The word ‘para’ suggests a relationship to something that stands beside or runs tangential to another. Our ‘para-practices’ include writings and conversations that unfold in proximity—alongside other works, ideas, and processes. These may take the form of a ‘Sourcebook’ that helps stage public, discursive moments for a world with plural knowledge; a ‘Curation,’ the process of which unfolds with many, over time, to reapprehend the world; or a ‘Studio’ with students to reimagine the generative potential of margins and thresholds.

Escapement

Escapement invokes clockwork, emotions, geography, fantasy and time zones to ask what is contemporaneity – what does it mean to be living in these times, in these quickening hours, these accumulating minutes, these multiplying seconds, here, now?

Fact, Facticity and the Imagination

Presentation at Kunstlerhaus Buchsenhausen, Innsbruck. Excerpts published as ‘The First Information Report : On the Documentary Attitude in Contemporary Art Practice’ by Raqs Media Collective in ‘The Archive: Documents of Contemporary Art’, Edited by Charles Merewether. Published by the Whitechapel Gallery, London, 2006 & in Texte Zur Kunst, September 2003 (edited by Karin Gludovatz and […]