Text accompanying the performance titled Memorophilia held at Tate Modern (2016).
Arguments, Counter- arguments, and Stories, 11th Shanghai Biennale
Edited by Power Station of Art and Raqs Media Collective + Shveta Sarda
Published by China Academy of Art Press (2016)
Interview with Maya Kóvskaya
Text by Raqs, published under “Superhumanity” for the 3rd Istanbul Design Biennial
Edited by Shveta Sarda, Published by the National Gallery of Modern Art in conjunction with the solo exhibition of Raqs Media Collective, “Asamayavali/ Untimely Calendar”, at the National Gallery of Modern Art, New Delhi (2014).
Draft for an Operating Manual, Score for Choreography, Plan for an Exhibition
Catalogue
Text by Raqs. Published in Art History in the Wake of the Global Turn. Editors Jill H. Casid + Aruna D’ Souza. Clark Studies in the Visual Arts, Sterling and Francine Clark Art Institute, Williamstown & Yale University Press, 2014
Workbook by Raqs Media Collective with Kaushik Bhowmik, a digital publishing serious (2013)
Cybermohalla Ensemble/ Nikolaus Hirsch / Michel Müller, Copublished by Sarai-CSDS and Sternberg Press (2011)
Presented by Shveta Sarda
This book is an appreciation of the listening, walking, reading, interviewing, collecting, questioning, mapping, recording, drawing, image-making and writing done by the hundreds of Independent Fellows associated with Sarai over the last decade. The works by the Fellows have been publicly archived through postings in the Sarai Reader-list and in the Sarai archive (in-house at Sarai-CSDS). P.T.O. is an edited, highlighted and resequenced version of these works, to bring alive the various dimensions and modalities of thinking and making. It is not an exhaustive summary of the diverse work done by the Fellows. (Shveta, Delhi, 2012)
Text by Cuauhtémoc Medina, eflux journal #38
Text by Raqs, written to accompany Raqs’ contribution to the Momentum Nordic Biennale of 2011
In Rewriting On the Wall, hand-prints are reconfigured to produce an alphabet of gestures—each a gloss of the letters in standard American Sign Language as used by deaf and mute people. The letters add up to a text (which accompanies the work): a stammering, hesitant, syntactically unsure consideration (written by a hand that appears on the wall like the hand that wrote on the wall in the episode of Belshazzar’s feast in the Old Testament) of the relationship between ‘I’ and ‘We’ and the horizon that encompasses singular and plural modes of being.
Text by Raqs
Text by Raqs
Raqs Media Collective:
Casebook
Published in conjunction with the exhibition Surjection by Raqs Media Collective of New Delhi, held at the Art Gallery of York University from 22 September through 4 December, 2011, and curated by Philip Monk.
Published in Gimme Shelter: Global Discourses in Aesthetics, editors: Jos de Mul + Renée van de Vali, 2011
Text by Raqs, in Manifesta Journal #8, 2009
Text by Raqs
Text by Raqs, published in “Manifesta 7 COMPANION”, one of three publications accompanying Manifesta 7, co-curated by Raqs Media Collective
