An Interview

The Collective Eye interviews Raqs Media Collective and delves deep into their early days, influences, and experiences. They discuss a wide range of works from ‘Coronation Park’ in 2015 to the public commission, ‘All, Human’ in 2023.

The Laughter of Tears

The Laughter of Tears | 2021 Kunstverein Braunschweig, Germany  When we are in the sonic range of the flightpaths of a flock of birds returning to a roosting site, we become intimate with their together-ness. When people are awestruck by wonder, or tickled into laughter, or moved to tears, they momentarily transmit to each other […]

When Proust Catches the Glare

When Proust Catches the Glare, 2021Video, Text, Scanned Handwriting. 7 minutes, 45 seconds As the earth turns to spin slightly faster than before in 2021, and as the heavens break ranks, involuntary memories return to the beckoning of the lime-tar-fish-jasmine-gasoline-brine smell of a new time. This smell of a new time needs new words – […]


Text and image essay by Raqs, published in The Drama Review, Volume 65 Issue 4, 2021


Text by Raqs, published in “Slow Reader: A Resource for Design Thinking and Practice”, 2021

Sharing our Sources

Text by Raqs (and extracts from essays), in the first publication accompanying “Afterglow”, Yokohama Triennale 2020, curated by Raqs Media Collective

Still more World

Dohas for Doha Five Videos, LED screens, variable dimensions Still More World, Mathaf Arab Museum of Modern Art | Doha (2019) Dohas woven by Kabir, Rahim sees them in the Stars Raqs finds them everywhere, in Doha and in Mars This doha talks in shadow speech Where words fail Raqs, let commas reach When nothing […]

The Course of love

The Course of Love Sculpture using faceted Lenticular panels, with Found Boat Setouchi Triennale | Honjima (2019) Setouchi Triennale | Honjima wataru funa-bito / the boatman lost the rudder. kaji-wo tae / the boat is now adrift yukue mo shiranu / not knowing where it goes. koi no michi kana / is this the course […]

In the Open or in Stealth

In the Open or in Stealth Installation MACBA Museu d’Art Contemporani de Barcelona (2018) A realignment of resources, technologies, and energies is taking place. The intimationof this emergent ensemble, however, is faint and tangled.The exhibition is a fabricatory tracing indeterminate spaces and moving between tenses, all of which murmur at each other like distant lovers. […]

Deep Breath

Deep Breath | 2019Film (25 minutes)  Pamphilos | Athens Sometimes, the finding of an antidote to the most basic and lethal form of amnesia, ‘the forgetting of air’, may require the undertaking of a deep dive. The site of descent is what it’s really all about, isn’t it? Where and when to dive into the […]

Dohas for Doha

Dohas for Doha Five Videos, LED screens, variable dimensions Still More World, Mathaf Arab Museum of Modern Art | Doha (2019) Dohas woven by Kabir, Rahim sees them in the Stars Raqs finds them everywhere, in Doha and in Mars This doha talks in shadow speech Where words fail Raqs, let commas reach When nothing […]

Not yet at ease

Not Yet At Ease | 2018 Installation, Sound, Video, Treated Archival Footage and Photographs, Interpreted Documents FirstSite, Colchester, United Kingdom (2018) and ‘Spinal’, Firth Street Gallery, London, United Kingdom (2019) Invoking transcripts of letters and diaries, close readings of medical records and official dispatches, extracts from novels and poetry, accounts of dreams and nightmares, fragments […]

Provisions for everybody (film)

Provisions for Everybody Single screen, Video, 50 minutes, Furniture 2018 Provisions for Everybody inscribes an eccentric itinerary on and off the trail of George Orwell that accompanies a reading of ‘The Road to Wigan Pier’. Traveling between Northern England, Eastern India, Myanmar (Burma) and Catalonia, Raqs pause at Wigan Pier (in England) where Orwell queried […]

Provisions for everybody

Provisions for Everybody Installation: 3 Videos, large drawing print, 3 dhurrie banners, drawings on vinyl, found furnitureAV Festival, Newcastle (2018), ‘Still More World’ Mathaf: Arab Museum of Modern Art, Doha (2019) “Coal Mine. Windmill. Sugarcane Field. Words. Pictures. Memes. It’s all about energy; everything is burning.” “How not to write slow poisoning love letters to life?”, […]

The necessity of Infinity

The necessity of Infinity | 2017 Reading performance, Carpet, gold embroidery, Performers, musical tone generators; Carpet Dimensions 4 x 4.8m | Exhibited at Sharjah Biennale 2017, Sharjah “The Necessity of Eternity” recounts what must be one of the most exciting yet neglected exchanges (Al-As’Ilah Wa’L-Ajwibah/Questions and Answers) in the intellectual history of the world. In […]

The Blood of Stars

The Blood of Stars Single screen, Video, 13 minutes  Extracts from a Future History | Lulea  (2017); The Laughter of Tears, Kunstverein Braunschweig, Germany (2021) The Blood of Stars invites us to think about the relation between the presence of iron, a fugitive from the stars, sleeping deep inside the earth and the veins of […]

