WORKS

Memorophilia

Raqs opens by asking “Who is Memory For?” and invokes Plotinus to suggest memory lives for those who have forgotten . A chance encounter at Paris’s Musée Guimet before a Banteay Srei frieze evokes a paradoxical mix of estrangement and familiarity, tracing a narrative that began in 200 B.C. and traveled thousands of miles and […]

Asankh/ Countless

The material infinitude that makes up the real world, Raqs argues, is a swirling, entangled mass of vital, corporeal wills to live and exist actualized as forms of matter and sentience

Lost in Search of Time

While retrieving the time gained in searching for all that is lost and found one can admit to a condition that one suspects that one shares with most people in the world today, of being lost, in search of time.

Plaques for Coronation Park

Circular plaques created as a part of Coronation Park (2015). They have inscribed statements adapted from George Orwell’s parable about the brittleness of Imperial authority, ‘Shooting an Elephant’ (1936)

Why Not Ask Again: 11th Shanghai Biennale

The title for this biennale takes the form of a call and a question. This biennale sends out a call, and it asks a question: ‘Why Not Ask Again?’ The phrase is both a demand and a query. It demands that we ask questions, repeatedly if necessary, but it also implies a simple query – […]

A Day in the Life of Kiribati

A Day in the Life of Kiribati gives the time of Kiribati, the first land on Earth to switch the calendar over to 2000, and which could be the first place on this planet to disappear with rising sea levels because of global warming

With an Untimely Calendar

Edited by Shveta Sarda, Published by the National Gallery of Modern Art in conjunction with the solo exhibition of Raqs Media Collective, Asamayavali/ Untimely Calendar, at the National Gallery of Modern Art, Delhi, 2014.

Equinox

Equinox is made by Raqs in response to the collection at the Isabella Stewart Gardner Museum, Boston. The video plays on the sense of the night coming alive with animal forms, and echoes their experience during a flashlight midnight tour of the museum where they sensed a different animatedness in the objects of the collection.