The word ‘para’ gestures to a relationship to that which a thing stands beside, or at a tangent to. In our ‘para-practices’ are writings that we do, and conversations that we enter into, alongside. It could be the making of a Sourcebook for staging public discursive moments for a plural knowledge world, or a Curation, a processual duration with many to re-apprehend the world, or a Studio with students to reimagine the power of margins or thresholds. 

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Come Undone

Raqs Media Collective have been variously described as artists, curators, philosophical agents provocateurs, and catalysts of cultural processes. For their fifth exhibition at Frith Street Gallery, they present works centred around the form and idea of the knot – a leitmotif that moves backwards and forwards through their own history and practice.

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The Laughter of Tears

The Laughter of Tears | 2021 Kunstverein Braunschweig, Germany  When we are in the sonic range of the flightpaths of a flock of birds returning to a roosting site, we become intimate with their together-ness. […]
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Raqs Media Collective

Raqs Media Collective Exhibition K21, Museum for 21st Century Art, Dusseldorf (2018)  The point of departure for this exhibition is Raqs’ continual fascination with time, a topic that has preoccupied the members of the group […]
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Not yet at ease

Not Yet At Ease | 2018 Installation, Sound, Video, Treated Archival Footage and Photographs, Interpreted Documents FirstSite, Colchester, United Kingdom (2018) and ‘Spinal’, Firth Street Gallery, London, United Kingdom (2019) Invoking transcripts of letters and […]
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Provisions for everybody

Provisions for Everybody Installation: 3 Videos, large drawing print, 3 dhurrie banners, drawings on vinyl, found furnitureAV Festival, Newcastle (2018), ‘Still More World’ Mathaf: Arab Museum of Modern Art, Doha (2019) “Coal Mine. Windmill. Sugarcane Field. […]
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Thicket

A thicket is a concentration of living matter. In forests, gardens, and fields, thickets rise where different plant species find it possible to thrive together in a wild celebration of life itself. Conversations too can […]
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Provisions

Project 88 (Mumbai) 2018 “everything is burning” Raqs Media Collective returns to Project 88, Mumbai with “Provisions”, an exhibition that brings together the premiere in India of an ambitious recent video travelogue, ‘Provisions for Everybody’ […]
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Presentomorrow

Presentomorrow Installation with Video, Still Images and Animated Text Exhibited at Mondialité curated by Hans Ulrich Obrist and Asad Raza, Villa Empain, Boghossian Foundation, Brussels 2017 The installation presented within the framework of Mondialité makes references to […]
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Luminous Will

Luminous Will School of the Museum of Fine Arts, Boston (2015) Does history repeat itself, or simply rehearse its moves in anticipation? Can we read chronicles in terms of deferrals and déjà-vu rather than in […]
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It’s Possible Because It’s Possible

It’s Possible Because It’s Possible Centro de Arte Dos de Mayos (CA2M), Madrid (2014); Museo Universitario Arte Contemporaneo, Mexico (2015); Fundacion PROA, Buenos Aires (2015) It’s Possible Because It’s Possible is the fruit of a […]
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Asamayavali/Untimely Calendar

Asamayavali/Untimely Calendar National Gallery of Modern Art (NGMA), New Delhi (2014) Media rich, concept driven, formally multi-faceted, playful, urgent, replete with philosophical density – this is the kind of art that addresses all our faculties […]
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Extra Time

Extra Time Chronus Centre, Shanghai (2013) Extra Time opened as the chronic Art Center’s inaugural show. The show focuses on Raqs’ investigations of time and temporality in different registers that span the spectrum of their […]
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Blood Of Stars: A walk in ten scenes

Site specific intervention at the Statsberget Cave Single screen, Video, 13 minutes  Extracts from a Future History | Lulea  The Blood of Stars invites us to think about the relation between the presence of iron, […]
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A Phrase, Not a Word

A Phrase, Not a Word Exhibition with videos, large-scale prints, a typographic sculpture and a sound installation Nature Morte Gallery, Delhi (2012) With “A Phrase, Not A Word”, Raqs’ diverse and eclectic practice becomes a […]
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Guesswork

Guesswork Frith Street Gallery, London (2012) The works featured in Guesswork invite the viewer to consider what it means to measure infinity and to seize time rather than to be captive to the passing moment. By working […]
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The Great Bare Mat and Constellation

The Great Bare Mat and Constellation Isabella Stewart Gardener Museum, Boston (2012) The “Great Bare Mat” of the title refers to a carpet made for the exhibition, a surface for the staging of conversations, displayed […]
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Reading Light

Reading Light Siege du Parti Communiste Francaise, Festival d’Automne, Paris (2011) Reading Light – the work presented by Raqs in Oscar Niemeyer’s iconic building for the French Communist Party at the Place Colonel Fabien – was […]

Surjection

How to get from here to there Photographs mounted on acrylic glass, neon, Series of 6, each 64 x 94 x 10 cm Art Gallery of York University, Toronto (2011) Seven photographic prints trace the journey of […]
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The Things that Happen when Falling in Love

The Things that Happen when Falling in Love Installation with 18 coloured and clear acrylic figures with printed mirrored letters, wire cables, 7 video screens, 13 photographs Baltic Centre for Contemporary Art, Gateshead, Newcastle (2010) […]
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Escapement

Escapement Installation with 27 clocks, high glass aluminium with LED lights, four flat screen monitors, video and audio looped, dimensions variable Frith Street Gallery, London (2009) Escapement invokes clockwork, emotions, geography, fantasy and time zones […]
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TIME BOOK

Time Book, Exhibition Mattress Factory, Pittsburgh (2007-08) Special thanks to the Rivers of Steel Heritage Area, Homestead, PA. Hanging on the wall across from the entrance are four non-working factory time clocks. The hand of […]
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The Imposter in the Waiting Room

The Imposter in the Waiting Room Installation with video, photography, performance, text, sound and print Bose Pacia Gallery, New York (2004). National Gallery of Modern Art (NGMA) (2014) The Impostor in the Waiting Room is […]