The Emperor’s Old Clothes & Hollowgram

The Emperor’s Old Clothes | 2017 3D printed PLA Plastic and cast polyester resin Shortlisted for fourth plinth on Trafalgar Square Hollowgram| 2017  3D printed PLA plastic, cast polyester resin, plywood and video projections  Serpentine Gallery Outdoors | London  Click here too watch the video (email us on to request access)

The Translator’s Silence

The Translator’s Silence Three lenticular panels, 22 inches x 36.6 inches each Lines of Control: the Partition as Productive Space, Johnson Museum of Art, Cornell University, Ithaca (2012)


Utsushimi (2017 – ongoing)  Double Image / Token / Emanation Materialized Architectural Drawing in Illuminated Wireframe  Site specific installation at Suzu City, Oku-Noto Triennale, Japan

Undoing walls

Undoing Walls| 2017 1’ 55” Animation loop, Variable Dimensions Can a “dysfunctional” wall structure be imagined so as to question the original intentions of a Government? Can a “welcoming” and useful wall be created; one that serves the communities that it is meant to separate and which proposes an alternative solution to human segregation, when […]

Communard Biscuits

Communard Biscuits (2017) 3 D Printing, Silicone mould, flour, water, salt500 biscuits, 9 x 1 x 1 cm (each) Exhibited at Whitworth, Manchester A hard tack biscuit from the Paris Commune of 1871 was 3D scanned, 3D printed, a mould made and facsimile biscuits baked. History in facsimile, waiting for a bite.  Made in collaboration with the People’s […]

Will you, Beloved Stranger

Performance, Architecture, Textual Collation, 2013 Architectural collaborators: Efrat-Kowalsky Architects Video of performance: 43 minutes Video tech – Yoav Bezaleli & Oscar Abush Readers: Amit Gour and Ruba Amira Salameh Exhibited at ‘Host & Guest’ curated by Steven Henry Madoff at Tel Aviv Museum of Art, Tel Aviv, Israel (2013) will you, beloved stranger, ever witness […]

The Fruits of Labour

Fruits of Labour (2012) 100 orange fruit trees, industrial sizes fans, framed copies of the Faridabad Majdoor Samachar | Public Art Project at REAKT: Olhares e Processos, Guimaraes Approaching the sense of exhaustion and hopelessness of the end of a factory’s life cycle, the artists established a link between a call published in a newspaper […]

Forthcoming titles

Forthcoming Titles Books, jacket cover designs, frames (set of 10) Gallery Nature Morte, New Delhi (2012) Three unwritten books, each marking a whimsical relationship to specific influential texts (by Rosa Luxemburg, Vladimir Illyich Lenin and Antonio Gramsci) in the canon of Marxism, find their place amongst a set of echoing titles in a carefully laid […]

Reverse Engineering the Euphoria Machine

Reverse Engineering the Euphoria Machine Installation with furniture, 2 videos, objects, drawings, photographs Mori Museum, Tokyo (2008-09); National Museum of Contemporary Art, Seoul (2009); Essl Museum, Vienna (2009); Gallery Nature Morte, Berlin (2012)  Euphoria Machine is the name we give to the apparatus of desire and cognition that seeks to create a consensus within society for […]


Revoltage Text, lightbulbs, fixtures, acrylic, wire, synchroniser Exhibition History: ‘The Capital of Accumulation’, Project 88, Mumbai (2010); ‘Reading Light’, Festival d’Automne, Espace Oscar Niemeyer, Paris (2011); Art Unlimited Basel (2012); ‘Critical Mass’, Tel Aviv Museum (2012); ‘Words Don’t Come Easily’, Zentrum für Internationale Lichtkunst, Unna (2014). Revoltage fills the space it occupies with warmth, light, […]


Proverbs Cured MDF, LED lights, wooden frame, lighting sequencer Surjection, Art Gallery of York University, Toronto (2011). Lado A Lado (India – Side by Side), Rio de Janeiro and São Paulo (2012). “Proverbs” is a series of textual sculptures that express a set of ambiguities about transactions and relationships. Money, Power, Time, Emotion, Regret, Laughter, Memory are the […]


Marks | 2011 Acrylic, MDF, red LEDs, electrical wires, gold mylar sheet Headquarters of French Communist Party, 2, Place du Colonel Fabien, Paris (2011); Centro de Arte Dos de Mayos (CA2M), Madrid (2014); Museo Universitario Arte Contemporaneo, Mexico (2015); Fundacion PROA, Buenos Aires (2015); K21, Dusseldorf, Germany (2018):


Published in conjunction with the exhibition Surjection by Raqs Media Collective of New Delhi, held at the Art Gallery of York University from 22 September through 4 December, 2011, and curated by Philip Monk.

