More Salt In Your Tears
More Salt In Your Tears first presented as a text sculpture composed of three dimensional stainless steel letter-forms anchored on to a shallow section of seabed of the Baltic Sea near Turku, Finland.
WORKS
Casebook
Published in conjunction with the exhibition Surjection by Raqs Media Collective of New Delhi, held at the Art Gallery of York University from 22 September through 4 December, 2011, and curated by Philip Monk
Premonition
Premonition, Experimenter Gallery, Kolkata (2011) Sometimes, not even the insistent repetition of phenomena finds you prepared for the uncanny tug of premonition. Premonition: the anticipatory call of things forever about to happen. Even if nothing happens. Even if the emergency lights flicker away a wasting sense of urgency. The Impostor in the Waiting Room 2004/ Installation […]
Time is Money
Speculating on the concept of time, Time is Money intertwines financial and political matters related to capitalism with ontological issues related to ephemerality and permanence
Super-Duper Helter-Skelter Lego World
Super-Duper Helter-Skelter Lego World is a map of the world in building blocks
Love is Engineering
used transparencies of mechanical drawing encased in plexiglass sheets, the clouded light of dawn and the rudimentary text of the screenplay of an imaginary film sequence to speak of the quotidian battle between love and time, fought over the delicate terms of the silent departure of a man from his lover’s bed.
With Respect to Residue
With respect to residue is a project deigned to provoke reflection about the things, states of being, and histories that end up abandoned and waste, as the detritus of the routine processes that constitute and maintain the world.
A Dying Man Sings Of That Which Felled Him
A Dying Man Sings Of That Which Felled Him presents its viewer with a silent song of a thousand words, a bier of iron rods for the repose of a fallen man, a setting sun, and an empty chair awaiting a visitor
3 Caveats On A Barewall | 3 Caveats To Be Worn Casually
3 Caveats On A Barewall & 3 Caveats To Be Worn Casually are a set of inscriptions designed to be read on a bare wall, or worn as wristbands, that ask questions about viewership, curation, exhibition and distance.
PLEASE DO NOT TOUCH THE WORK OF ART
he series of possibilities in the words that constitute the statement Please Do Not Touch the Work of Art are prised open by rearranging them to form statements of an almost identical length, that bear very different attitudes