The word ‘para’ gestures to a relationship to that which a thing stands beside, or at a tangent to. In our ‘para-practices’ are writings that we do, and conversations that we enter into, alongside. It could be the making of a Sourcebook for staging public discursive moments for a plural knowledge world, or a Curation, a processual duration with many to re-apprehend the world, or a Studio with students to reimagine the power of margins or thresholds.

The Bicyclist Who Fell into a Time-Cone

The Bicyclist Who Fell into a Time-Cone, published by Jencks Foundation (2023), takes the form of an artist book, and foregrounds text over image. Mirroring the film’s visual textures, the five voices in the pamphlet register varying distances from what is seen on the screen and its potential elucidations: voiceover, description of images, words on screen, added layers of annotations and meta-annotations.

An Interview

The Collective Eye interviews Raqs Media Collective and delves deep into their early days, influences, and experiences

Hungry for Time

An invitation to epistemic disobedience with Raqs Media Collective, in the Art Collections of the Academy of Fine Arts Vienna, 2021

21 Personae

21 Personae is an extension of the 51 Personae project curated by Raqs Media Collective for the 11th Shanghai Biennale (2016–17)

WHAT TIME IS IT

Published in conjunction to the Technologies of Life in the Contemporary (14th – 16th December, 2017), Sarai-CSDS, Delhi and Goethe-Institut/Max Mueller Bhavan, New Delhi

51 Personae

51 Personae expands on the possibilities of the 11th Shanghai Biennale: Why Not Ask Again: Arguments, Counterarguments, and Stories curated by Raqs Media Collective

With an Untimely Calendar

Edited by Shveta Sarda, Published by the National Gallery of Modern Art in conjunction with the solo exhibition of Raqs Media Collective, Asamayavali/ Untimely Calendar, at the National Gallery of Modern Art, Delhi, 2014.

Casebook

Published in conjunction with the exhibition Surjection by Raqs Media Collective of New Delhi, held at the Art Gallery of York University from 22 September through 4 December, 2011, and curated by Philip Monk