36 Planes of Emotion & One Meter of Truth (Emotion)

36 Planes of Emotions Laser engraved acrylic glass, furniture, lighting (180 x 150 x 60 cm) Surjection, Art Gallery of York University, Toronto (2011); Raqs Media Collective, The Photographers’ Gallery, London (2012) Graphic design: Amitabh Kumar + Satyabrata Rai. 36 Planes of Emotions extends the palette of emotions to include states of collective potential. These are embodied in […]

Strikes At time

Strikes at Time 2 synchronized video projections with sound, 18’ 32” Centre George Pompidou, Paris (2011) Strikes at Time is a lucid dream, readings from an occasional anonymous journal, and a long walk at the edge of the city of the night. In that no man’s land annexed by the awakening mind from the fatigue […]

The Rest of Now

The Rest of Now Text by Raqs, published in “Manifesta 7 COMPANION”, one of three publications accompanying Manifesta 7, co-curated by Raqs Media Collective

The Knots that Bind are the Knots that Fray

The Knots that Bind are the Knots that Fray 7 channel video installation, varying lengths Baltic Centre for Contemporary Art, Gateshead, Newcastle (2010); Kiran Nadar Museum of Modern and Contemporary Art, Noida, U.P (2012) In early April 2009 the last of the distinctive Titan cranes from the Tyneside Swan Hunter shipyard in northern England were […]

The Things that Happen when Falling in Love

The Things that Happen when Falling in Love Installation with 18 coloured and clear acrylic figures with printed mirrored letters, wire cables, 7 video screens, 13 photographs Baltic Centre for Contemporary Art, Gateshead, Newcastle (2010) The Things That Happen When Falling in Love brings together suggestions of words, and people on the move to create an […]

The Capital of Accumulation

Capital of Accumulation 2010/ Installation with 2 channel video projection and audio, 2 books in glass-fronted bookcase. Duration: 50:00 minutes The promised city, Hebbel Am Ufer, Berlin (2010); Museum of Modern Art, Warsaw (2010); The Capital of Accumulation, Project 88, Mumbai (2010), Manifesta 9, Genk, Belgium (2012) The Capital of Accumulation is a video installation […]

The surface of each day is a different planet

The Surface of Each Day is a Different Planet | 2009Film (38 minutes)Art Now: Lightbox | Tate Britain Stories leak, histories collide. Bones, bodies, faces, and handwriting blur. Crowds gather and move. Open-ended and anti-documentary, The Surface of Each Day is a Different Planet builds sequential scenarios that move across time and space, while considering collectivity, anonymity […]

When the Scales Fall from your Eyes

When the Scales Fall from your Eyes Installation with mould-blown glass busts, found objects, variable-colour light source IKON Gallery, Birmingham (2009) “When the Scales Fall from Your Eyes” dismantles our obsessions with measurement and quantifiable evaluation by gathering scales that set out to weigh impossibilities.  An array of glass cast busts are mounted with heads made […]

Anonymous Steel Worker

Anonymous Steel Worker | 2007Enamel screen print on stainless steel, 96 inches x 58.5 inchesMattress Factory, Pittsburgh (2007-08) Every factory has a time book. The time book is an index of the value of a worker’s time. It records hours, minutes and money, and acts as the memory machine of a factory. But time also […]

However Incongruous

However Incongruous | 2011 Fibreglass (160 x 92 x 320 cm) | Print Albrecht Dürer came across rumors of the Indian rhinoceros named Gainda sometime in 1515 that he would immortalize in his woodcut, Rhinoceros. Gainda the rhinoceros, far from his native habitat in the grasslands of Gujarat (where no rhinoceroses remains today), was sadly lost at […]

The Mathematics of Anacoustic Reason

The Mathematics Of Anacoustic Reason Inkjet print, 182 x 120 cm Print containing images, text and mathematical symbols arranged in the form of an equation. “Out of the Equation: Roads to Reality” (a project curated by Hans Ulrich Obrist), NOW WHAT: Democracy and Contemporary Art, Space Hamilton and Insa Art Space, Seoul (2006) The Mathematics […]

The K.D.Vyas Correspondence

The Kd Vyas Correspondence, Vol.1 Installation with 18 video screens and DVD players, steel frame structure audio Museum of Communication, Frankfurt (2006); Shooting Back, Thyssen- Bornemisza Art Contemporary, Vienna (2007); Horn Please, Kunstmuseum Bern, Bern (2007- 08) The KD Vyas Correspondence Vol. 1 is an installation embodying an epistolary enigma. The basis of this work […]

A Measure of Anacoustic Reason

A Measure of Anacoustic Reason | 2005Installation with 1 projection, 4 screens, 4 dialogues, 4 lecterns, 4 benches with embedded speakers, lightbox | Exhibited at India Contemporary, Venice Biennale (2005), Thermocline of Art, Zentrum fur Kunst und Medientechnologie, Karlsruhe (2007), There has been a change of plan, Nature Morte, New Delhi (2006)  A Measure of […]

5 Pieces of Evidence

5 Pieces of Evidence | 2003/ Installation with 5 video screens, audio, and steel armature  5 Pieces of Evidence reflects on missing persons, urban myths, transitoriness, maps, and global networks. The five screens are narratively organized along the lines of a “whodunit.” Missing persons notices, street maps, demographic statistics, and images of pipelines, rail tracks, harbours, and […]