Event-shaped Hole” which translated into the essay The Event-shaped Hole and the Photographic Image in The Nordic Journal of Aesthetics, 2021 Casebook (2014, AGYU Canada) A photograph is an image of an event-shaped-hole, and as witnesses to such perforations we could […]