With respect to residue
Text by Natasha Eaton, on Raqs’s work. Published in Third Text online Forum: Decolonial Imaginaire
The word ‘para’ gestures to a relationship to that which a thing stands beside, or at a tangent to. In our ‘para-practices’ are writings that we do, and conversations that we enter into, alongside. It could be the making of a Sourcebook for staging public discursive moments for a plural knowledge world, or a Curation, a processual duration with many to re-apprehend the world, or a Studio with students to reimagine the power of margins or thresholds.
Text by Natasha Eaton, on Raqs’s work. Published in Third Text online Forum: Decolonial Imaginaire
Everything Else is Ordinary delves into the elusive, multifaceted nature of time and how it shapes our existence. Raqs explores the concept of time not as a singular, linear force but as a series of intersecting moments that reflect our complex relationships with labor, memory, and each other. The exhibition interweaves various elements of daily life with philosophical reflections.
Not Yet At Ease premiered at FirstSite, Colchester as part of the 1914-18 Now Commissions: a series of new artistic works commemorating a century of the First World War.
With Provisions for Everybody, Raqs offers a weave of thoughts found on the the road; as well as images, calculations, texts, textures and textiles which accompany and aid the the task of re-imagining the relation between potential and plenitude.
A thicket is a concentration of living matter. In forests, gardens, and fields, thickets rise where different plant species find it possible to thrive together in a wild celebration of life itself. Conversations too can have thickets; points of intersection of lines of force. Raqs Media Collective’s presence at Tate Exchange (December 14 – 20, […]
Project 88 (Mumbai) 2018 “everything is burning” Raqs Media Collective returns to Project 88, Mumbai with “Provisions”, an exhibition that brings together the premiere in India of an ambitious recent video travelogue, ‘Provisions for Everybody’ (2018), as well as a new body of work — photo/text/objects that embody an agile and playful skepticism towards the […]
Interview with Raqs by Melissa Karmen Lee, published in ASAP/Journal vol. 3.2, 2018
To Ask when Empty, To pour when Full Text by Raqs, “On the aestheticization of Politics”
Text by Raqs, published in Critical Times: Interventions in Global Critical Theory, Critical Times (2018) 1 (1): 272–276
Published in conjunction to the Technologies of Life in the Contemporary (14th – 16th December, 2017), Sarai-CSDS, Delhi and Goethe-Institut/Max Mueller Bhavan, New Delhi
Twilight Language signals a lighthouse semaphore for all that is lost and found between errant longitudes, infected histories and contagious futures. This is the time when everything changes; memorials defect, communards bake biscuits, moths mutate, divers rise, clocks speak in tongues. Animals, machines, and humans recover grounds of equality and conversation. Words turn incandescent, enigma shadows everything, twilight finds its language.
Read By, Written By is a poetry book compiled to accompany the Bonniers Konsthall 2017 exhibition, ‘The Image of War’
51 Personae expands on the possibilities of the 11th Shanghai Biennale: Why Not Ask Again: Arguments, Counterarguments, and Stories curated by Raqs Media Collective
PresentomorrowExhibited at Mondialité (2017) | Curated by Hans Ulrich Obrist and Asad Raza, Villa Empain, Boghossian Foundation, Brussels Installation with Video, still Images and Animated Text The installation presented within the framework of Mondialité makes references to several of their previous installations and to the writings of Édouard Glissant. It evokes the fact that the concepts, the […]
Text by Raqs, published as a monograph for “The Contemporary Condition” series, series editors Geoff Cox + Jacob Lund, 2017
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