Response by Raqs
Monuments Must Fall Issue #24, British Art Studies (Conversation Piece convened by Edwin Coomasaru)
The word ‘para’ gestures to a relationship to that which a thing stands beside, or at a tangent to. In our ‘para-practices’ are writings that we do, and conversations that we enter into, alongside. It could be the making of a Sourcebook for staging public discursive moments for a plural knowledge world, or a Curation, a processual duration with many to re-apprehend the world, or a Studio with students to reimagine the power of margins or thresholds.
Response by Raqs
Monuments Must Fall Issue #24, British Art Studies (Conversation Piece convened by Edwin Coomasaru)
Practising Collectivity:
What is possible and
not yet forbidden?
Published in CURARE – Curatorial Studies by Ute Müller-Tischler and Solvej Helweg Ovesen
The CURARE Reader is published as part of the CAMPI Curating and Management in Public Institutions program of the District Office for Mitte in Berlin, Office for Further Education and Culture, The Department of Art, Culture and History
Essay as a part of Half-Life, a collaboration between e-flux Architecture and the Art Institute of Chicago within the context of its exhibition “Static Range” by Himali Singh Soin
Text by Raqs, published in Curatography, Issue 2, Curators Living Rooms, Curating Asia International, 2021
Text by Raqs, published in the Nordic Journal of Aesthetics, Vol. 30 No. 61-62 (2021): The Changing Ontology of the Image
Text by Raqs, published in The Collections Book, Thyssen Bornemisza Art Contemporary
Text by Raqs, published in Routledge Companion to Art in the Public Realm, editors Cameron Cartiere + Leon Tan, 2021
Text by Raqs, published by the Goethe Institut, 2020
Text by Raqs
Text by Raqs, for Untranslatable Terms of Cultural Practices: A Shared Vocabulary, 2021
Text by Natasha Eaton, on Raqs’s work. Published in Third Text online Forum: Decolonial Imaginaire
Protest as Polyphony: An interview with Raqs Media Collective
Interview with Raqs by Melissa Karmen Lee, published in ASAP/Journal vol. 3.2, 2018
Text by Raqs, “On the aestheticization of Politics”
We are here but is it now? (The submarine horizons of contemporaneity)
Text by Raqs, published as a monograph for “The Contemporary Condition” series, series editors Geoff Cox + Jacob Lund, 2017
Interview with Maya Kóvskaya
Text by Raqs, published under “Superhumanity” for the 3rd Istanbul Design Biennial
Text by Raqs. Published in Art History in the Wake of the Global Turn. Editors Jill H. Casid + Aruna D’ Souza. Clark Studies in the Visual Arts, Sterling and Francine Clark Art Institute, Williamstown & Yale University Press, 2014
Text by Cuauhtémoc Medina, eflux journal #38
Text by Raqs, written to accompany Raqs’ contribution to the Momentum Nordic Biennale of 2011
Text by Raqs
Text by Raqs
Published in Gimme Shelter: Global Discourses in Aesthetics, editors: Jos de Mul + Renée van de Vali, 2011
Text by Raqs, in Manifesta Journal #8, 2009
Text by Raqs
Text by Raqs, published in “Manifesta 7 COMPANION”, one of three publications accompanying Manifesta 7, co-curated by Raqs Media Collective
Text by Raqs
Text by Raqs
Published in in Art School : Propositions for the Twentieth Century, Edited by Steven Madoff. MIT Press, Boston, 2009
Text by Kaushik Bhaumik, on Raqs Media Collective’s video diptych “The Capital of Accumulation”, published in ‘Art India’, Vol XV, Issue III, Quarter III, 2010
Text by Raqs, published in e-flux journal #0 November 2008
Fact, Facticity and the Imagination
Text by Raqs
Aswatthama – an Entry for the Dictionary of War at Graz, October 2006
Text by Raqs
Published in System Error: War is a Force that Gives us Meaning, Silvana Editoriale, Milan, 2007
Text by Raqs
Published in The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe, 2006
Text by Raqs, published in SubContingent: The Indian Subcontinent in Contemporary Art, Catalogue accompanying the exhibition
Dreams and Disguises, As Usual.
Text by Raqs. Published in ‘Impostor in the Waiting Room’, the publication accompanying the eponymous exhibition, Bose Pacia Gallery, New York, 2004
Text by Raqs
Published in Sarai Reader 01, The Public Domain, Sarai CSDS, Delhi 2001