Tables of Destiny, Overturned invokes a quiet resistance to grand declarations. Instead of destinies inscribed boldly on imperial tables, the work conjures slow arrivals—hesitant, flickering on modest footstools of chance.
Hosted at the Neubauer Collegium, Chicago on May 8, 2025, the Artist Talk & Discussion brings together Monica Narula and Shuddhabrata Sengupta in conversation with Dipesh Chakravarty and Prathama Banerjee, moderated by Dieter Roelstraete.
Wayfaring Ways To Be Solo ExhibitionHanart TZ Gallery, Hong Kong (2025) Wayfaring Ways To Be is an invitation to a journey where language, movement, and thought converge. The works probe what it means to be in motion and to think deeply in an era when machines increasingly mimic what once were faculties exclusive to us. […]
Chimera Chorus is a striking mixed-media artwork that combines embroidery, and organza to create an intricate, dream-like figure on fabric.
Published in ‘Matter Mattering Matters – A Scienticity Reader‘, Edited by Edited by Kabelo Malatsie and Lantian Xie, 2025
The Moon Clock is a device to tell the time. At midnight, and at noon, lies the moon. With the passing of the hours, it clocks the waxing and the waning of crimson moon-minutes
Twisted Time (2024) is formed from two glass bicycle wheels mounted on a mirrored plinth where they rotate slowly
Borderlands (2024) is a series of seven laser engravings on black sandpaper. Rendered black on black, the hard-to-decipher drawings riff off medieval depictions of animals where the intended creature and its depiction only nominally match.
Text by Raqs, published in ‘A Companion to Contemporary Art in a Global Framework’ (2024), edited by Jane Chin Davidson and Amelia Jones.
A configuration of five graphic ‘imprints’ and three augmented-reality ‘interferences spread across various levels of The Cosmic House, London.
Autoluminous is an index of our awareness of the inscription of energy into every waking, sleeping and dreaming moment.
Hosted at Asia Art Archive’s Library, this year’s Annual Artist’s Lecture welcomes Raqs Media Collective as the guest speakers.
A set of four prints on metallic paper play with imagery from ‘Swamp’, ‘Marsh’, and the ‘Unruly Iris of Dissent’, and add a third element – a magnification of a falling tear drop, with traces of its salt crystals, denoting the salinity of the feelings that have us come undone.
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