Moon Clock

The Moon Clock is a device to tell the time. At midnight, and at noon, lies the moon. With the passing of the hours, it clocks the waxing and the waning of crimson moon-minutes

Borderlands

Borderlands (2024) is a series of seven laser engravings on black sandpaper. Rendered black on black, the hard-to-decipher drawings riff off medieval depictions of animals where the intended creature and its depiction only nominally match.

Delta

A set of four prints on metallic paper play with imagery from ‘Swamp’, ‘Marsh’, and the ‘Unruly Iris of Dissent’, and add a third element – a magnification of a falling tear drop, with traces of its salt crystals, denoting the salinity of the feelings that have us come undone.

The Bicyclist Who Fell into a Time-Cone

The Bicyclist Who Fell into a Time-Cone, published by Jencks Foundation (2023), takes the form of an artist book, and foregrounds text over image. Mirroring the film’s visual textures, the five voices in the pamphlet register varying distances from what is seen on the screen and its potential elucidations: voiceover, description of images, words on screen, added layers of annotations and meta-annotations.

All, Humans

All, Humans builds itself from uniquely human faculty of language to construct conceptual categories that transverse the human condition. It arcs out like a canopy – suspended between a multiplicity of minds, hearts and hands, sheltering and anticipating the universal human aspiration and claim for freedom, equality and dignity.

An Interview

The Collective Eye interviews Raqs Media Collective and delves deep into their early days, influences, and experiences