Carbon Twilight & Sleepwalker’s Caravan
The gatekeepers of the treasury have left the gates of the bank to stand guard over the twilight
The gatekeepers of the treasury have left the gates of the bank to stand guard over the twilight
The Last International is a conduit to reach the future and its freedom, which is already present in our time as its biggest public secret — a world beyond Capital.
The rooms are as alike, or as apart, as investment and insurance, two mechanisms designed to administer, anticipate and forestall, risk, speculation and the possibility of boom and bust. Does the imprint of one room on another indicate caution or audacity?
Text by Raqs, Published in ‘Art History in the Wake of the Global Turn’, Edited by Jill H. Casid and Aruna D’ Souza, Clask Studies in the Visual Arts, Sterling and Francine Clark Art Institute, Williamstown & Yale University Press, 2014
A History of Photography Shown at: ‘Asamayavali/Untimely Calendar’, National Gallery of Modern Art, New Delhi (2014) Six photographic prints2 x 2 ft. each Reading the censored letters of soldiers from the Indian sub-continent writing home in the First World War becomes a way to make a picture of the world. In this work, a selection […]
Corrections to the First Draft of History ‘rewrites’ on newsprint of the world so as to speak of making new sets of meanings for what is considered history in our present times.
The work speaks to how we encounter violence, and how we need not
The Autodidact’s Transport is a transformation of the interior of a Gwangju local metro train with literal lines of conversation (originally diagrammed from Raqs’ computer conversations with each other), scripted orations that parse Erasmus’ ‘In Praise of Folly’ to think about democracy, and with short films with aphorisms that run on the advertising monitors in the trains.
Log Book Entry Before Storm is a site specific installation that occupies what was once a peculiar domestic space- a single house cut in two by a concrete wall to accommodate two families
Escapement 27 clocks, high glass aluminium with LED lights, four flat screen monitors, video and audio looped Dimensions variable Escapement was first imagined in the form of Location (n) at Italy Cultural Centre, Sao Paolo; Nature Morte (2006) Escapement invokes clockwork, emotions, geography, fantasy and time zones to ask what is contemporaneity – what does […]
Work 10am-5pm Over a Week, in the Space || Call People for Lunch Discussions if You Want || Develop a Critical Lexicon and Vocabulary for Contemporary Art || Involve More People || Work by Yourself || Work Together With Others || Invite || Perform || Initiate || Create Punctuations || Pair || Make a Set […]
Will you, Beloved Stranger? is a performance piece for two readers in a designed setting featuring a rendition of two bodies of poetic work — those of the Israeli poet Yehuda Amichai (writing in Hebrew) and the Palestinian poet Mahmoud Darwish (writing in Arabic)
The Dislocation of Degree Zero is a matter of drawing, erasing, and re-drawing, almost as a repetitive compulsion – lines in the sand.
The Great Bare Mat gains inspiration from two exquisite Han bronze bears, mat-weights (2nd century BC) China that served to weigh down carpets on which debaters would sit and argue philosophical points
Extra Time opened as the chronic Art Center’s inaugural show. The show focuses on Raqs’ investigations of time and temporality in different registers that span the spectrum of their diverse practice ranging from performance, to installation, architectural ensembles, video, and photography.
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