WORKS

More Salt In Your Tears

More Salt In Your Tears first presented as a text sculpture composed of three dimensional stainless steel letter-forms anchored on to a shallow section of seabed of the Baltic Sea near Turku, Finland.

36 Planes of Emotions

36 Planes of EmotionsShown at: Art Gallery of York University, Toronto (2011) |  The Photographers’ Gallery, London (2012) | The Whitworth, Manchester (2017) |K21, Düsseldorf (2018) Laser engraved acrylic glass, furniture, lighting (180 x 150 x 60 cm)Graphic design: Amitabh Kumar + Satyabrata Ra 36 Planes of Emotions extends the palette of emotions to include states of […]

Casebook

Published in conjunction with the exhibition Surjection by Raqs Media Collective of New Delhi, held at the Art Gallery of York University from 22 September through 4 December, 2011, and curated by Philip Monk

Premonition

Premonition, Experimenter Gallery, Kolkata (2011) Sometimes, not even the insistent repetition of phenomena finds you prepared for the uncanny tug of premonition. Premonition: the anticipatory call of things forever about to happen. Even if nothing happens. Even if the emergency lights flicker away a wasting sense of urgency. The Impostor in the Waiting Room  2004/  Installation […]

Time is Money

Speculating on the concept of time, Time is Money intertwines financial and political matters related to capitalism with ontological issues related to ephemerality and permanence

Love is Engineering

used transparencies of mechanical drawing encased in plexiglass sheets, the clouded light of dawn and the rudimentary text of the screenplay of an imaginary film sequence to speak of the quotidian battle between love and time, fought over the delicate terms of the silent departure of a man from his lover’s bed.

1986

Four standard issue wall clocks, with their hands arrested at the digits 1, 9, 8, and 6. Together, they point to 1986

With Respect to Residue

With respect to residue is a project deigned to provoke reflection about the things, states of being, and histories that end up abandoned and waste, as the detritus of the routine processes that constitute and maintain the world.