With an Untimely Calendar
Edited by Shveta Sarda, Published by the National Gallery of Modern Art in conjunction with the solo exhibition of Raqs Media Collective, Asamayavali/ Untimely Calendar, at the National Gallery of Modern Art, Delhi, 2014.
Equinox
Equinox is made by Raqs in response to the collection at the Isabella Stewart Gardner Museum, Boston. The video plays on the sense of the night coming alive with animal forms, and echoes their experience during a flashlight midnight tour of the museum where they sensed a different animatedness in the objects of the collection.
Carbon Twilight & Sleepwalker’s Caravan
The gatekeepers of the treasury have left the gates of the bank to stand guard over the twilight
The Last International & Three Meetings That May Have Happened, Underwater or Mid-Air
The Last International is a conduit to reach the future and its freedom, which is already present in our time as its biggest public secret — a world beyond Capital.
Activo y Pasivo (Assets and Debts)
The rooms are as alike, or as apart, as investment and insurance, two mechanisms designed to administer, anticipate and forestall, risk, speculation and the possibility of boom and bust. Does the imprint of one room on another indicate caution or audacity?
An Ephemeris, Corrected for the Longitudes of Tomorrow : Speculations on the Orbit and Motion of Objects and Processes in Contemporary Art, today, and tomorrow.
Text by Raqs. Published in Art History in the Wake of the Global Turn. Editors Jill H. Casid + Aruna D’ Souza. Clark Studies in the Visual Arts, Sterling and Francine Clark Art Institute, Williamstown & Yale University Press, 2014
A History of Photography
A History of Photography Shown at: ‘Asamayavali/Untimely Calendar’, National Gallery of Modern Art, New Delhi (2014) Six photographic prints2 x 2 ft. each Reading the censored letters of soldiers from the Indian sub-continent writing home in the First World War becomes a way to make a picture of the world. In this work, a selection […]
Corrections to the First Draft of History
Corrections to the First Draft of History ‘rewrites’ on newsprint of the world so as to speak of making new sets of meanings for what is considered history in our present times.
A Fortunate Spell of Pleasant Amnesia
The work speaks to how we encounter violence, and how we need not
Autodidact’s Transport
The Autodidact’s Transport is a transformation of the interior of a Gwangju local metro train with literal lines of conversation (originally diagrammed from Raqs’ computer conversations with each other), scripted orations that parse Erasmus’ ‘In Praise of Folly’ to think about democracy, and with short films with aphorisms that run on the advertising monitors in the trains.
Log Book Entry Before Storm
Log Book Entry Before Storm is a site specific installation that occupies what was once a peculiar domestic space- a single house cut in two by a concrete wall to accommodate two families
Time Interruptions (2009, 2014)
Escapement 27 clocks, high glass aluminium with LED lights, four flat screen monitors, video and audio looped Dimensions variable Escapement was first imagined in the form of Location (n) at Italy Cultural Centre, Sao Paolo; Nature Morte (2006) Escapement invokes clockwork, emotions, geography, fantasy and time zones to ask what is contemporaneity – what does […]
Will you, Beloved Stranger
Will you, Beloved Stranger? is a performance piece for two readers in a designed setting featuring a rendition of two bodies of poetic work — those of the Israeli poet Yehuda Amichai (writing in Hebrew) and the Palestinian poet Mahmoud Darwish (writing in Arabic)
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